Art Madrid'26 – ARTISSIMA2014 holds its 21st edition in Turin

 
From 7 to 9 November, Turin celebrates ARTÍSSSIMA 2014, the international contemporary art fair which celebrates its 21st edition in the Oval Lingotto Fiere.
 

More than 190 galleries, 34 countries and a special exhibition dedicated to Maurizio Cattelan, Myriam Ben Salah and Marta Papini, entitled "Shit and Die" in the Palazzo Cavour ... It would be a good claim in it self but ARTISSIMA 2014 ( according to its director Sarah Cosulich) "wants to stand out with its own personality to survive with major international competition"... and it they get it considering it is the fifth show in the list of the 30 most important international exhibitions of contemporary art world, according the study of American consultancy Art Market Research Skate's.

 

Artissima is probably the most experimental and avant-garde of the fairs and in his 2013 edition was visited by around 50,000 visitors. 2014 has 194 galleries, mostly European but also the arrivals from China, Israel, United States, Portugal and Latin America. The Spanish representation comes on the heels of Casado Santapau (Madrid), ProjecteSD (Barcelona), Sabrina Amrani (Madrid) and PM8 (Vigo).

 
 
ARTISSIMA 2014 has five main sections organized by 40 curators and dedicated to: established galleries, emerging, young artists, artists who were active between 1960 and 1980, editions of art (books, prints, engravings and works in series). There will also be proposals and new spaces at the fair, as PER4M, a special section devoted exclusively to the performances. His section "Back to the Future", includes 25 solo shows of "works by 'museum quality' of the 60s, 70s and 80s", curated by João Fernandes, deputy director of the Museo Nacional Centro de Arte Reina Sofía (Madrid ); Beatrix Ruf, director of the Stedelijk Museum (Amsterdam); Jochen Volz, chief curator of the Serpentine Gallery (London); and Douglas Fogle, independent curator.
 

 


ART MADRID’ 26: 21 YEARS OF CONTEMPORARY ART


Discover all the information about the artists and galleries participating in the 21st edition of Art Madrid. The catalog features a curated selection of the works presented in this edition, along with the most relevant details of the event, making it an essential tool for engaging with the fair’s key figures and exploring the defining elements of today’s art scene.


In 2026, Art Madrid celebrates its 21st edition, further establishing itself as a leading event within Spain’s cultural sector. From March 4 to 8, the Galería de Cristal of the Palacio de Cibeles will once again become a meeting point for galleries, collectors, artists, and contemporary art enthusiasts.


Over the past twenty-one years, the fair has evolved into a dynamic and ever-expanding platform, fostering diversity in artistic languages, techniques, and discourses. In this edition, the Galleries Program brings together around 35 exhibitors from more than seven countries, offering a representative overview of the most recent developments in contemporary creation.


The Art Madrid ’26 catalog serves as a key publication for discovering the work of this edition’s galleries and artists —marked by experimentation and a plurality of perspectives— while also documenting the conceptual axes that shape the fair. As part of the Parallel Program, INHABITING THE EPHEMERAL: A Reflection on the “Species” of Spaces proposes a reflection on space, relationships, and shared experience, expanding the understanding of the fair beyond its commercial dimension and highlighting its cultural and experiential significance.


In addition, the catalog presents the initiatives that complete the program, such as the Open Booth dedicated to emerging creation, the Nebrija Space in collaboration with Nebrija University, the Performance Series “Open Infinite. What the Body Remembers,” the One Shot Collectors Program, and the Patronage Program, reaffirming the fair’s commitment to supporting, mediating, and accompanying contemporary art at every stage.

We invite you to discover more about Art Madrid ’26 through the catalog of its 21st edition — a publication that, beyond serving as documentary memory, becomes a cartography of the present artistic moment and an open door to new ways of inhabiting contemporary art.