Art Madrid'26 – THE ABSOLUTE JOB OF JUAN LUIS MORAZA

View of the exhibition

 

 

Juan Luis Moraza, Vitoria 1960. He is already a renowned artist, in the most contemporary artistic panorama. The work of Moraza, has been developed basically in the field of sculpture, not removing protagonism to the different disciplines, with the integration of these to their facilities. The painting, the implantation of objects or the audiovisual material, make that the work of Moraza expands in different registers, techniques and contexts. These practices have positioned him as a reference when it comes to influencing an entire generation.

 

 

 

View of the exhibition

 

 

He has done more than 20 exhibitions, both collective and individual in recent years, in cities such as Madrid, Barcelona, ??New York, Venice, Buenos Aires or Chile, and his work is already part of certain public and private collections. For this particular show, the artist explains the concept of work based on different scenarios of the most current society, ug of Work, Erosis, Calendar of labor holidays, Republic, Software, Anormatividad and The party as office.

 

 

View of the exhibition

 

 

The curator Antón Castro has carried out a tour in which we can appreciate the distrust of the artist before said society, which encourages us to be competitive and to develop as automatons, being thus laziness punished by collective thinking. As "reward" sacrifice and effort, reward the individual with values ??that give meaning to the constant work of our minds. It is a valuable social critic, to the routine that we develop day by day. A sample that you can not miss.

 

 

View of the exhibition

 

 

The curator Antón Castro has carried out a tour in which we can appreciate the distrust of the artist before said society, which encourages us to be competitive and to develop as automatons, being thus laziness punished by collective thinking. As "reward" sacrifice and effort, reward the individual with values ??that give meaning to the constant work of our minds. It is a valuable social critic, to the routine that we develop day by day. A sample that you can not miss.

 

 

 


ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26


Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.


PERFORMANCE: OSCURECER UN PAPEL. BY ROCÍO VALDIVIESO

March 5 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.


Nocturnality. Installation. Rocío Valdivieso..


Oscurecer un papel forms part of a series of actions in which the artist engages in reading through repetition, memorization, and a measured degree of improvisation. Within this framework, a non-linear mode of reading emerges from a written text that is transformed when spoken aloud, assuming a different form in the act of articulation. The texts stem from an ongoing investigation into materiality, space, the relationships between body and matter, writing, the sculptural, and a sustained interest in the exploration of voice and orality.

The material from which Oscurecer un papel is constructed consists of a collection of purchase receipts the artist has been accumulating over time. The printed text they contain, together with the action of bringing them into proximity with a heat source—thereby activating the thermal paper on which they are produced—generates meanings that revolve around the notions of consumption and wear.


Rocío Valdivieso. Latent Aura. Performance documentation.


ABOUT ROCÍO VALDIVIESO

Rocío Valdivieso is an artist, researcher, and cultural manager. She is currently a PhD candidate in Fine Arts at the Complutense University of Madrid. She holds an MA in Research in Artistic Practices from the University of Castilla–La Mancha (UCLM) and a BA in Fine Arts from the National University of Tucumán, Argentina. She was a Fundación Carolina fellow from 2022 to 2023. She currently co-directs Errática. Laboratory of Processes and Critique in Madrid, alongside Romina Casile.

She was part of the PEEPA 2023 Program at the Centro de Residencias Artísticas, Matadero Madrid. She completed the 2021/22 Artists Program at Universidad Torcuato Di Tella, Buenos Aires, and in 2020 participated in the Intensive Curatorial Program of Proyecto PAC at Galería Gachi Prieto, Buenos Aires. She received the Visual Arts Promotion Award at the 4th Visual Arts Week of the Ente Cultural de Tucumán. She was awarded an AUGM scholarship for an exchange residency at UNESP, São Paulo, Brazil. She also participated in the International Residency Program La Ira de Dios and in the Acéfala Galería Residency for Argentine artists.