Ph. D in Plastic Art and Science of Art, Université de Paris 1 Panthéon-Sorbonne and master in Plastic Expression, École Régionale des Beaux-Arts de Rouen. Awarded scholarships from Gerda Henkel Stiftung (Germany) and la Fondation Prospective et Innovation (France), CHANG conducted a postdoctoral research at the School of World Studies (FMSH) under the tutelage of the French thinker François Jullien.

During the stay in France, her creation focuses on how to represent between “game/event” the forever lost objects and on how to foreground the persistent eternity of infinite ephemerality. She integrates various forms such as video, sound, websites, and multimedia installations into repetitive and cyclical structures to emphasize the fluid temporality of the present, or to evoke dynamic images through elements like sound, traces, or language. Her works have been collected by the National Taiwan Museum of Fine Arts and exhibited in France, the United States, Poland, and Tunisia.

After returning to Taiwan, Chang works as both curator and artist, adopting a dual perspective to reflect upon the possibilities of a mutual symbiosis between creative conception and curatorial practice while exploring ways to prompt creative thought in common and potential, multi-directional connections in various disciplines. Recent curatorial works include the exhibitions “Simulacra of Real Life”, “To Martians Anthropologiste”, “Who Wouldn’t Be Able To Do It?”, Daily+—The Second Greater Taipei Biennial of Contemporary Art and Air Plant : Performance Ability within Contemporary Arts.