THE PHENOMENON OF THE SHARK

AND THE FISHES BANK

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FROM CRITIC TO CURATOR

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VANISHING POINTS

FRANCISCO SUÁREZ, DIRK SALZ AND PATRIK GRIJALVO

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THE PHENOMENON OF THE SHARK

AND THE FISHES BANK

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FROM CRITIC TO CURATOR

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Contemporary Art Fair

Outstanding Works

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Isabel Alonso Vega | Rojo

Isabel Alonso Vega

Rojo, 2018

Ink and methacrylate

40 x 40 x 13 cm

€3,500.00

Hugo Alonso | Untitled 07

Hugo Alonso

Untitled 07, 2018

Acrylic on paper

200 x 152 cm

Samuel Salcedo | Peace 1/2/3 (cada pieza)

Samuel Salcedo

Peace 1/2/3 (cada pieza), 2018

Resina de epoxy

70 x 60 x 65 cm

€9,320.00

Andrea Torres Balaguer | Swift

Andrea Torres Balaguer

Swift, 2018

Mixed media

123 x 95 cm

Carmen Calvo | A table

Carmen Calvo

A table, 2017

Mixed media on paper

49 x 34 cm

Okuda San Miguel | Grey Skull

Okuda San Miguel

Grey Skull, 2018

17-ink hand-printed by Inkvisible Prints on 220 g pink fabriano paper

70 x 50 cm

€400.00

Kepa Garraza | Felipe IV

Kepa Garraza

Felipe IV, 2016

Pastel sobre papel

200 x 140 x 2 cm

Rubén Martín de Lucas | República 12

Rubén Martín de Lucas

República 12, 2019

Obra gráfica impresa sobre papel Hahnemühle

74 x 61 cm

€350.00

Lino Lago | Pintura sobre pintura (Rojo sobre Voet)

Lino Lago

Pintura sobre pintura (Rojo sobre Voet), 2019

Óleo y poliéster sobre lienzo

50 x 41 cm

Yamandú Canosa | Poniente

Yamandú Canosa

Poniente, 2018

Oil on paper

42 x 29.7 cm

blog posts

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21 nov. 2019

Breaking News

WHAT DO ARTISTS' STUDIOS HIDE?

Visiting an artist's studio means entering an intimate field and breathing the creative environment that surrounds the author's work. When one enters this space, all senses are on to trace and locate those little details that tell us a little more about the spirit and thought of the artist, the corrected sketches, the rectifications, the essays, the tests pinned on the walls, the traces in reused paper, the notes, the newly sharpened pencils, the stains of paint...
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19 nov. 2019

exhibitions

PAINTING: THE LEADING DISCIPLINE

Painting has been present since the origin of the plastic expression as one of the most natural, most intuitive and stable manifestations throughout the history of art. However, its two-dimensionality has questioned its communicative capacity in the last century and has given rise to new creative trends focused on overcoming the limitations of the canvas through the search for movement, the decomposition of objects or multiple perspectives.
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14 nov. 2019

Breaking News

FROM CRITIC TO CURATOR

Among the specialised professional profiles that we find in the cultural sector, and more specifically, in the field of visual arts, one of the most recent occupations is that of the curator. The ‘80s put attention on the role of the artist, with its innovative character and the enhancement of its figure as an essential articulator of creative proposals, while the end of the century moved the interest towards the exhibition centres themselves and their work as custodians of current production and as spaces to accommodate all proposals. The change of millennium strongly introduced in this panorama the role of the curator.
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