Art Madrid'26 – Accesible art in Art Madrid\'16 with Marc Calzada gallery

 

Obra: Jeune Fille au soleil, 1981.

 

 

On the occasion of his participation in the contemporary art fair Art Madrid'16, from 24 to 28 February, Marc Calzada gallery from Barcelona in collaboration with Successió Miró they present "Joan Miró: Bronze Paper," a selection of works Catalan surrealist which coincides with the exhibition "Miró and the object", these days at CaixaForum Madrid.

 

 

 

 

Obra: Chien, 1981.

 

Marc Calzada proposes 25 works of sculpture, printmaking and drawing. A representation of Miró's creations in recent years, important for their bravery and innovation, which broke with the conventions of painting, always in connection with its surreal and dreamlike spirit. "Joan Miró: Bronze and Paper" is a great opportunity to see (and buy) sculpture by Catalan artist and a good example of the creative capacity of the artist. Among his pieces, monumental sculptures as Souvenir de la Tour Eiffel (who will preside over the entrance to Art Madrid'16), engravings Etching, aquatint and carborundum, as Le pitre rose, and drawings as entitled Chien, that Miró made in other media such as bronze piece that also present.

 

 

 

Obra: Gymnaste, 1977.

 

 

Joan Miró liked to recall how he had become interested in sculpture at nineteen with Professor Francesc Galí: "It was there where I also learned to draw without seeing, only by touch. Our hands back and palpábamos an object that after we had to play without having seen" (M. Rowell Joan Miró. Writings and conversations, 2002).

 

 

Obra: Tête et oiseau, 1981.

 

Precisely, in connection with that, Art Madrid'16 will take a guided tour for visually impaired people to the exhibition "Joan Miró: Bronze and Paper" in collaboration with Un Ojo para el Arte and journalist and poet Asier Vazquez, responsible for providing a visit in which thorough and detailed verbal information will be combined with touch access to some of the sculptures present. They put into context the sculpture by Miró and translated into words the feelings that the artist's works may cause through touch.

 

 

 


 

 

Obra: Vigneron, 1972.


ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26


Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.


PERFORMANCE: OSCURECER UN PAPEL. BY ROCÍO VALDIVIESO

March 5 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.


Nocturnality. Installation. Rocío Valdivieso..


Oscurecer un papel forms part of a series of actions in which the artist engages in reading through repetition, memorization, and a measured degree of improvisation. Within this framework, a non-linear mode of reading emerges from a written text that is transformed when spoken aloud, assuming a different form in the act of articulation. The texts stem from an ongoing investigation into materiality, space, the relationships between body and matter, writing, the sculptural, and a sustained interest in the exploration of voice and orality.

The material from which Oscurecer un papel is constructed consists of a collection of purchase receipts the artist has been accumulating over time. The printed text they contain, together with the action of bringing them into proximity with a heat source—thereby activating the thermal paper on which they are produced—generates meanings that revolve around the notions of consumption and wear.


Rocío Valdivieso. Latent Aura. Performance documentation.


ABOUT ROCÍO VALDIVIESO

Rocío Valdivieso is an artist, researcher, and cultural manager. She is currently a PhD candidate in Fine Arts at the Complutense University of Madrid. She holds an MA in Research in Artistic Practices from the University of Castilla–La Mancha (UCLM) and a BA in Fine Arts from the National University of Tucumán, Argentina. She was a Fundación Carolina fellow from 2022 to 2023. She currently co-directs Errática. Laboratory of Processes and Critique in Madrid, alongside Romina Casile.

She was part of the PEEPA 2023 Program at the Centro de Residencias Artísticas, Matadero Madrid. She completed the 2021/22 Artists Program at Universidad Torcuato Di Tella, Buenos Aires, and in 2020 participated in the Intensive Curatorial Program of Proyecto PAC at Galería Gachi Prieto, Buenos Aires. She received the Visual Arts Promotion Award at the 4th Visual Arts Week of the Ente Cultural de Tucumán. She was awarded an AUGM scholarship for an exchange residency at UNESP, São Paulo, Brazil. She also participated in the International Residency Program La Ira de Dios and in the Acéfala Galería Residency for Argentine artists.