Art Madrid'26 – Art Brussels moves downtown

 

Bricks by bricks, 2015. Obra de Eugenio Merino en Art Brussels con ADN Galería.

 

From 22 to 24 April, Brussels is full of art with Art Brussels, contemporary art fair which opens at new space, the Tour & Taxis, industrial building from the early twentieth century and, with less capacity, has forced the exhibition to prevail quality over quantity and to reduce their number of participants from 191 to 140 selected galleries. An opportunity, says the organization to "make great discoveries," referring especially to the great Belgian and international collectors to who have dedicated much of the programming of the fair.

 

 

 

 

With an average of 30,000 visitors a year, Art Brussels proposes various activities in and outside the fair among which undoubtedly this year they remark "Cabinet d'Amis: The Accidental Collection of Jan Hoet", exhibition of the most special pieces the private collection of Jan Hoet (1936-2014), acclaimed Belgian collector and curator, creator of Les Chambres d'Amis in 1986, at which invited artists to create works for houses of 50 private collectors. Hoet also was the curator of Documenta IX in Kassel. This exhibition includes work by Joseph Beuys, Christian Boltanski, Michaël Borremans, Marcel Broodthaers, Cai Guo-Qiang, Marlene Dumas, Mario Merz, Marisa Merz, Cady Noland, Panamarenko, Richard Prince, Luc Tuymans or Andy Warhol.

 

 

 

 

As every year, Art Brussels has chosen a photographer to create your print campaign and this time was the Belgian collective Ottomura, founded by three photographers in 2010 and they have chosen the image of the new exhibition space inhabited only by thick masses of colored smoke. Pure suggestion.

 

 

 

 

As added, are worth visiting some of his "Readings and Conversations", six readings and 4 conversations between experts in contemporary Collecting and shop around Sculpture Project, the route designed with pieces of sculpture. Then, take some abbey beer.

 


ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26


Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.


PERFORMANCE: OSCURECER UN PAPEL. BY ROCÍO VALDIVIESO

March 5 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.


Nocturnality. Installation. Rocío Valdivieso..


Oscurecer un papel forms part of a series of actions in which the artist engages in reading through repetition, memorization, and a measured degree of improvisation. Within this framework, a non-linear mode of reading emerges from a written text that is transformed when spoken aloud, assuming a different form in the act of articulation. The texts stem from an ongoing investigation into materiality, space, the relationships between body and matter, writing, the sculptural, and a sustained interest in the exploration of voice and orality.

The material from which Oscurecer un papel is constructed consists of a collection of purchase receipts the artist has been accumulating over time. The printed text they contain, together with the action of bringing them into proximity with a heat source—thereby activating the thermal paper on which they are produced—generates meanings that revolve around the notions of consumption and wear.


Rocío Valdivieso. Latent Aura. Performance documentation.


ABOUT ROCÍO VALDIVIESO

Rocío Valdivieso is an artist, researcher, and cultural manager. She is currently a PhD candidate in Fine Arts at the Complutense University of Madrid. She holds an MA in Research in Artistic Practices from the University of Castilla–La Mancha (UCLM) and a BA in Fine Arts from the National University of Tucumán, Argentina. She was a Fundación Carolina fellow from 2022 to 2023. She currently co-directs Errática. Laboratory of Processes and Critique in Madrid, alongside Romina Casile.

She was part of the PEEPA 2023 Program at the Centro de Residencias Artísticas, Matadero Madrid. She completed the 2021/22 Artists Program at Universidad Torcuato Di Tella, Buenos Aires, and in 2020 participated in the Intensive Curatorial Program of Proyecto PAC at Galería Gachi Prieto, Buenos Aires. She received the Visual Arts Promotion Award at the 4th Visual Arts Week of the Ente Cultural de Tucumán. She was awarded an AUGM scholarship for an exchange residency at UNESP, São Paulo, Brazil. She also participated in the International Residency Program La Ira de Dios and in the Acéfala Galería Residency for Argentine artists.