Art Madrid'23 – Art Madrid fair and Art Brut in Círculo de Bellas Artes Madrid

"I am convinced that art is here more lively and exciting than

the manifestations of bored official art

even if it is catalogued as avant-garde". Jean Dubuffet

It is understood as marginal artist the one who develops his creative work outside of art institutions and official channels, especially motivated by an intrinsic creative drive that leads him to experiment with unconventional materials and techniques and create unique and personal universes, a kind of own cosmologies. The outsider art, also known as Art Brut or Intuitive Art has been associated in turn with self-taught artists and people affected by mental disorders and marginal individuals but with sensitivity and artistic production.

 
Although there is no unanimity about the conception and limits of Marginal Art, during the twentieth century the interest in this movement has increased and with it, the very concept of "artistic work". The contemporary art fair Art Madrid has dedicated part of its program Parallel to this art "in the margins of art."
 
"IN / BE / OUT SIDE ART", curated by Un Ojo para el Arte, Asociación Debajo del Sombrero and the poet Asier Vázquez Baths, and with the collaboration of Galería Alegría (Madrid) showcases the work of foreign artists alla norma and artists whose works are perceived from the tangent, works for those that have some sort of visual or hearing disabilities and that enjoy art in a more intuitive way, seeing without seeing with a sixth sense. "IN / BE / OUT SIDE ART" thus makes questions about the limits of art and the nature of artistic activity.
 
Artists: Belen Sánchez / Miguel García / Rubén Cabanillas / Alicia Moneva / Gabriela Targhetta / Irantzu Lekue / Yolanda Marco / Philipp Meyer
 
 
"Most people mistakenly believe that art is primarily a matter of visual assessment. IN / BE / OUT SIDE ART aims to stimulate and evaluate other sensitive possibilities present in art. Having accepted that our eyes are accustomed to look without seeing, will be aware of other views, "poses Azucena Hernandez of Un Ojo para el Arte, co-curator of the exhibition.
 
The artist Gabriela Targhetta with his piece 'Pictures to remember' poses a "showdown with the antivisual reality that brings us, in a way, to the sinister side. Accustomed to saturation, excess, overflow, loss of picture puzzles us. We associate the memory of a particular photographic surface that eventually ends in an overlapping with our own perception of the experience. What happens when we are denied the image? [...] We are situated in a fragile and unknown space, maybe invite us to rethink the visual behaviors that govern our daily lives. "
Alicia Moneva, that has made with Nacho Angulo the work 'Perception' "talks about the things that can be learned looking through other senses."
 
"IN / BE / OUT SIDE ART" also has the honor of having the first comic created for the blind, LIFE, by Phillipp Meyer, an expert in Interactive Design at the University of Applied Sciences in Potsdam (Germany). LIFE is "an experiment showing that it is possible to bring the graphic novel to a blind audience using paper as a medium, it is possible to tell a story without ink, text or sound-that becomes real through the imagination," explains Meyer . LIFE, as the name suggests, is a story about love, life and death through the simplest possible figure, a simple materic circle.

 

In the year 2020 in the heart of Barcelona a wandering gallery was born, the same one that in February 2021 would debut at Art Madrid with an exhibition proposal focused on contemporary portraits; with this subject matter it would manage to create a powerful dialogue between artwork and audience and make the seal Inéditad remain in the history of the event that contained it.

Jean Carlos Puerto. Protección. Oil and copper leaf on wood. 60 x 48. 2021. Image courtesy of the gallery.

Since that first time and until today, the wandering gallery has managed to build projects on otherness, has repositioned in the spotlight the discourses on the LGTBIQ+ collective, has consolidated a group of artists who share its principles of resilience and empathy and the best thing is that it continues to bet from the professionalism and commitment to give voice to the difference.

Claudio Petit-Laurent.. El Joven de la Perla. Oil on wood. 30 x 30 cm. 2023. Image courtesy of the gallery.

Inéditad Gallery, thanks to its founder Luis López, its collaborators and the infinite possibilities manifested in the works of the artists it represents, is a gallery that has demonstrated its capacity and courage to stimulate the sensibility of the public through art and seduce a generation that moves between the glass window and the analogical story. Inéditad is a nomadic gallery that has gathered around it a community of artists and has moved the context with exhibition projects that think about LGTBIQ+ art without prejudices.

Pepa Salas Vilar. Las marcas del arcoiris. Oil on canvas. 40 x 50 cm. 2022. Image courtesy of the gallery.

Pride and Prejudice was inaugurated. An exhibition that brings together the works of sixteen artists: Abel Carrillo, Alex Domènech, Carlos Enfedaque, Silvia Flechoso, Jamalajama, Daniel Jaén, Claudio Petit-Laurent, Jean Carlos Puerto, Fernando Romero, Pablo Rodríguez, Pepa Salas Vilar, Jack Smith, Pablo Sola, Bran Sólo, Elia Tomás and Utürüo. Painting, illustration, photography and digital art are the manifestations that bring into dialogue around fifty neatly threaded pieces, in a discursive line that discusses such a latent phenomenon as discrimination. To achieve this, the artists invited to the exhibition question themselves whether: Does discrimination exist within the LGTBIQ+ collective?

Pride and Prejudice Official Poster. Image courtesy of the gallery.

With approaches on and from the body, the proposal invites to celebrate diversity, proposes to question and self-question the prejudices and attitudes of society against the collective. Pride and Prejudice is a space for dialogue about the constructs imposed on us by society. It is also an oasis in which to deconstruct with tolerance and respect the subjectivities that sometimes prevent us from approaching the production of the participating artists, simply because "the beautiful" does not fit in an androgynous body. The subjugation of stereotypes are pressed with determination to find the beauty of diversity in other palpable facets of reality.

Pablo Sola. All men are dogs. Photography. 2014. Image courtesy of the gallery.

Throughout these three years Inéditad has stimulated the vindictive projection towards bad practices, has questioned estates around the LGTBIQ+ body and the most admirable thing, is that these capacities have resurfaced around the dialogue and the visual narrative of the stories that are told from the visual: Artworks that are people, art that is, per se, humanity. Overcome impositions and accept what is different in order to continue fighting against homophobia, biphobia, lesbophobia or transphobia and defend the equal rights that all the acronyms of the collective deserve in our community.

That's Pride and Prejudice: One creature, the happiest in the world. And maybe other projects and other people have said it - or felt it - before, but none so fairly.

Silvia Flechoso. Hola, soy maricón. Oil on canvas. 73 x 54 cm. 2023. Image courtesy of the gallery.

From June 8th until June 22nd you can visit Pride and Prejudice. Carrer de Palau núm. 4. Canal Gallery space. Barcelona.