Art Madrid'23 – The exhibition \'All Yesterday\'s Parties. Andy Warhol, music and vinyls (1949/1987)\' depicts the role threat the work of Andy Warhol played in music.

 

 

Even though album cover design has long been considered a secondary form of art, in Andy Warhol's case his relationship with rock bands, with their sound and way of life, were primary aspects in the development of his work in particular and pop art in general.

 

Curated by F. Javier Panera, the exhibition 'All Yesterday's Parties. Andy Warhol, music and vinyls (1949/1987)' traces a genealogy of the relationships between art and popular culture in the second half of the 20th century through more than 200 items, including album covers, books, magazines, posters, photographs, prints, drawings, films, video/installations, song videos and several objects and documents related to the artistic universe of Warhol for more than four decades.


 

 

 

Between 1949 and 1987, Warhol signed more than 60 covers of records of -among others- The Velvet Underground, John Lennon, Aretha Franklin or Debbie Harry. But he also used music as a thematic axis of his work, contributing an iconography, muses (his portraits of popover and rock stars like Mick Jagger, Diana Ross or Debbie Harry are memmorable) and concepts (like serial printing and the appropriation John Cage did for his works).

 

Andy Warhol directed and produced videos for bands like The Cars or Curiosity Killed The Cat, and even shot a program for MTV. All these works can be now enjoyed at the Room 3 of the Contemporay Art Museum of Castilla y León.

 

 

        

 

 

Andy Warhol is part of the first generation of artists whoeducated themselves from their youth on by listening to pop and rock music, and, through his work, ' one could write a history of the musical tastes of the United States from post/war to the last years of the 80s, from classical music to opera and ballet, and through jazz, minimalism, experimental music, rock, pop, soul, disco music, punk or the new wave'.

 

 

 

In the year 2020 in the heart of Barcelona a wandering gallery was born, the same one that in February 2021 would debut at Art Madrid with an exhibition proposal focused on contemporary portraits; with this subject matter it would manage to create a powerful dialogue between artwork and audience and make the seal Inéditad remain in the history of the event that contained it.

Jean Carlos Puerto. Protección. Oil and copper leaf on wood. 60 x 48. 2021. Image courtesy of the gallery.

Since that first time and until today, the wandering gallery has managed to build projects on otherness, has repositioned in the spotlight the discourses on the LGTBIQ+ collective, has consolidated a group of artists who share its principles of resilience and empathy and the best thing is that it continues to bet from the professionalism and commitment to give voice to the difference.

Claudio Petit-Laurent.. El Joven de la Perla. Oil on wood. 30 x 30 cm. 2023. Image courtesy of the gallery.

Inéditad Gallery, thanks to its founder Luis López, its collaborators and the infinite possibilities manifested in the works of the artists it represents, is a gallery that has demonstrated its capacity and courage to stimulate the sensibility of the public through art and seduce a generation that moves between the glass window and the analogical story. Inéditad is a nomadic gallery that has gathered around it a community of artists and has moved the context with exhibition projects that think about LGTBIQ+ art without prejudices.

Pepa Salas Vilar. Las marcas del arcoiris. Oil on canvas. 40 x 50 cm. 2022. Image courtesy of the gallery.

Pride and Prejudice was inaugurated. An exhibition that brings together the works of sixteen artists: Abel Carrillo, Alex Domènech, Carlos Enfedaque, Silvia Flechoso, Jamalajama, Daniel Jaén, Claudio Petit-Laurent, Jean Carlos Puerto, Fernando Romero, Pablo Rodríguez, Pepa Salas Vilar, Jack Smith, Pablo Sola, Bran Sólo, Elia Tomás and Utürüo. Painting, illustration, photography and digital art are the manifestations that bring into dialogue around fifty neatly threaded pieces, in a discursive line that discusses such a latent phenomenon as discrimination. To achieve this, the artists invited to the exhibition question themselves whether: Does discrimination exist within the LGTBIQ+ collective?

Pride and Prejudice Official Poster. Image courtesy of the gallery.

With approaches on and from the body, the proposal invites to celebrate diversity, proposes to question and self-question the prejudices and attitudes of society against the collective. Pride and Prejudice is a space for dialogue about the constructs imposed on us by society. It is also an oasis in which to deconstruct with tolerance and respect the subjectivities that sometimes prevent us from approaching the production of the participating artists, simply because "the beautiful" does not fit in an androgynous body. The subjugation of stereotypes are pressed with determination to find the beauty of diversity in other palpable facets of reality.

Pablo Sola. All men are dogs. Photography. 2014. Image courtesy of the gallery.

Throughout these three years Inéditad has stimulated the vindictive projection towards bad practices, has questioned estates around the LGTBIQ+ body and the most admirable thing, is that these capacities have resurfaced around the dialogue and the visual narrative of the stories that are told from the visual: Artworks that are people, art that is, per se, humanity. Overcome impositions and accept what is different in order to continue fighting against homophobia, biphobia, lesbophobia or transphobia and defend the equal rights that all the acronyms of the collective deserve in our community.

That's Pride and Prejudice: One creature, the happiest in the world. And maybe other projects and other people have said it - or felt it - before, but none so fairly.

Silvia Flechoso. Hola, soy maricón. Oil on canvas. 73 x 54 cm. 2023. Image courtesy of the gallery.

From June 8th until June 22nd you can visit Pride and Prejudice. Carrer de Palau núm. 4. Canal Gallery space. Barcelona.