RAÍCES AFUERA. PERFORMANCE CYCLE X ART MADRID'25

Art Madrid celebrates twenty years of contemporary art from March 5 to 9, 2025, at the Galería de Cristal of the Palacio de Cibeles. During Art Week, it becomes an exhibition platform for national and international galleries and artists. In this edition, with the aim of providing a space for artists working in the realm of performance art, the fair presents Raíces Afuera, a performance cycle that explores notions of belonging and the need for rootedness in a contemporary world marked by fragmentation, displacement, and disconnection. Positioned within the fair as a critical and reflective space, the project challenges the individual’s relationship with their environment, community, and sense of identity.

PERFORMANCE: ENSAYOS DE DESPLAZAMIENTOS. BY JOSEFINA BARDI

March 5 | 19:00h. Galería de Cristal of the Palacio de Cibeles.

Ensayos de desplazamientos. 2025. Scketch. Josefina Bardi.

The project is framed within the artist's research on her relationship with her twin sister, a theme she has been exploring since 2018. Over this time, a series of live actions and visual experiences have been developed, linked to sculptural concepts such as weight, gravity, form, and space—all in tension with the notion of duplicity. This research examines how two twin bodies connect and interact with each other, as well as with the spaces/territories they inhabit. Within this context, "taking root" is approached through the displacement of bodies, exploring the theme of connection and its relationship with distance and territory.

The idea of duplicity is explored by inviting a questioning of personal connections through the positioning of twin bodies in situations of tension with suggestive architectural spaces. The concept of space is referenced, particularly in relation to the distance that has separated the artist from her sister since 2022, a distance that conditions and challenges the notions of physical territory, time, communication, emotions, and affections.

This project proposes a series of "encounter rehearsals." The idea of encounter is understood as a poetic conceptualization of bodies situated in a space-time-place, intertwining verbs—words—and actions to create a choreography of encounters. Through displacement, crossing, jumping, and traversing the space, these actions create micro-affective architectures.

VERB / ACTION

1 WALK - DRAG

2 SEE/HEAR/SPEAK - THROW

3 STAND - JUMP

Three micro-affective architectures will be built, each linked to an action—throw, launch, and drag—through the choice of three verbs: walk, stand, and see/hear/speak. These actions will allow the construction of the piece.

Remove from the Root. 2024. Performance Documentation. Josefina Bardi.

ABOUT JOSEFINA BARDI

Josefina Bardi Prida (Santiago, Chile, 1996) is a visual artist and educator, currently based in Madrid, Spain. She holds a degree in Visual Arts from the Universidad Diego Portales and has complemented her education with a Master's in Plastic, Artistic, and Visual Education from Universidad Nebrija and the Instituto Cervantes. Her teaching career spans institutions in Chile and Spain, where she has worked as an art teacher and collaborator in workshops with prominent artists.

In her professional career, she has been the head of the ceramics workshop at Brio Atelier, production and artwork assistant for artists such as Cristóbal Ochoa, Camila Ramírez, and Sebastián Mahaluf, and has also worked in graphic design.

Her work has been recognized with various awards, including First Place in the Municipal Award for Young Art of Santiago (2024) and the PAAL residency at Zapadores Ciudad del Arte (2023). She has held solo exhibitions in Santiago and Madrid, and participated in numerous collective shows across America and Europe, including the Biennial at the Museum of Memory and the MAC Quinta Normal.

From July 7 to 9, 2025, the Balsera Palace will host the First Course on Collecting and Contemporary Art, an intensive 15-hour program that will explore the complex and fundamental question of taste in contemporary art. Organized by the Nebrija Institute of Arts and Humanities at Nebrija University and the Avilés City Council, in collaboration with 9915 — Association of Private Collectors of Contemporary Art and the Institute of Contemporary Art, the course offers a unique opportunity for analysis and debate on the dynamics that shape aesthetic and symbolic value in today’s art scene.

First Course on Collecting and Contemporary Art. Avilés, Asturias

The notion of taste, intrinsically tied to aesthetic judgments and power relations, has played a decisive role in the historical prominence of artists and artworks. However, contemporary art—marked by its breaking of conventions, diversity of media and techniques, and critical stance toward traditional canons—raises fundamental questions about the continued relevance of this concept.

This course will explore how the decisions made by key players in the art system—institutions, private collections, galleries, curators, and artists—continually redefine a field of taste shaped by aesthetic, symbolic, cultural, social, and political logics.

"¿But does it exist, and what is the prevailing taste of our time—so seemingly confused, fragmented, indecipherable?" - Omar Calabrese, The Neo-Baroque Era.

The academic program, directed by José Luis Guijarro Alonso, Director of the Master’s in Art Market and Related Business Management at Nebrija University, and Pablo Álvarez de Toledo, Head of the Department of Arts at Nebrija University and the Nebrija Institute of Arts and Humanities, will bring together a distinguished group of national experts—including collectors, critics, curators, gallery owners, and artists—whose contributions will address key issues in shaping aesthetic, symbolic, and market value in today’s art world.

PROGRAM

MONDAY, JULY 7

9:30 AM Registration.

10:00 AM Course Opening Nebrija University Avilés City Council Presented by Rosario López Meras – President of the Association of Contemporary Art Collectors, 9915, and Adrián Piera – President of the ICA, Institute of Contemporary Art.

10:30 AM Course Presentation By José Luis Guijarro Alonso – Art Historian and Anthropologist, Researcher, and Director of the Master’s in Art Market and Related Business Management at Nebrija University.

11:00 AM Coffee Break.

11:30 AM Panel Discussion The Taste of Private Collecting as a Prelude to History. Speakers: Candela Álvarez Soldevilla – Entrepreneur and Collector; Javier Quilis – INELCOM Collection; José Miguel Vegas Valle – Collector. Moderator: Luis Feás – Critic and Curator.

1:00 PM Lunch Break.

3:30 PM Individual Lecture On Good Taste in Contemporary Art. Speaker: Marisol Salanova – Curator and Art Critic, Director of Arteinformado.

4:45 PM Panel Discussion The Influence of Galleries in Shaping Contemporary Taste. Speakers: Elba Benítez – Gallerist; Ricardo Pernas – Gallerist (Arniches 26); Aurora Vigil-Escalera – Gallerist. Moderator: Rafael Martín – Coleccion@casamer.

6:00 PM End of Day.

6:30 PM Activity and Cocktail Visit to the Exhibition Asturian Artists in the Pérez Simón Collection – Avilés.

TUESDAY, JULY 8

10:00 AM Individual Lecture Contemporary (Bad) Taste: Kitsch, Camp, and Tacky. Speaker: Julio Pérez Manzanares – Autonomous University of Madrid.

11:00 AM Coffee Break.

11:30 AM Panel Discussion Institutions and the Formation of Contemporary Taste. Speakers: Virginia López – Artist, Founder of PACA_Proyectos Artísticos Casa Antonino; Julieta de Haro – Artistic Director of CentroCentro; Carlos Urroz – Director of Institutional Relations, Museo Nacional Centro de Arte Reina Sofía. Moderator: Laura Gutiérrez – Director, School of Art of Oviedo.

1:00 PM Lunch Break.

3:30 PM Panel Discussion Beyond the Eye: The Taste for Ethical, Ecological, Social, or Political Concerns in Contemporary Art. Speakers: Semíramis González – Independent Curator; Eugenio Ampudia – Artist; Claudia Rodríguez-Ponga – Independent Curator. Moderator: Bárbara Mur Borrás – PhD in Fine Arts.

5:00 PM End of Day.

5:30 PM Activity Visit to the Studiolo Exhibition – Candela Álvarez Soldevilla Collection.

WEDNESDAY, JULY 9

9:30 AM Meeting with Asturian Artists Speakers: María Castellanos – Artist; Avelino Sala – Artist; Consuelo Vallina – Artist. Moderator: Pablo Álvarez de Toledo – Nebrija University.

11:00 AM Activity Visit to the Niemeyer Center – Avilés.

Course Closing Ceremony.

This course is designed for art professionals, collectors, researchers, and students seeking an in-depth analysis of the dynamics that shape taste and collecting practices in contemporary art. Adopting a critical and multidisciplinary perspective, it provides a unique opportunity to rigorously examine the aesthetic, symbolic, and structural factors that underpin the legitimization of contemporary art.