Lino Lago

Lino Lago | Fake Abstract (F. Boucher)

Lino Lago

Fake Abstract (F. Boucher), 2019

Oil on canvas

160 x 150 cm

about Lino Lago

Redondela, Pontevedra, 1973

Lino Lago draws his inspiration from everyday life to create a painting with a strong conceptual charge that is born of a commitment to current reality from an ironic and critical point of view. He places the different issues that interest him before his undeniable technical mastery in works in which he establishes a dialogue between the classical and the contemporary. A graduate of Fine Arts from the Complutense University of Madrid, he currently collaborates with galleries in the United Kingdom, Canada, France, Greece, the United States and Spain. He has exhibited in leading national and international venues such as the Casa Encendida in Madrid, the Flint Institute in Michigan and the George Adams Gallery in New York. He has also participated in important fairs such as Art Miami, SH Contemporary Art Fair in Shanghai and ARCO. His latest series, Fake Abstract, has appeared on book covers, as well as in international publications such as The New York Times Magazine, Elle USA, Architectural Digest Russia and Vogue Italia, and has been singled out in Fuera de Serie magazine as one of the artists to invest in.

about the artist's works

Lino Lago seeks inspiration in everyday life to create a painting with a great conceptual load. He puts his ironic and critical vision of the different questions that interest his undeniable technical mastery and manages to configure his unmistakable imaginary. His painting is characterized by its diversity, however ideologically his work can be understood as unitary and coherent since everything is born from criticism and a commitment to current reality. In the series Painting on painting and Attacks, he makes a sort of “desacralization” of classic images, so that he dares to intervene paintings of great masters that he reproduces surprisingly with an intense monochrome pictorial layer or drippings of vibrant colours burst into classic stays. In his most recent series entitled Fake Abstract, he plays with the characteristic elements of abstract painting: line and colour, in such a way that under a painting of flat colours you can guess, through lines, famous classical portraits.

Other works of the exposition POETICS OF THE GAZE

Lantomo | Lightness 03

Lantomo

Sold

Lightness 03, 2018

Grafito y acuarela sobre papel

70 x 50 cm

€1,150.00

Eloy Morales | Figure 1

Eloy Morales

Figure 1, 2018

Oil on canvas

100 x 100 cm

Isabel Ramoneda | Sin título

Isabel Ramoneda

Sin título, 2018

Oil on paper

120 x 120 cm

Eduardo Marco | Sao Paulo 11

Eduardo Marco

Sao Paulo 11, 2018

Photograph on Hahnemühle paper

53 x 80 cm

Xurxo Gómez-Chao | Magnolia y calavera (Tempus fugit)

Xurxo Gómez-Chao

Magnolia y calavera (Tempus fugit), 2018

Photography. Mineral pigments on Ilford Prestige paper 270 g

100 x 100 cm

Lantomo | Darkness 02 Warrior

Lantomo

Sold

Darkness 02 Warrior, 2018

Grafito, pastel y acuarela sobre papel

70 x 50 cm

€1,150.00

Pachi Santiago | Scarface

Pachi Santiago

Scarface, 2016

Photography

30 x 40 cm

Isabel Ramoneda | Sin título

Isabel Ramoneda

Sin título, 2018

Oil on paper

98 x 98 cm

Eduardo Marco | Sao Paulo 14

Eduardo Marco

Sao Paulo 14, 2018

Photograph on Hahnemühle paper

53 x 80 cm

Xurxo Gómez-Chao | La salita XVI

Xurxo Gómez-Chao

La salita XVI, 2017

Mixed media on photography

24 x 18 cm

Lantomo | Nin Jiom Pei Pa Koa

Lantomo

Nin Jiom Pei Pa Koa, 2016

Graphite and pastel on paper glued to wood

73 x 50 cm

Joaquín Lalanne | Thinking Pop

Joaquín Lalanne

Thinking Pop, 2018

Oil on linen

81 x 130 cm

Eduardo Marco | Sao Paulo 3

Eduardo Marco

Sao Paulo 3, 2018

Photograph on Hahnemühle paper

53 x 80 cm

Xurxo Gómez-Chao | Magnolia sobre fondo rojo

Xurxo Gómez-Chao

Magnolia sobre fondo rojo, 2018

Photography. Mineral pigments on Ilford Prestige paper 270 g

100 x 100 cm

Featured works