Art Madrid'23 – ARTISSIMA2014 holds its 21st edition in Turin

 
From 7 to 9 November, Turin celebrates ARTÍSSSIMA 2014, the international contemporary art fair which celebrates its 21st edition in the Oval Lingotto Fiere.
 

More than 190 galleries, 34 countries and a special exhibition dedicated to Maurizio Cattelan, Myriam Ben Salah and Marta Papini, entitled "Shit and Die" in the Palazzo Cavour ... It would be a good claim in it self but ARTISSIMA 2014 ( according to its director Sarah Cosulich) "wants to stand out with its own personality to survive with major international competition"... and it they get it considering it is the fifth show in the list of the 30 most important international exhibitions of contemporary art world, according the study of American consultancy Art Market Research Skate's.

 

Artissima is probably the most experimental and avant-garde of the fairs and in his 2013 edition was visited by around 50,000 visitors. 2014 has 194 galleries, mostly European but also the arrivals from China, Israel, United States, Portugal and Latin America. The Spanish representation comes on the heels of Casado Santapau (Madrid), ProjecteSD (Barcelona), Sabrina Amrani (Madrid) and PM8 (Vigo).

 
 
ARTISSIMA 2014 has five main sections organized by 40 curators and dedicated to: established galleries, emerging, young artists, artists who were active between 1960 and 1980, editions of art (books, prints, engravings and works in series). There will also be proposals and new spaces at the fair, as PER4M, a special section devoted exclusively to the performances. His section "Back to the Future", includes 25 solo shows of "works by 'museum quality' of the 60s, 70s and 80s", curated by João Fernandes, deputy director of the Museo Nacional Centro de Arte Reina Sofía (Madrid ); Beatrix Ruf, director of the Stedelijk Museum (Amsterdam); Jochen Volz, chief curator of the Serpentine Gallery (London); and Douglas Fogle, independent curator.
 

 

In the year 2020 in the heart of Barcelona a wandering gallery was born, the same one that in February 2021 would debut at Art Madrid with an exhibition proposal focused on contemporary portraits; with this subject matter it would manage to create a powerful dialogue between artwork and audience and make the seal Inéditad remain in the history of the event that contained it.

Jean Carlos Puerto. Protección. Oil and copper leaf on wood. 60 x 48. 2021. Image courtesy of the gallery.

Since that first time and until today, the wandering gallery has managed to build projects on otherness, has repositioned in the spotlight the discourses on the LGTBIQ+ collective, has consolidated a group of artists who share its principles of resilience and empathy and the best thing is that it continues to bet from the professionalism and commitment to give voice to the difference.

Claudio Petit-Laurent.. El Joven de la Perla. Oil on wood. 30 x 30 cm. 2023. Image courtesy of the gallery.

Inéditad Gallery, thanks to its founder Luis López, its collaborators and the infinite possibilities manifested in the works of the artists it represents, is a gallery that has demonstrated its capacity and courage to stimulate the sensibility of the public through art and seduce a generation that moves between the glass window and the analogical story. Inéditad is a nomadic gallery that has gathered around it a community of artists and has moved the context with exhibition projects that think about LGTBIQ+ art without prejudices.

Pepa Salas Vilar. Las marcas del arcoiris. Oil on canvas. 40 x 50 cm. 2022. Image courtesy of the gallery.

Pride and Prejudice was inaugurated. An exhibition that brings together the works of sixteen artists: Abel Carrillo, Alex Domènech, Carlos Enfedaque, Silvia Flechoso, Jamalajama, Daniel Jaén, Claudio Petit-Laurent, Jean Carlos Puerto, Fernando Romero, Pablo Rodríguez, Pepa Salas Vilar, Jack Smith, Pablo Sola, Bran Sólo, Elia Tomás and Utürüo. Painting, illustration, photography and digital art are the manifestations that bring into dialogue around fifty neatly threaded pieces, in a discursive line that discusses such a latent phenomenon as discrimination. To achieve this, the artists invited to the exhibition question themselves whether: Does discrimination exist within the LGTBIQ+ collective?

Pride and Prejudice Official Poster. Image courtesy of the gallery.

With approaches on and from the body, the proposal invites to celebrate diversity, proposes to question and self-question the prejudices and attitudes of society against the collective. Pride and Prejudice is a space for dialogue about the constructs imposed on us by society. It is also an oasis in which to deconstruct with tolerance and respect the subjectivities that sometimes prevent us from approaching the production of the participating artists, simply because "the beautiful" does not fit in an androgynous body. The subjugation of stereotypes are pressed with determination to find the beauty of diversity in other palpable facets of reality.

Pablo Sola. All men are dogs. Photography. 2014. Image courtesy of the gallery.

Throughout these three years Inéditad has stimulated the vindictive projection towards bad practices, has questioned estates around the LGTBIQ+ body and the most admirable thing, is that these capacities have resurfaced around the dialogue and the visual narrative of the stories that are told from the visual: Artworks that are people, art that is, per se, humanity. Overcome impositions and accept what is different in order to continue fighting against homophobia, biphobia, lesbophobia or transphobia and defend the equal rights that all the acronyms of the collective deserve in our community.

That's Pride and Prejudice: One creature, the happiest in the world. And maybe other projects and other people have said it - or felt it - before, but none so fairly.

Silvia Flechoso. Hola, soy maricón. Oil on canvas. 73 x 54 cm. 2023. Image courtesy of the gallery.

From June 8th until June 22nd you can visit Pride and Prejudice. Carrer de Palau núm. 4. Canal Gallery space. Barcelona.