Art Madrid'26 – THE FAUVES AND THE PASSION FOR THE COLOR

The dance, Henri Matisse. 1910

 

 

The MAPFRE Foundation presents this exhibition until January 29, 2017. This exhibition brings together more than one hundred works including painting, drawing, watercolor and ceramic pieces. This movement, famous for being the first great vanguard of S.XX, stands out for the exaltation and saturation of pure tones. He opened the debate on the importance of color independently in the configuration of the artistic work.

 

This group led by Henri Matisse, André Derain and Maurice de Vladiminck, stood out for their energy release and their particular treatment of freedom of expression. At the end of the decade of 1890 they were grouped in the workshops of Gustave Morear and Eugené Carrière and began to create this unique movement. Towards the beginning of the XX century it took shape and began to exhibit, the first was in Hall VII of the Salon d'Automme. After the first critics they adopted the name of "wild animals" (fauve in French).

 

 

Restaurant de la Machine à Bougival, Maurice de Vlaminck. 1905

 

 

Fauvism is characterized by being a heterogeneous current, born of the friendship of a group of young dreamers with a clear idea of ??the future. It barely lasted two years but left the foundations of an artistic claim that has been projected until our days. From here were born expressionism and cubism, this testimony has been strongly recorded in the exhibition of the MAPFRE Foundation. Curated by Maria Teresa Ocaña, this raises a chronological route sectioned in five parts.

 

 

Photo of the exhibition

 

 

The first part of Fauvism before Fauvism, makes a small dissertation about the group of formation of the current and shows that feeling of community that try to transmit the viewer. The second, the fauves are portrayed, show small self-portraits that were made to each other reflecting the perception they had of the group. The third part, acrobats of light, reflect those stays on the blue coast that served as inspiration and fit perfectly in that art of light and color. The fierceness of color, evidence the identity of the fauves, totally disconnected from the naturalistic description. And the last section sections that fork, it refers to the different trails that took the group from 1907.

 

 

Landscape near Chatou, André Derain. 1904

 

 

To conclude the exhibition there is a section dedicated to a group of ceramics that connect closely with the dialogue shown with the painting. A highly recommended visit for these gray winter days that need a color tone. Fauvism, is a claim for all types of public, do not miss this opportunity.

 

 

 

 

 

 


ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26


Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.


PERFORMANCE: OSCURECER UN PAPEL. BY ROCÍO VALDIVIESO

March 5 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.


Nocturnality. Installation. Rocío Valdivieso..


Oscurecer un papel forms part of a series of actions in which the artist engages in reading through repetition, memorization, and a measured degree of improvisation. Within this framework, a non-linear mode of reading emerges from a written text that is transformed when spoken aloud, assuming a different form in the act of articulation. The texts stem from an ongoing investigation into materiality, space, the relationships between body and matter, writing, the sculptural, and a sustained interest in the exploration of voice and orality.

The material from which Oscurecer un papel is constructed consists of a collection of purchase receipts the artist has been accumulating over time. The printed text they contain, together with the action of bringing them into proximity with a heat source—thereby activating the thermal paper on which they are produced—generates meanings that revolve around the notions of consumption and wear.


Rocío Valdivieso. Latent Aura. Performance documentation.


ABOUT ROCÍO VALDIVIESO

Rocío Valdivieso is an artist, researcher, and cultural manager. She is currently a PhD candidate in Fine Arts at the Complutense University of Madrid. She holds an MA in Research in Artistic Practices from the University of Castilla–La Mancha (UCLM) and a BA in Fine Arts from the National University of Tucumán, Argentina. She was a Fundación Carolina fellow from 2022 to 2023. She currently co-directs Errática. Laboratory of Processes and Critique in Madrid, alongside Romina Casile.

She was part of the PEEPA 2023 Program at the Centro de Residencias Artísticas, Matadero Madrid. She completed the 2021/22 Artists Program at Universidad Torcuato Di Tella, Buenos Aires, and in 2020 participated in the Intensive Curatorial Program of Proyecto PAC at Galería Gachi Prieto, Buenos Aires. She received the Visual Arts Promotion Award at the 4th Visual Arts Week of the Ente Cultural de Tucumán. She was awarded an AUGM scholarship for an exchange residency at UNESP, São Paulo, Brazil. She also participated in the International Residency Program La Ira de Dios and in the Acéfala Galería Residency for Argentine artists.