PARALLEL PROGRAM CITY TERRITORY. ART MADRID'25

OPEN BOOTH X NEBRIJA UNIVERSITY

Art Madrid, in its 20th edition, presents a Parallel Program dedicated to the conceptual theme City Territory. The city, understood as a permeable organism and a topography of shared meanings, serves as the stage for a thoughtful exploration of the impact of art on the spaces we inhabit.

The second edition of Open Booth stands out as a platform for emerging talent, reinforcing its commitment to supporting the artists of the future. This year, Open Booth x Nebrija University offers students from the Fine Arts program the opportunity to experience an art fair firsthand, connecting them with collectors, curators, and gallerists while providing a space to showcase their work within the professional art circuit.

As part of this initiative, undergraduate students in Fine Arts at Nebrija University present Bajotierras/Sobrenubes (DEL OSO, UN PELO), a collective installation exploring the relationship between the city and its surrounding territory. Led by professor and artist Luis Gárciga Romay, and supported by Liquitex, the project investigates -through geometry, landscape, and scale- how environments transform and how we navigate the intersection between the urban and the natural.

With the backing of Liquitex, a leading brand in professional acrylics, Open Booth x Nebrija University continues to establish itself as a space for experimentation and visibility, bringing young artists closer to both the public and key figures in the art world.

Boceto para Bajotierras/Sobrenubes (DEL OSO, UN PELO). Ximena Couttolenc. Cortesía Universidad Nebrija.

BAJOTIERRAS/SOBRENUBES. (DEL OSO, UN PELO)

The project proposed by the students of the Fine Arts program at Nebrija University is a kind of TOTAL BOOTH, a cohesive space that, through collaboration and the exchange of ideas, reflects the collective potential of all participants, elevating the artwork to a new dimension."

Starting from the breadth and depth of the concepts of TERRITORY and CITY, they approach these notions in alliance with the two established poles while remaining open to the expressive possibilities of other scales and combinations that these concepts may evoke. Territory is the geopolitical manifestation of a way of inhabiting space, it is both here and there, shaping how life is organized. It is the stage where resources and hierarchical powers are dictated, interpreted, and transformed.

Boceto para Bajotierras/Sobrenubes (DEL OSO, UN PELO). Cortesía Universidad Nebrija.

Territory is not separate from the place of our emotions, exaltations, doubts, and hopes. Nor do its border confines distance themselves from the most abstract geometric expression. Sometimes a line delimits and marks, creates a corner, an inclined plane; it evokes an emotion, thus generating a vital region. The universality of geometry allows us to position, locate, confront, critique, and propose. Lines, areas, volumes are imbued with colors according to the contexts we live in and the paradigms we uphold. The horizon line and our existential perspectives are interrupted by the natural or built landscape, bringing to our feet a shore and, with it, floating objects, between drift and design. A controlled avalanche, sometimes in its causes, at other times, in its consequences.

Boceto para Bajotierras/Sobrenubes (DEL OSO, UN PELO). Cortesía Universidad Nebrija.

WHAT SHAPES US. Conformity and Re-formation

The city is divine and underground, buried and celestial, made simultaneously of the lightness of the superfluous and the dense gravity. It lives, sometimes hibernates, but always promises. Between conformity and ambition, we achieve something: a good corner between the terrace and the basement, a good "from here onward".

The Open Booth is organized into four interconnected spaces: Avalanche, inspired by the mountains and the river, with objects shaped by the passage of time; Constelar, where floating lamps evoke memory and aspirations; Mar(ejada) Madrid, a conceptual shore designed for contemplation and dialogue; and A Bear Called Tergiverso, a series of pieces that reinvent the city as an ever-changing organism.

The following participants are representing Universidad Nebrija in Open Booth: Blanca Lanaspa, Héctor Mendoza, Diana Díaz, Ainara Asensio, Rita Gentile, Ximena Couttolenc, Laura Nogales, Michelle Camhi, María Lucía Patiño, Andrea Bornstein, Andrea Manjón, Alis Qiu, Carlota Arias, Inés López, Jaime Muñoz, Marialex Arcaya, Melina Fernández, Mónica Escartín, Rebeca Rodríguez, and Belén Sierra.

Boceto para Bajotierras/Sobrenubes (DEL OSO, UN PELO). Cortesía Universidad Nebrija.

In Madrid, the Fine Arts students at Nebrija University question and propose the MATERIALITY and MATERIALS of a constellation where the notions of territory and city coexist with great presence, yet with a subtle protagonism. Procedures, methods, processes; the ways in which we transform the world into a very specific place, more diverse than a country, unfolding beyond a map or a file, yet portable in a pocket. Monuments, miniatures, the human scale. Space overflows and synchronously fits into a single verse. A verse is matter resistant to gravity and time, capable of becoming more than earth and more than cloud, managing to metamorphose and mimic what we are made of.

Luis Gárciga. Curator

Boceto para Bajotierras/Sobrenubes (DEL OSO, UN PELO). Cortesía Universidad Nebrija.

Thanks to initiatives such as these, students not only hone their technical and conceptual skills, but also develop fundamental competences for their professional future in the world of art, design and the creative industries. Through teamwork, the exploration of artistic references, the promotion of creativity and critical thinking, they are prepared to face the challenges of their discipline with a broad and multidisciplinary vision.

From Nebrija University, we would like to express our most sincere thanks to Amaya Hernández, director of the Degree in Digital Design and Multimedia, and Lorena Palomino, director of the Degree in Fine Arts, for their invaluable support and commitment to this project.

Prof. Dr. Pablo Álvarez de Toledo Müller Director of the Art Department Faculty of Communication and Arts. University of Nebrija

ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. PERFORMANCE CYCLE X ART MADRID'26

Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.

PERFORMANCE: ALTA FACTURA. BY COLECTIVO LA BURRA NEGRA

March 4 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.

"Discipline for Power.” Performance by La Burra Negra for Displacement of the Congress of Deputies by Roger Bernat. 2025.

Alta Factura subverts the conventional structure of the fashion runway to foreground the often-invisible processes that underpin artistic production. Through a series of conceptual textile works, the performance draws attention to the discipline of craft and the artist’s vulnerability, ultimately revealing those seams typically consigned to the margins, behind the scenes.

Colectivo La Burra Negra.

ABOUT EL COLECTIVO LA BURRA NEGRA

La Burra Negra is a nomadic performance art collective based in Málaga, founded in 2024 following its first residency in Totalán. The group is self-managed by Ascensión Soto Fernández, Gabriela Feldman de la Rocha, Sasha Camila Falcke, Sara Gema Domínguez Castillo, Sofía Barco Sánchez, and Regina Lagos González—six artists from diverse backgrounds and trajectories who met at the Hospital de Artistas at La Juan Gallery.

The collective brings together practitioners working across jewelry, painting, the performing arts, music, dance, cultural mediation, and arts management. Its activities include an annual residency in Totalán, the production of performative works, cultural mediation initiatives, and site-responsive interventions.

Since its inception, the collective has participated in the Periscopio series at La Térmica; presented A granel at the MVA in Málaga; carried out a number of actions in Totalán—the most recent during its second annual residency—and contributed its own proposals to the performance Displacement of the Congress of Deputies by Roger Bernat in Madrid.

At the core of La Burra Negra lies a commitment to collective creation and the exchange of knowledge. United in their effort to experiment with and disseminate performance art, the group explores the invisible dimensions of artistic labor—its temporalities, efforts, and relational dynamics, which so often remain unseen—as a form of critical affirmation.

Their practice emerges from dialogue and shared reflection, in the pursuit of decentralized spaces where art can be experienced and its processes made visible. Each residency and each action becomes an attempt to inhabit creation collectively, challenging conditions of precarity while fostering networks of care and collaboration that sustain both their own practice and that of those around them.