The canvases of Jorge Hernandez collect narrative iconographies of cinematic reminiscences. They include American cinema noir, Hitchcockian suspense and direct references to directors such as Kubrick.  Each work, like a frame, tells a story and the resinous patina that covers them encapsulates the scenes, giving them timelessness and a certain mystery. Jorge constantly investigates the human condition in his work, exploring the possibilities of pop aesthetics and the influence that prominent figures such as Hopper and Hockney have had on his work. To do so, he appropriates an imagination taken mainly from social networks and whose findings he captures, in a single frame, through intimate stories full of decontextualizations, blurs and cinematographic shots that are disconcerting but at the same time, suggestive and attractive.