Art Madrid'26 – 20 WOMEN ARTISTS YOU NEED TO KNOW AT ART MADRID’25

The presence of women artists in the contemporary art circuit remains marked by structural inequality that, although showing recent progress, still reveals a significant gender gap. According to the 2024 Contemporary Art Market Report by Artprice, female artists have gained greater visibility and prominence in the market. Between 2023 and 2024, seven women ranked among the top ten ultra-contemporary artists by auction revenue, and the number of transactions involving their work has tripled over the past decade, reaching record levels in 2023. However, these advances, while encouraging, remain insufficient when analyzed from a global perspective, underscoring an urgent need for more equitable and sustained representation. In this context of transformation, change has been driven by a critical reassessment of art history and the commitment of key stakeholders in the cultural ecosystem. Women artists, who have historically been marginalized, are now emerging as a force challenging established norms.

Art Madrid’25 strengthens its commitment to showcasing women artists by bringing together twenty creators from diverse generations and geographies - including Spain, Portugal, Brazil, Cuba, Peru, Taiwan, Germany, Sudan, Argentina, and Mexico - to highlight their strength and authenticity. This selection prioritizes not only the quality of their proposals but also their ability to engage viewers, inviting us to understand art as a plural and essential territory. Through this initiative, we invite both collectors and the public to discover and value a multiplicity of perspectives that, when brought together, enrich the contemporary art landscape.


Alba Lorente. C4 and C5. 2024. Chinese ink and cardboard on masking tape. 70 x 92 cm.

ALBA LORENTE. Carmen Terreros Gallery

Alba Lorente (Zaragoza, 1994) lives and works in Madrid, although she maintains a strong connection with her hometown. She holds a degree in Fine Arts from the University of Zaragoza, a Master's in Interdisciplinary Artistic Production from the University of Granada, and a PhD in Fine Arts from the University of the Basque Country. Her career has continuously grown. She has been recognized with important awards, such as the fellowship at Casa Velázquez and the award for the best Aragonese artist in 2023. Her work is based on the deconstruction and regeneration of materials, using white and Chinese ink. Influenced by the destructive aesthetics of some Latin American artists from the 1960s, she addresses destruction as a form of creation and a way to channel the most intense human impulses.


Ana Cardoso. ST. Acrylic on MDF.. 2022. 100 X 100 cm.

ANA CARDOSO. São Mamede Gallery

Ana Cardoso (Porto, 1980) is one of the most singular voices in contemporary Portuguese art. She holds a degree in Fine Arts from ESAP and a PhD in Art and Design from FBAUP. Her career combines academic rigor with a creativity that continues to evolve. In her work, the dialogue between the figurative and the abstract stands out through a composition that combines the serenity of the landscape with the presence of objects or human bodies. She uses formal simplification to invite the viewer to reflect on time and memory, exploring how everyday objects can become carriers of emotional and identity-based meaning.


Ana Pérez Ventura. Chopin, Étude op. 25nº1, m.112. 2024. Perforated wood, colorless acrylic varnish. 40 x 40 cm.

ANA PÉREZ VENTURA. Metro Gallery

Ana Pérez Ventura (Santiago de Compostela, 1981) is a visual artist deeply influenced by her training as a classical pianist. Her work, focused on painting, seeks to translate the ephemeral essence of time, characteristic of music, into tangible visual forms. Through rhythmic repetition, almost metronomic, she creates an organic record of the passage of time, transforming the intangible into something concrete and palpable. With studies in Fine Arts and Music in Vigo, Barcelona, Amsterdam, and the Sorbonne in Paris, where she obtained a Master's degree in 2011, she has dedicated her life to exploring the dialogue between the visual arts and music, transforming the ephemeral into the tangible and giving form and substance to the elusive nature of time.


Brenda Cabrera. Moment of a Burning Garden. 2024. Acrylic on canvas. 81 cm x 57,2 cm.

BRENDA CABRERA. Collage Habana

Brenda Cabrera (Havana, Cuba, 1997) is a visual artist and designer who graduated from the San Alejandro Academy and the University of the Arts (ISA). Her work spans various disciplines such as drawing, painting, and NFTs, but it is her creation of a unique universe that distinguishes her: the Prototypes. These hybrid characters design their own coexistence policies within an autonomous ecosystem that, through a reinterpretation of gender roles, domestic politics, and identity construction in contemporary life, explores the complex relationships between the individual and the collective. The artist builds her imagery from childhood memories, marked by the visual and material traces of the former Soviet Union, as well as familiar objects that shape her artistic vision.


Anna Guilhermina. Samaúma. 2024. UV print on wood panel. 79 x 79 cm.

ANNA GUILHERMINA. Jackie Shor Projects

Anna Guilhermina (Brazil, 1980) creates impossible landscapes that exist between dream and reality. With a background that spans from Architecture and Urbanism to photography and contemporary art, she has developed a deeply experimental body of work that dissects nature into visual and material layers. Her artistic language, marked by montage and fragmentation, combines elements such as wood, glass, copper, and acrylic to create settings that challenge perception. These landscapes not only reveal an interest in the layering of forms and textures, but also propose a dialogue between figuration and materials, oscillating between solidity and evanescence.


Inés Jimm. Nudism. 2024. Oil on cotton. 73 x 80 cm.

INÉS JIMM. Canal Gallery

Inés Jimm (Seville, 1996) has made vulnerability the central theme of her work, where dreams are presented as a space of absolute freedom. With a Master's degree in Digital Art and Illustration (2020) and a Master's in 2D Animation (2021) from Trazos School, Jimm has perfected her technique, using oil painting to capture the precise moment when bodies shed their roles and masks, revealing their utmost fragility. Dark circles, recurrent in her compositions, are not just a physical trait but an autobiographical reflection of existential fatigue and the tension between rest and awakening. Her style, influenced by Sorolla and Freud, invites the viewer to question the intimacy of such private moments, generating a discomfort that challenges the boundaries of observation.


Carolina Bazo - Selva Roja. 2022. Photo-performance, printed on cotton paper. 42 x 28 cm.

CAROLINA BAZO. O Art Project

Carolina Bazo (Lima, Peru, 1968) is one of the most prominent voices in contemporary Peruvian art, whose works have crossed borders to be showcased on international stages. She studied painting at the Pontifical Catholic University of Peru (PUCP) and refined her technique at the Akademie der Bildenden Künste in Munich, Germany. Her work, which spans from printmaking to sculpture and installation, is characterized by a constant reflection on identity and memory. In the 1990s, during a time of political and social turmoil in Peru, her work became linked to feminist activism, challenging imposed narratives and questioning the misogyny of Lima's cultural sphere. Bazo’s work not only challenges social structures but also invites the viewer to inhabit a space between playfulness and depth, between fullness and emptiness, between what is visible and what remains hidden.


Suling Wang. Root of Wisdom. 2022-2023. Acrylic and oil on canvas. 176 x 176 cm.

SULING WANG. CHINI Gallery

Suling Wang (Taichung, Taiwan, 1963) began at an early age to weave a complex relationship in her mind between the worlds that shaped her: the East, where she grew up near the Dajia River, and the West, which she embraced when she studied at Central Saint Martins and the Royal College of Art in London. Through her large abstract paintings, Wang merges these seemingly opposite universes, creating her own visual language that transcends cultural boundaries. After two decades in London, where her art gained international recognition, Suling Wang returned to the small town of Taichung, where she rediscovered the stillness she needed to continue her exploration. Her paintings, now part of significant international collections such as those of the Guggenheim in New York and MOCA in Los Angeles, are not only a fusion of techniques and traditions but also a profound reflection on time, space, and memory.


Claudia Doring Baez. Richard Pousette Dart - Thad Jones, 1955. 2023. Oil on canvas. 72 x 55.88 cm.

CLAUDIA DORING BAEZ. O Art Project

Claudia Doring Báez (Mexico City, 1956) has developed most of her career in New York, where she has established herself as one of the most significant voices in contemporary painting. Her work is a constant dialogue with the history of art and literature, a conversation that, through an expressionist and renewed language, becomes personal and unique. Claudia adopts and reinterprets details from the works of great artists of past centuries, from German Expressionism to the poetry of Marcel Proust, through Titian, Fra Angelico, and Vermeer. Through this process of appropriation and recreation, she creates work that not only dialogues with the past but also transforms it, taking tradition to a new ground, full of emotion and depth.


Tatiana Blanqué. Electromagnetic Interferences in Nature. 2023. Oil and permanent marker on a strip of original artwork. 38 x 68 cm.

TATIANA BLANQUÉ. Espiral Gallery

Tatiana Blanqué (Sant Cugat del Vallès, Barcelona, 1971) is a highly regarded visual artist both nationally and internationally. Her studies in Fine Arts at the University of Barcelona marked the beginning of a career dedicated to painting and sculpture. Coming from a family involved in fashion and photography, Blanqué has been immersed in creativity since her childhood. The artist seeks to encapsulate small fragments of reality, observing the interaction between people and their surroundings in geometrically ordered spaces that allow for personal reflection. Her work is characterized by the use of white and timeless settings that invite the viewer to interpret what they find within them.


Francesca Poza. Silence. When Silence Illuminates Our Gaze. The Words Dissolve... Dedicated to all people suffering from Alzheimer’s. 2023. 300g Hahnemühle paper. Dyed Tarlatan. 50 x 50 cm.

FRANCESCA POZA. Alba Cabrera Gallery

Francesca Poza (Mataró, 1965) has developed an artistic body of work that is, above all, an exercise in resistance against forgetting. Her training in printmaking and pastels, combined with studies in graphic design and forging, has led her to a constant process of experimentation with paper. She is known for her ability to transform simple materials, such as recycled paper, into pieces loaded with meaning and emotion. Founder of the Deep Editions publishing house and the GAP artist group, Poza has also been a teacher, imparting her knowledge in various workshops and associations, including the School of Art and Design Deià in Barcelona and the Catalan Association "La Llar" for those affected by Multiple Sclerosis. Her work has been recognized in numerous solo and group exhibitions, both in Spain and southern France.


Inés Rubio Roa. Hangover in the Jungle. 2024. Oil on canvas and embroidered thread. 100 x 150 cm.

INÉS RUBIO ROA. Moret Art

Inés Rubio Roa (Madrid, 1996) is a visual artist from Madrid with a double degree in Fine Arts and Architecture. In her work, figurative art becomes a way to shape a dreamlike universe filled with elements rich in personal symbolism and nostalgia. Her approach moves between surrealism and empiricism, merging free imagination with the observation of the tangible world. For her, painting is an act of exploration, a means to convey fleeting yet intense sensations, always seeking a connection that transcends the time and materiality of the artwork.


Joana Gacho. ST. 2023. Mixed technique on paper. 33 x 65 cm.

JOANA GACHO. Trema Arte Contemporânea

Joana Gacho (Évora, Portugal, 1980) studied at the Faculty of Fine Arts at the University of Lisbon, specializing in painting. Her work reflects a fascination with the city, a space that, for her, becomes a stage for anonymous and dynamic encounters. The figures populating her canvases, stripped of faces and individual character, dissolve into the architecture, into the geometry that defines the urban landscape. She plays with the idea of the window as a boundary to our perception, showing that the city, even though we observe it closely, continues to exist beyond what we are able to see.


Katharina Arndt. Barceloneta Beach. 2023. Acrylic on canvas. 190 x 450 cm.

KATHARINA ARNDT. Ting Ting Art Space

Katharina Arndt (Germany, 1981) lives and works between Berlin and Barcelona. Trained at the Braunschweig School of Art, she earned her Master's in Fine Arts under the direction of John Armleder. Arndt uses media such as PVC film, lacquered paper, and plexiglass, combining glossy acrylic painting and lacquer markers to address the materialistic and plastic culture of the digital age. In her work, she takes a critical approach to the representation of digital communication and mass consumption, reflecting a society obsessed with image and instant entertainment. The figures in her paintings, often caricatured and childish, represent the emptiness and superficiality of a culture where aesthetics have become the only priority, while human connection increasingly fades away.


Lara Padilla. Heart of Fire. 2024. Mixed technique on canvas. 170 x 170 cm.

LARA PADILLA. 3 Punts Gallery

Lara Padilla (Madrid, 1988) is a multidisciplinary artist whose work spans painting, sculpture, dance, performance, and fashion design. With training in Fine Arts and Film Photography, Lara Padilla has exhibited her work both nationally and internationally at venues such as Art Basel Miami and the Museo de Zapadores in Madrid. Her work, influenced by artists like Basquiat and Keith Haring, explores themes such as equality, consumerism, immigration, and freedom of expression. Through her figurative works, she uses body deformation, color, and textures to advocate for the power of female representation; she sees art as a form of political intervention, promoting diversity and equality through an aesthetic that challenges norms and celebrates authenticity.


Núria Torres. Santa Teresa without Ecstasy. 2019. Carrara marble. 50x26x20 cm.

NÚRIA TORRES. Inéditad Gallery

Núria Torres (Barcelona, 1976) is a sculptor passionate about transforming the everyday into art through marble, porcelain, and bronze. After graduating in Engineering, she dedicated herself to sculpture at the Llotja School of Barcelona, where she found her true vocation. Her sculptural work stands out for her dedication and technical perfection, especially in handling stone, which requires extreme precision. The sculptor plays with porcelain and bronze to bring versatility and strength to her pieces, which range from small details to large-scale monumental sculptures. Throughout her career, she has collaborated with artists such as Antoni Miralda and has been recognized at various international biennials. Her art is figurative, but with a contemporary perspective that adds a touch of realism, always seeking new forms of expression and representation.


Miska Mohmmed. Dusk. 2022. Acrylic and markers on canvas. 90 x 203 cm.

MISKA MOHMMED. OOA Gallery

Miska Mohmmed (Omdurman, Sudan, 1995) is an artist whose work transcends the boundaries of reality and imagination. Living between different landscapes, from the arid ones in northern Sudan to the vibrant ones in Nairobi, Kenya, has influenced her artistic vision. Her training at the Faculty of Fine Arts at the University of Sudan led her to develop a unique technique in which she uses oil and acrylic to create semi-abstract landscapes, capturing nature through broad horizontal lines that evoke the atmosphere and spirit of the terrains that inspire her. Her art reflects the interaction between reality and imagination, offering a vision of a changing and dynamic world. By capturing the atmosphere of the landscapes, Mohmmed creates images that are not only visually striking but also invite reflection on the transformation and continuous flow of nature and memory.


Marcela Jardón. Floating Landscape 5162. 2023. Mixed technique on canvas. 60 x 60 cm.

MARCELA JARDÓN. Uxval Gochez Gallery

Marcela Jardón (Buenos Aires, Argentina, 1964) is a multidisciplinary artist whose work has transcended borders. Trained at the National School of Fine Arts at the National University of the Arts in Buenos Aires, her work has been exhibited at various international fairs and events in the Americas, Europe, and Asia, establishing her as a prominent figure in contemporary art. Currently based in Barcelona, her work spans a variety of disciplines, including painting, sculpture, and digital art. Jardón’s pieces have found their place in public and private collections worldwide, clearly demonstrating the impact of her creative work.


Wang Guan - Jhen. A Collection of Fragments No. 62. 2023. Mixed media on canvas. Variable dimensions.

WANG GUAN-JHEN. Yiri Arts

Wang Guan-Jhen (Taiwan, 1992) is an artist whose work explores themes of isolation and loneliness with a unique emotional intensity. After obtaining her Master’s in Fine Arts from the National University of the Arts in Taipei in 2018, she has created pieces that convey a sense of desolation, as if her characters float in an empty space, touched only by fleeting moments of warmth before being once again enveloped in darkness. Her works, with seemingly indifferent expressions, reveal deep stories of loss and despair, where the underlying emotional tension translates into sighs full of tenderness, like a thin line between rationality and passion, making them especially captivating. Her work is part of the collection of the National Museum of Fine Arts of Taiwan, establishing her as one of the most prominent voices in contemporary art in her country.


Brigitte Marionneau. Contenir le vent 10 V (BM032). 2019. Ceramic. 32x25x10 cm.

BRIGITTE MARIONNEAU. Pigment Gallery

Brigitte Marionneau (France, 1955) has built a career in contemporary sculpture marked by a sensitivity that transcends the visible. Her works, which explore the relationship between the human body, space, and nature, are not limited to static forms but invite deep reflection on existence and perception. Using materials such as stone, bronze, marble, and steel, the artist creates pieces that, while minimalist in aesthetic, carry a tremendous emotional weight. In these works, empty space is never absent but dialogues with the solidity of the material, suggesting a balance between fragility and strength, between the visible and the intangible.


ART MADRID CLOSES ITS 21ST EDITION AS A KEY EVENT OF MADRID ART WEEK


The Galería de Cristal of the Palacio de Cibeles hosted the 21st edition of Art Madrid from March 4 to 8, once again consolidating its role as one of the must-see events of Madrid Art Week. Over the course of five days, the fair brought together 35 national and international galleries and more than 200 artists, turning the venue into a meeting point for gallerists, collectors, professionals, and lovers of contemporary art.

Throughout its trajectory, Art Madrid has built a distinct identity, with a constant focus on giving visibility to both emerging and established galleries and on opening contemporary art to diverse audiences. Rather than being structured around a single curatorial line, the fair embraced a plural proposal, respecting the unique DNA of each exhibitor.



Art Madrid’26 presented a Gallery Program distinguished by the diversity of artistic proposals and languages, encouraging dialogue between different generations and contemporary practices. Painting, sculpture, photography, drawing, installation, and new hybrid forms coexisted in an edition that once again confirmed the dynamism of today’s art scene

During the days of the fair, nearly 20,000 visitors explored the booths of the participating galleries and enjoyed a parallel program that expanded the experience beyond the traditional exhibition format.


The Parallel Program: An Expanded Art Fair

The Parallel Program once again took center stage in the Art Madrid experience, activating the fair space through projects that explored new forms of interaction between artworks, artists, and the public.

Among the most notable initiatives was the performance series Open Infinite: What the Body Remembers, which presented a daily performative action at the fair featuring works by Colectivo La Burra Negra, Rocío Valdivieso, Amanda Gatti, and Jimena Tercero. The pieces incorporated the body as a critical device and a space of memory, reinforcing the presence of performance within Art Madrid’s programming.

The third edition of Open Booth presented Despiece. Protocolo de mutación, by Daniel Barrio, a site-specific project that transformed the booth into a landscape constructed from urban remnants and industrial materials. The installation invited visitors to physically engage with the work, creating an immersive experience within the exhibition space.

Meanwhile, Espacio Nebrija hosted the project Estancias transitorias (NotanIA SipedagogIE), a proposal by Nebrija University that reflected on Aesthetic Intelligence in the face of the growing dominance of algorithmic logic. The installation proposed a reclamation of gesture, materiality, and the time inherent to the creative process as dimensions that cannot be reduced to automation.

Lecturas. Curated Walkthroughs also returned, with itineraries designed by Zuriñe Lafón and Marisol Salanova that offered curatorial insights for exploring the fair from specific critical perspectives and expanding the visitor experience.



Patronage, Awards, and Acquisitions

Support for contemporary creation once again stood as one of the fair’s central pillars through the second edition of the Art Madrid Patronage Program, which recognizes the work of artists and strengthens the connections between galleries, collectors, and private entities.

On this occasion, the following awards were presented:

Cervezas Alhambra Emerging Artist Award Iyán Castaño, represented by Galería Arancha Osoro


One Shot Hotels Breakthrough Artist Award Joost Vandebrug, represented by KANT Gallery


In the Acquisition Awards category, several private collections incorporated works presented at the fair into their collections.


Studiolo Collection Roger Sanguino — DDR Art Gallery


Devesa Law Kim Han Ki — Banditrazos Gallery


E2IN2 Collection Albert Bonet — Inéditad Gallery


dn2 Collection Iván Baizán — Galería Arancha Osoro

These acquisitions reflect the private sector’s commitment to the development of contemporary art and contribute to advancing the professional trajectories of emerging and mid-career artists.



Collecting and Support for the Artistic Ecosystem

The promotion of collecting once again played a prominent role in this edition thanks to the One Shot Collectors program, which offered personalized advice to both new buyers and more experienced collectors, facilitating access to the contemporary art market and fostering direct relationships between artists, galleries, buyers, and collectors.


This program, together with the Patronage Program, continues to strengthen the professional ecosystem surrounding the fair and reinforce Art Madrid’s commitment to supporting contemporary creation.

Among the most notable sales were works by Antonio Ovejero, represented by CLC ARTE; Leticia Feduchi and Ángela Mena, represented by Galería Sigüenza; Idoia Cuesta and Iyán Castaño, represented by Galería Arancha Osoro; and Yasiel Elizagaray, represented by Nuno Sacramento Arte Contemporânea. Likewise, the proposals presented by Inéditad Gallery were very well received, with notable sales of works by artists Albert Bonet and Eduardo Urdiales, as well as Carmen Mansilla, who debuted at Art Madrid'26 and achieved a sold out.



The overall balance of the edition has been particularly positive, with sales reported by all 35 participating galleries, confirming the strong interest from collectors and the dynamism of the market throughout the fair. Among the galleries that recorded notable commercial activity are La Mercería (Valencia), LAVIO (Murcia–Shanghai), 3 Punts Galería (Barcelona), Galerie One (Paris), Shiras Galería (Valencia), Galería Rodrigo Juarranz (Aranda de Duero), Galería São Mamede (Lisbon), Yiri Arts (Taiwan), and Trema Arte Contemporânea (Lisbon), among others.


A Fair made possible thanks to Its network of Partners

The success of Art Madrid’26 has been made possible thanks to the support of its official sponsors: Cervezas Alhambra, One Shot Hotels, Liquitex, Universidad Nebrija, and Posca, as well as the trust of its collaborators: Asociación 9915, Colección Studiolo, E2IN2, Colección dn2, Devesa Law, Enviarte, Cova 13, and Vanille Bakery Lab & Café. The fair also benefits from the involvement of its media partners and the support of various cultural organizations, private collections, and institutions that contribute to strengthening the contemporary art ecosystem.



Art Madrid: A Future Full of Possibilities

After 21 years of history, Art Madrid continues to consolidate its position as a key event in the contemporary art calendar, both nationally and internationally. Its ability to bring together galleries, artists, collectors, and institutions reinforces its role as a space for encounter, exchange, and discovery. The fair maintains a steadily growing outlook, driven by a program that evolves each year and increasingly opens up to more innovative proposals.

Thank you for being part of the 21st edition of Art Madrid. Your support is essential for continuing to promote art and culture.


SEE YOU AT ART MADRID'27!