Art Madrid'23 – SERGIO PREGO AND THE SPACE

Photo of Sergio Prego

 

 

Sergio Prego, studied at the Faculty of Fine Arts in Bilbao and later completed his training at Arteleku, San Sebastián. This artist, has realized exhibitions at international level among which stand out Art 41 Basilea, the center Contemporary Art of Siena or PS1 of New York. He has also exhibited at the Guggenheim Museum in Bilbao and Art Unlimited.

 

 

High Rise

 

 

High Rise is a plastic response to the new museum idea. This sample, as the materials used to carry out the sculpture are ductile and light. The location is located in the entrance hall and the new exhibition space of three floors of open height in the heart of the Center. The composition of the sculpture has been reduced to the use of basic geometric bodies. The form only exists in a particular state or thanks to the action performed with the materials of the same.

 

 

 

Photo of a installation of Sergio Prego, untitled, 2011

 

 

Inspired by membrane architecture, a technique from the late 1960s, is a synonym for variable autonomy, isolation and the need for integration converge at the same point. The Prego piece, made up of different pieces, forms a set of accumulation. Tetrahedrons, made of rigid cardboard, investigate the articulation of the volumes, thus applying a series of joint possibilities that give the piece a certain changing air.

 

 

Photo of an installation of Sergio Prego, untitled, 2011

 

The curious thing about this staging is that it allows the viewer to enter the piece and interact with it, creating an affective bond. The sum of inflatable elements, in different plants emphasizes the modular character of this one and it gets that air crosses the interior. You can enjoy this exhibition in the Ca2M (Móstoles) until February 26.

 

 

 

In the year 2020 in the heart of Barcelona a wandering gallery was born, the same one that in February 2021 would debut at Art Madrid with an exhibition proposal focused on contemporary portraits; with this subject matter it would manage to create a powerful dialogue between artwork and audience and make the seal Inéditad remain in the history of the event that contained it.

Jean Carlos Puerto. Protección. Oil and copper leaf on wood. 60 x 48. 2021. Image courtesy of the gallery.

Since that first time and until today, the wandering gallery has managed to build projects on otherness, has repositioned in the spotlight the discourses on the LGTBIQ+ collective, has consolidated a group of artists who share its principles of resilience and empathy and the best thing is that it continues to bet from the professionalism and commitment to give voice to the difference.

Claudio Petit-Laurent.. El Joven de la Perla. Oil on wood. 30 x 30 cm. 2023. Image courtesy of the gallery.

Inéditad Gallery, thanks to its founder Luis López, its collaborators and the infinite possibilities manifested in the works of the artists it represents, is a gallery that has demonstrated its capacity and courage to stimulate the sensibility of the public through art and seduce a generation that moves between the glass window and the analogical story. Inéditad is a nomadic gallery that has gathered around it a community of artists and has moved the context with exhibition projects that think about LGTBIQ+ art without prejudices.

Pepa Salas Vilar. Las marcas del arcoiris. Oil on canvas. 40 x 50 cm. 2022. Image courtesy of the gallery.

Pride and Prejudice was inaugurated. An exhibition that brings together the works of sixteen artists: Abel Carrillo, Alex Domènech, Carlos Enfedaque, Silvia Flechoso, Jamalajama, Daniel Jaén, Claudio Petit-Laurent, Jean Carlos Puerto, Fernando Romero, Pablo Rodríguez, Pepa Salas Vilar, Jack Smith, Pablo Sola, Bran Sólo, Elia Tomás and Utürüo. Painting, illustration, photography and digital art are the manifestations that bring into dialogue around fifty neatly threaded pieces, in a discursive line that discusses such a latent phenomenon as discrimination. To achieve this, the artists invited to the exhibition question themselves whether: Does discrimination exist within the LGTBIQ+ collective?

Pride and Prejudice Official Poster. Image courtesy of the gallery.

With approaches on and from the body, the proposal invites to celebrate diversity, proposes to question and self-question the prejudices and attitudes of society against the collective. Pride and Prejudice is a space for dialogue about the constructs imposed on us by society. It is also an oasis in which to deconstruct with tolerance and respect the subjectivities that sometimes prevent us from approaching the production of the participating artists, simply because "the beautiful" does not fit in an androgynous body. The subjugation of stereotypes are pressed with determination to find the beauty of diversity in other palpable facets of reality.

Pablo Sola. All men are dogs. Photography. 2014. Image courtesy of the gallery.

Throughout these three years Inéditad has stimulated the vindictive projection towards bad practices, has questioned estates around the LGTBIQ+ body and the most admirable thing, is that these capacities have resurfaced around the dialogue and the visual narrative of the stories that are told from the visual: Artworks that are people, art that is, per se, humanity. Overcome impositions and accept what is different in order to continue fighting against homophobia, biphobia, lesbophobia or transphobia and defend the equal rights that all the acronyms of the collective deserve in our community.

That's Pride and Prejudice: One creature, the happiest in the world. And maybe other projects and other people have said it - or felt it - before, but none so fairly.

Silvia Flechoso. Hola, soy maricón. Oil on canvas. 73 x 54 cm. 2023. Image courtesy of the gallery.

From June 8th until June 22nd you can visit Pride and Prejudice. Carrer de Palau núm. 4. Canal Gallery space. Barcelona.