David Delgado Ruiz describes himself as a tireless pursuer of images: “Since I can remember, I remember myself with a camera in my hand. We remember frames, not moving movies". His philosophical perception of the logic of time and space immerses him in a constant search to document the contemporary world behind the objective of his camera, combining analogue and digital formats. He develops his work in three lines of research: Documentary Photography: the influence of the passage of time in society and in the members that make it up according to the historical period, the entity, the cultural field, etc. Contextualized Portrait: the essence of the individual throughout its history. Intervened Reality: a different vision from the alteration of details, where overlapping universes generate new realities and invite the viewer to reflect through the creation of invented scenarios, non-apparent truths that come together in pictorial frames.