Tradition and experience are the terms that define DOMPAL. For almost 60 years, the company has been working for excellence in Jabugo (Huelva) and Guijuelo (Salamanca). From the beginning in 1962, the architect of the company, Francisco Martín Moreno, had a very clear objective: to obtain the recognition of its clients as the best supplier of each of its products.

It is in Jabugo and Guijuelo where the holm and cork oaks become the ideal habitat for the Iberian pig, and it is in these areas that DOMPAL establishes its base of operations. DOMPAL's master ham makers are true artists, and in the manner of a goldsmith, they are capable of carving the Jewel of Bellota into exclusive pieces with unique flavours, using top quality raw materials.

Currently, the company, under the General Management of Juan Carlos Tejero, has consolidated itself as a leader in the sector, projecting itself into the future with a new Production Centre in Jabugo equipped with IFS and BRC certification, which will allow it to satisfy the most demanding demands, setting itself the challenge for the near future of international trading of its excellent product.

DOMPAL has a large warehouse in Alcobendas (Madrid), where it stores more than 50,000 hams from all the protected designations of origin, as well as a variety of gourmet products to accompany the ham. DOMPAL's headquarters smells of "well-made, healthy, and wholesome product".

In 2017, in order to be able to cover the growing offer and expand the company nationally and internationally, DOMPAL built up a new dryer of about 5,000 square meters with facilities adapted to the latest technological advances, but honestly preserving the tradition of Jabugo’s hams. In the traditional way, the surface is distributed in three floors; with natural dryers in the upper part, elaboration in the ground floor and a lower part devoted to the wine cellar.

DOMPAL distributes its products in more than 2,000 establishments (restaurants, specialised and gourmet shops) in Spain and Europe, and has received numerous quality awards and national and international recognition. Although, as its team points out: "our best award is to have such emblematic clients as El Corte Inglés or Paradores Nacionales of Spain, who place their trust in us and our products to offer the highest quality to their customers".

Some of the most outstanding awards that DOMPAL has received are: “Medalla de oro al Mejor Jamón de Bellota Calidad 5 Dompales” of the German Butchers Association (Stuttgart, 2006), “Trofeo al mejor jamón ibérico de bellota de Castilla y León 2015”, granted by the hoteliers' association of Castilla León, “Premio FES mejor empresario en el exterior, Francisco Martín Moreno, presidente de Domingo del Palacio S.A”, “Ganador al mejor jamón ibérico de Cebo de Castilla y León 2016”, granted by the hoteliers’ association of Castilla León and “Triple Medalla de Oro en la feria cárnica IFFA 2019 de Alemania”, among others.

ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. PERFORMANCE CYCLE X ART MADRID'26

Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.

PERFORMANCE: ALTA FACTURA. BY COLECTIVO LA BURRA NEGRA

March 4 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.

"Discipline for Power.” Performance by La Burra Negra for Displacement of the Congress of Deputies by Roger Bernat. 2025.

Alta Factura subverts the conventional structure of the fashion runway to foreground the often-invisible processes that underpin artistic production. Through a series of conceptual textile works, the performance draws attention to the discipline of craft and the artist’s vulnerability, ultimately revealing those seams typically consigned to the margins, behind the scenes.

Colectivo La Burra Negra.

ABOUT EL COLECTIVO LA BURRA NEGRA

La Burra Negra is a nomadic performance art collective based in Málaga, founded in 2024 following its first residency in Totalán. The group is self-managed by Ascensión Soto Fernández, Gabriela Feldman de la Rocha, Sasha Camila Falcke, Sara Gema Domínguez Castillo, Sofía Barco Sánchez, and Regina Lagos González—six artists from diverse backgrounds and trajectories who met at the Hospital de Artistas at La Juan Gallery.

The collective brings together practitioners working across jewelry, painting, the performing arts, music, dance, cultural mediation, and arts management. Its activities include an annual residency in Totalán, the production of performative works, cultural mediation initiatives, and site-responsive interventions.

Since its inception, the collective has participated in the Periscopio series at La Térmica; presented A granel at the MVA in Málaga; carried out a number of actions in Totalán—the most recent during its second annual residency—and contributed its own proposals to the performance Displacement of the Congress of Deputies by Roger Bernat in Madrid.

At the core of La Burra Negra lies a commitment to collective creation and the exchange of knowledge. United in their effort to experiment with and disseminate performance art, the group explores the invisible dimensions of artistic labor—its temporalities, efforts, and relational dynamics, which so often remain unseen—as a form of critical affirmation.

Their practice emerges from dialogue and shared reflection, in the pursuit of decentralized spaces where art can be experienced and its processes made visible. Each residency and each action becomes an attempt to inhabit creation collectively, challenging conditions of precarity while fostering networks of care and collaboration that sustain both their own practice and that of those around them.