Art Madrid'24 – Accesible art in Art Madrid\'16 with Marc Calzada gallery

 

Obra: Jeune Fille au soleil, 1981.

 

 

On the occasion of his participation in the contemporary art fair Art Madrid'16, from 24 to 28 February, Marc Calzada gallery from Barcelona in collaboration with Successió Miró they present "Joan Miró: Bronze Paper," a selection of works Catalan surrealist which coincides with the exhibition "Miró and the object", these days at CaixaForum Madrid.

 

 

 

 

Obra: Chien, 1981.

 

Marc Calzada proposes 25 works of sculpture, printmaking and drawing. A representation of Miró's creations in recent years, important for their bravery and innovation, which broke with the conventions of painting, always in connection with its surreal and dreamlike spirit. "Joan Miró: Bronze and Paper" is a great opportunity to see (and buy) sculpture by Catalan artist and a good example of the creative capacity of the artist. Among his pieces, monumental sculptures as Souvenir de la Tour Eiffel (who will preside over the entrance to Art Madrid'16), engravings Etching, aquatint and carborundum, as Le pitre rose, and drawings as entitled Chien, that Miró made in other media such as bronze piece that also present.

 

 

 

Obra: Gymnaste, 1977.

 

 

Joan Miró liked to recall how he had become interested in sculpture at nineteen with Professor Francesc Galí: "It was there where I also learned to draw without seeing, only by touch. Our hands back and palpábamos an object that after we had to play without having seen" (M. Rowell Joan Miró. Writings and conversations, 2002).

 

 

Obra: Tête et oiseau, 1981.

 

Precisely, in connection with that, Art Madrid'16 will take a guided tour for visually impaired people to the exhibition "Joan Miró: Bronze and Paper" in collaboration with Un Ojo para el Arte and journalist and poet Asier Vazquez, responsible for providing a visit in which thorough and detailed verbal information will be combined with touch access to some of the sculptures present. They put into context the sculpture by Miró and translated into words the feelings that the artist's works may cause through touch.

 

 

 


 

 

Obra: Vigneron, 1972.

“I paint in a completely free way, I don't have a plan, it's chaotic, but everything has a reason. I don't prepare anything before I start painting, what I paint is what I feel or try to communicate at that moment, so it changes a lot (from one work to another)”.

Chão limpo e o resto. Mixed media on canvas. 2023. Ana Malta. Courtesy of the artist.

Cultura Inquieta once again joins the experience of discovering and celebrating creative talent within the broad spectrum of artistic expressions present at Art Madrid'24. As a supporter of culture and contemporary art, its commitment to promoting and supporting emerging artists is reflected in a special initiative in this edition: highlighting and supporting the work of the REVELATION ARTIST of the 19th edition.

Só durmo na minha almofada. Mixed media on canvas. 2023. Ana Malta. Courtesy of the artist.

In this context, Ana Malta emerges into the contemporary art scene with a fresh voice and her own visual aesthetic. Born in Lisbon in 1996, Malta is a talented visual artist and freelance designer who has captivated the public with her distinctive approach and bold exploration of the beauty of everyday spaces through her investigations of color.

Her studies in Painting at the Faculty of Fine Arts of the University of Lisbon, as well as her Master's Degree in Creative Industries Management at the Catholic University of Portugal in Porto, have provided a solid foundation for her artistic practice. Currently, she also collaborates in the Communication and Production Office of Carpintarias de São Lázaro - Centro Cultural e Galeria Belo-Galsterer, showing her commitment to the cultural fabric of her community. She is also part of the artistic collective VÊS.TRÊS.

Ana Malta has been recognized in several platforms and media, including the 14th Edition of QUADRANTE, Melancia Mag and the SCROLL program of the RTP2 channel. Her participation in the book (AS)ARTISTAS - Ensaio Gráfico sobre Histórias e Práticas Artísticas no Feminino and in the April 21st Edition of Nova Awareness Club underlines her impact and relevance in the contemporary art scene.

Só um é que ganha. Mixed media on canvas. 2023. Ana Malta. Courtesy of the artist.

Ana Malta's work is characterized by her exploration of color, patterns, composition, and texture. These elements are not only vehicles of her plastic and visual expression, but also embody an intimate dialogue between aesthetic restlessness and the transformation of error into opportunity.

It is exciting to see Ana Malta make her debut at Art Madrid'24, represented by Galeria São Mamede (STAND B3). Her presence promises to further enrich the artistic experience of the event, inviting the public to approach the visually captivating and conceptually stimulating universe that the artist creates to narrate the chaos she rearranges in shapes and colors.

Não fico pendurada. Mixed media on canvas. 2023. Ana Malta. Courtesy of the artist.

In a world in constant movement, Ana Malta reminds us of the importance of experimentation and continuous exploration in the search for authentic and sincere artistic expression.

Her work has been REVEALED to us in the 19th edition of ART MADRID, thanks to the precise point of view of CULTURA INQUIETA as a testimony of the transforming power of art. In her hands, the entropy of forms brings us the possible memory of an endless summer; the luminosity of the sun becomes the caress of everyday life; we may even be surprised by the formula of happiness turned into a companion animal.

Ana Malta's pieces combines the restlessness of a space that appears to be in a state of chaos with the delicate synesthesia of vibrating at the velocity of light, nuances, lines and colors in her paintings.