Art Madrid'26 – THE LONDON SCHOOL IN MALAGA

Lucian Freud. Leight Bowery, 1991

 

 

Tate London, in collaboration with the Picasso Museum of Malaga and with the sponsorship of Caixabank have created this exhibition to commemorate these ten artists. By the 1950s these ten lives, Francis Bacon, Lucien Freud, Michel Andrews, Frank Auerbach, David Bomberg, William Coldstream, Ronald B.Kitaj, Leon Kossoff, Paula Rego and Euan Uglow, crossed into a city, London. Each one with its characteristics contributed to create the famous School of London (term that neither the historians nor they themselves gave by official).

 

 

View of the exhibition

 

 

Their restlessness and admiration, united them to look for another approach of the materialization and representation of the human body, like setting the beautiful English city that so much inspired them. After II World War, London, was the true moral force of Europe and for that reason all the creative minds were concentrated there. The moods did not play in their favor and the emigration grew, giving shelter to all of them. Figuration took power, faced with a widespread abstraction, the trend had changed.

 

 

 A spectator in front of the work "The Dance", 1988 of Paula Rego

 

 

The protagonists of his works are born of disparate places, photographs, portraits, anonymous people in the street ... this current "dedicated" to the body, soon obtained the recognition of the critic, arriving at its maximum splendor already in the American continent, more concretely in U.S. But they not only represented the body, their eyes also deviated to landscapes or familiar as their studies or newly discovered on travel.

 

 

View of the exhibition

 

 

Its curator, Elena Crippa, considers that over the years the work of these artists has been revalued and has reached the present day as a fully consolidated current. You can visit the exhibition until September 17, at the Picasso Museum in Malaga, also has a large parallel offer such as workshops and talks.
 

 

 


ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26


Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.


PERFORMANCE: OSCURECER UN PAPEL. BY ROCÍO VALDIVIESO

March 5 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.


Nocturnality. Installation. Rocío Valdivieso..


Oscurecer un papel forms part of a series of actions in which the artist engages in reading through repetition, memorization, and a measured degree of improvisation. Within this framework, a non-linear mode of reading emerges from a written text that is transformed when spoken aloud, assuming a different form in the act of articulation. The texts stem from an ongoing investigation into materiality, space, the relationships between body and matter, writing, the sculptural, and a sustained interest in the exploration of voice and orality.

The material from which Oscurecer un papel is constructed consists of a collection of purchase receipts the artist has been accumulating over time. The printed text they contain, together with the action of bringing them into proximity with a heat source—thereby activating the thermal paper on which they are produced—generates meanings that revolve around the notions of consumption and wear.


Rocío Valdivieso. Latent Aura. Performance documentation.


ABOUT ROCÍO VALDIVIESO

Rocío Valdivieso is an artist, researcher, and cultural manager. She is currently a PhD candidate in Fine Arts at the Complutense University of Madrid. She holds an MA in Research in Artistic Practices from the University of Castilla–La Mancha (UCLM) and a BA in Fine Arts from the National University of Tucumán, Argentina. She was a Fundación Carolina fellow from 2022 to 2023. She currently co-directs Errática. Laboratory of Processes and Critique in Madrid, alongside Romina Casile.

She was part of the PEEPA 2023 Program at the Centro de Residencias Artísticas, Matadero Madrid. She completed the 2021/22 Artists Program at Universidad Torcuato Di Tella, Buenos Aires, and in 2020 participated in the Intensive Curatorial Program of Proyecto PAC at Galería Gachi Prieto, Buenos Aires. She received the Visual Arts Promotion Award at the 4th Visual Arts Week of the Ente Cultural de Tucumán. She was awarded an AUGM scholarship for an exchange residency at UNESP, São Paulo, Brazil. She also participated in the International Residency Program La Ira de Dios and in the Acéfala Galería Residency for Argentine artists.