Art Madrid'26 – Sonia Delaunay, beyond the painting

 

 

"Flamenco Singer" 1915

 

 

 

Sonia Delaunay (1885-1979), ukrainian artist, was a key figure in parisian avant-garde. She first studied in Germany and later in Paris, where he had influences from Impressionism, Cubism and Fauvism. She experimented with Robert Delaunay, his husband, in the field of light and color, pursuing and abstract language directed toward a new art faraway from traditional habits. Together they create the Simultanism, current that focused on painting dynamism using simultaneous contrasts of colour. The artist expressed this trend both in painting and in the design of fashion, textiles and books, among others.The Delaunays associate Simultanism to modern life and urban development, and they wanted to bring it to all possible fields. Sonia claimed the importance of fashion design or decoration, equating them with painting or sculpture, in a moment when those minor arts were not valued.

 

 

 

Sonia Delaunay´s costume designs

 

 

 

The exhibition shows textile artwork together with the artist´s paintings, and underscores the period when the family lived in Madrid, city in which they settled in 1917 after I World War outbreak. The arrival in Madrid made her to approach the popular culture, above all flamenco, what she loved. After russian revolution, she no longer received an income. It was when Sonia began to design costumes for Diaghilev’s Ballets Russes. She designed her dresses by joining together small pieces of fabrics in different forms and textures. In parallel, she dedicated to interior decoration and, afterwards, she set up her own clothes brand and opened a shop first in Madrid and later in Paris.

 

 

 

Bal Bullier, 1913

 

 

 

Among her more relevant creations we can find her `simultaneous dresses´. The first of them was made in 1913 for Bal Bullier ballroom, and was defined by Apollinaire as `a living painting´. Sonia brings her designs on paper to canvas. It can be appreciated how flamenco culture influenced her in the `Grand Flamenco´ picture. It is also worth taking into account her designs for ballets, like the one she made for `Cleopatra´, or her dresses for film actresses, like the one she designed to Gloria Swanson.

 

 

 

Costume design for `Cleopatra´

 

 

 

Sonia Delaunay´s artwork is shown in 210 creations that belong to public institutions like the Pompidou Centre, the National Library of France, the Fashion Museum of Paris or Reina Sofía museum; as well as several private collections and the Thyssen funds, museum where it can be visited until October 10.

 

 

 

Dress designed for Gloria Swanson

 

 

 

 

 


ART MADRID’ 26: 21 YEARS OF CONTEMPORARY ART


Discover all the information about the artists and galleries participating in the 21st edition of Art Madrid. The catalog features a curated selection of the works presented in this edition, along with the most relevant details of the event, making it an essential tool for engaging with the fair’s key figures and exploring the defining elements of today’s art scene.


In 2026, Art Madrid celebrates its 21st edition, further establishing itself as a leading event within Spain’s cultural sector. From March 4 to 8, the Galería de Cristal of the Palacio de Cibeles will once again become a meeting point for galleries, collectors, artists, and contemporary art enthusiasts.


Over the past twenty-one years, the fair has evolved into a dynamic and ever-expanding platform, fostering diversity in artistic languages, techniques, and discourses. In this edition, the Galleries Program brings together around 35 exhibitors from more than seven countries, offering a representative overview of the most recent developments in contemporary creation.


The Art Madrid ’26 catalog serves as a key publication for discovering the work of this edition’s galleries and artists —marked by experimentation and a plurality of perspectives— while also documenting the conceptual axes that shape the fair. As part of the Parallel Program, INHABITING THE EPHEMERAL: A Reflection on the “Species” of Spaces proposes a reflection on space, relationships, and shared experience, expanding the understanding of the fair beyond its commercial dimension and highlighting its cultural and experiential significance.


In addition, the catalog presents the initiatives that complete the program, such as the Open Booth dedicated to emerging creation, the Nebrija Space in collaboration with Nebrija University, the Performance Series “Open Infinite. What the Body Remembers,” the One Shot Collectors Program, and the Patronage Program, reaffirming the fair’s commitment to supporting, mediating, and accompanying contemporary art at every stage.

We invite you to discover more about Art Madrid ’26 through the catalog of its 21st edition — a publication that, beyond serving as documentary memory, becomes a cartography of the present artistic moment and an open door to new ways of inhabiting contemporary art.