Art Madrid'24 – Francisco Mayor Maestre – En la explanada del muelle suele haber sitio para aparcar (2023)

Francisco Mayor Maestre | En la explanada del muelle suele haber sitio para aparcar

Francisco Mayor Maestre

En la explanada del muelle suele haber sitio para aparcar, 2023

Oil on canvas

190 x 150 cm

Aurora Vigil-Escalera

Gijón, España

Programa General A5

Contact

about Francisco Mayor Maestre

Madrid, 1990

Mayor Maestre's painting explores the limits of urbanism and nature, the buildings and the people who inhabit them. He reflects on painting itself and the mysteries of its language through a geometry that is reflected in the architectural facades of his works. Buildings that for him are important not only for their architecture but also for the lives and stories that take place in the interior of each of their windows. The excellent technique of his drawing is intentionally interrupted with collages, graffiti, globes of oil paint... that fill his work with freshness and rhythm. The young artist is one of Aurora Vigil-Escalera's personal bets and in the last few years he has won important national awards and distinctions, as well as more and more international recognition.

about the artist's works

The space where his art moves are the place where, without apparent limits, he allows himself to explore how spaces and materials are articulated. It is the place and the way of doing in which an embodied experience is produced and she can carry out actions that come from a reflection and derive from others. They are meta-communicative actions, acts that communicate not about themselves, but about the reasoning and abstract thoughts that have triggered them. In his practice, painting is considered an eminently material form of image construction, in order to question the materiality of the image and the relationship with the knowledge that derives from it. The complexity in defining materiality lies in the diversity of materialities present, we are talking about something that is eminently heterogeneous and that vibrates from the obvious form of painting (binder and pigment) to the delicate and diffuse materiality of the virtual image.

Featured works

Albert Bonet | Takeishi

Albert Bonet

Takeishi, 2024

Oil on canvas

65 x 50.5 cm

Ana Malta | Não são só os gatos

Ana Malta

Não são só os gatos, 2023

Mixed media on canvas

120 x 100 cm

Alejandro Monge | Transhumanism 02

Alejandro Monge

Transhumanism 02, 2023

Cemento, fibra de vidrio y pigmentos

175 x 80 x 65 cm

Ajarb Bernard Ategwa | New Design 2

Ajarb Bernard Ategwa

New Design 2, 2024

Acrílico con canvas

150 x 150 cm

Costa Gorel | Song to the siren

Costa Gorel

Song to the siren, 2024

Oil on canvas

50 x 50 cm

Elisa Grezzani | On my border #1

Elisa Grezzani

On my border #1, 2023

Técnica mixta sobre panel

110 x 90 cm

Fèlix Coll | 8

Fèlix Coll

8, 2023

Óleo y acrílico sobre tela

60 x 60 cm

HUANG Shung-Tin | (blank) 042

HUANG Shung-Tin

(blank) 042, 2022

Acrylic on linen

91 x 65 cm

Idoia Cuesta | ABISAL

Idoia Cuesta

ABISAL, 2023

Tanza de pesca (filamento de nylon) de diferentes diámetros, blanco y rojo

Juvenal Ravelo | Fragmentación del color

Juvenal Ravelo

Fragmentación del color, 2023

Acrilicios Coloeados Ensamblados

93.5 x 60 cm

Killa Was Here | Yellow Metamorfose

Killa Was Here

Yellow Metamorfose, 2023

Mixed media on wood

50 x 50 cm

Kim Sohyoung | People (10-172)

Kim Sohyoung

People (10-172), 2023

Acrylic on canvas

45.5 x 45.5 cm

Paco Dalmau | 90 III

Paco Dalmau

90 III, 2023

Técnica mixta sobre lienzo sobre tablero

90 x 90 cm

PichiAvo | Young Bacchus Lefkos II

PichiAvo

Young Bacchus Lefkos II, 2024

Pintura spray, acrílica, óleo y tinta UV sobre lienzo

120 x 90 cm

Suncityboy | Public Opinion

Suncityboy

Public Opinion, 2023

Acrylic on paper

75 x 60 cm

Yoon Weedong | Monologue 709

Yoon Weedong

Monologue 709, 2023

Acrílico, Arena sobre lienzo

227.3 x 181.8 x 3 cm

Isabela Puga | M_CB_15

Isabela Puga

M_CB_15, 2024

Caseína, cola de conejo, oro 22k sobre madera

150 x 110 x 4 cm

€5,800.00