Art Madrid'26 – Art Madrid\'15 new selection committe in its tenth edition.

The Contemporary Art Fair Art Madrid, which will celebrate its tenth edition from February 25 to March 1, 2015, in the Galería de Cristal of CentroCentro Cibeles, premieres its Selection Committee. A select group of professionals from different branches of the world of Art will be responsible for shaping the General Program of Art Madrid’15 art fair, through a rigorous selection process among national and international galleries. 
 
Art Madrid’15 account for the first time with a committee composed of experts in gallerism, curating, art collectors and art fairs consultancy, in order to develop a more diverse and international program. 
 
The Selection Committee, composed by five renowned professionals will analyze the applications in a first meeting scheduled for September 9 at the Fundació Fran Daurel in Montjuic (Barcelona). A few days later, they will announce the definitive list of the participating galleries, about 50 in the next edition of the fair. 
 
Members of the Selection Comittee of Art Madrid’15
Mr. Ángel Samblancat / Ms. Silvia Lindner / Mr. Javier López Vélez
Mr. Ricardo Tenreiro da Cruz / Mr. Carlos Delgado Mayordomo
 
Mr. ÁNGEL SAMBLANCAT
 
Director of Editorial and Polígrafa Graphic&Print Art Gallery (Barcelona) for 40 years and member of the Direction Bureau in Joan Prats Art Gallery Barcelona) since its founding. Jury Member for the Triennial of Graphic Art in Grenchen (Switzerland) and a member of the Selection Committee for international Contemporary Art Fairs as Art Chicago (Illinois), Art Miami (Florida), Art Los Angeles (California), ARCO (Madrid ), Art Cologne (Germany), Art Basel (Switzerland), ArtBo - Bogota (Colombia) and Art Basel / Miami Beach (Florida). 
 
Ms. SILVIA LINDNER
 
Bachelor of Fine Arts from the University of the Basque Country and, since 2007, Director of the Museo Würth La Rioja. Between 1997 and 2007, Technical and Coordinator in the Department of Conservation in Guggenheim Museum Bilbao she worked also for private companies as AENA Foundation, Horizón Project II (EEC and Cantabria Regional Council). She has participated as a speaker at various seminars and roundtables, and has served on juries of international significance as the Velázquez Prize (2010). 
 
Mr. JAVIER LÓPEZ VÉLEZ
 
Since 1994, he is the artistic director of 3 Punts Art Gallery, based in Barcelona and Berlin. Expert in Technical Drawing Projects and with studies in Sociology, he has been independent curator in various institutional exhibitions in 
Barcelona, Hospitalet and Andorra. Under his direction, the gallery organizes seven to eight individual exhibitions per year, with a clear evolution towards new artistic languages and where the work of curating and selecting art-works and artists is impeccable. As a gallery owner, participates in art fairs and events inside and outside our borders for nearly two decades. 
 
Mr. RICARDO TENREIRO DA CRUZ
 
Director of ArtLounge Art Gallery in Lisbon (Portugal). While he was in London, at an International Business school, he discovered the taste for painting and the power of art as a key factor in the increase of culture of the cities. Since 
these days, he is usual visitor in galleries and art fairs in order to find new artists that are worth bringing to Portugal. Nowadays, he is member of the Chamber of Commerce of Portugal- Singapore and he develops commercial and artistic relations between these countries.
 
Mr. CARLOS DELGADO MAYORDOMO
 
BA in Art History at the Universidad Complutense de Madrid. Coordinator of exhibition projects of the International Fund for the Arts Foundation / FiArt, responsible for exhibitions in Culture Department of the City of Las Rozas (Madrid). Writer in Xtrart, on-line art magazine and professor of Contemporary art and Culture in Aularte. Since 2008, he is freelance curator for museums and institutions in Spain and Latin America. Has developed, among others, Ciria’s exhibition “Rare paintings” (2008), “Agustí Centelles: Case report” (2009), “Synergies. Contemporary Latin American art in Spain”, “Storymakers” (2013) and “David Trullo. Fauxtographies” (2013). Curator of the ONE PROJECT program in Art Madrid.

 

ART MADRID '26: 21 YEARS OF CONTEMPORARY ART



In 2026, Art Madrid will celebrate its 21st edition, further consolidating its position as a leading contemporary art fair in Spain. From 4 to 8 March, the fair will bring together thirty-five national and international galleries at the Galería de Cristal of the Palacio de Cibeles. Returning to its date during Madrid Art Week, Art Madrid reaffirms its pioneering role by expanding the fair calendar and offering an open and enriching dialogue in which diverse artistic proposals coexist.


Throughout its history, Art Madrid has established itself as a leading presence in the contemporary art scene. It is renowned for its commitment to promoting both emerging and established galleries, and for its dedication to making contemporary art accessible to a diverse range of audiences.

Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity in its offering, respecting the identity of each exhibitor and promoting a plural creative ecosystem that reflects the richness and differences of the current art scene.


Art Madrid '25. Photo by Lucas Amillano


GALLERY PROGRAM: AN ACTIVE MAP OF CONTEMPORARY CREATION


The Gallery Program is at the heart of Art Madrid’26. For this edition, thirty-five national and international galleries will participate in a space that celebrates experimentation, hybrid languages, and the latest artistic production. The selection of proposals constitutes a representative mosaic of the aesthetics, discourses, and contemporary practices that are shaping the present of art in Europe.

The Galería de Cristal of the Palacio de Cibeles will once again be transformed into a dynamic space where the exhibitions interact with each other, inviting the public to explore visual narratives that show the evolution of contemporary languages. Works that experiment with new media, formal investigations that reformulate traditional techniques, pieces that reflect on the links between technology and humanity, and poetic approaches that explore territory, identity, or memory make up a plural, stimulating journey open to multiple interpretations.

Art Madrid also continues to strive to become a platform for discovery, allowing both professionals and visitors to identify new voices and consolidate relationships with artists who are already emerging as leaders within the contemporary cultural landscape.


Art Madrid '25. Photo by Lucas Amillano


NATIONAL AND INTERNATIONAL EXHIBITORS

Thirty-five galleries are participating in this edition, twenty-seven of which are returning after finding the fair to be a favourable environment in which to strengthen connections, increase visibility and promote their artists' work on an international scene.

Twenty-six of these are Spanish galleries from various regions of the country: 3 Punts Gallery (Barcelona), Alba Cabrera Gallery (Valencia), Aurora Vigil-Escalera (Gijón), CLC ARTE (Valencia), DDR Art Gallery (Madrid), Est_ArtSpace (Madrid), g • gallery (Barcelona), Galería Arancha Osoro (Oviedo), Galería BAT alberto cornejo (Madrid), Galería Beatriz Pereira (Plasencia), Galería Carmen Terreros (Zaragoza), Galería Espiral (Noja), Galería La Mercería (Valencia), Galería Luisa Pita (Santiago de Compostela), Galería María Aguilar (Cadiz), Metro Gallery (Santiago de Compostela), Rodrigo Juarranz Gallery (Aranda de Duero), Sigüenza Gallery (Sigüenza), Gerhardt Braun Gallery (Palma de Mallorca | Madrid), Inéditad Gallery (Barcelona), Kur Art Gallery (San Sebastián), LAVIO (Murcia | Shanghai), Moret Art (A Coruña), Pigment Gallery (Barcelona), Shiras Galería (Valencia) and Uxval Gochez Gallery (Barcelona). This selection of galleries highlights the importance of the Spanish scene and its contribution to the development of the contemporary cultural ecosystem.


Art Madrid '25. Photo by Lucas Amillano


The nine international galleries participating in this edition are: Banditrazos Gallery (Seoul, South Korea), Collage Habana (Havana, Cuba), Galeria São Mamede (Lisbon, Portugal), Galerie ONE (Paris, France), KANT Gallery (Copenhagen, Denmark | Palma de Mallorca, Spain), Loo & Lou Gallery (Paris, France), Nuno Sacramento Arte Contemporânea (Ílhavo, Portugal), Trema Arte Contemporânea (Lisbon, Portugal) and Yiri Arts (Taipei, Taiwan). Their participation broadens the fair's international reach, promoting creative and conceptual exchange between diverse artistic perspectives.

In addition, eight new galleries have been added to the list of exhibitors:

Banditrazos Gallery (Seoul, South Korea), Est_ArtSpace (Madrid, Spain), g • gallery (Barcelona, Spain), Galería Beatriz Pereira (Plasencia, Spain), Galerie ONE (Paris, France), Galería Sigüenza (Sigüenza, Spain), Gerhardt Braun Gallery (Palma de Mallorca | Madrid, Spain) and KANT Gallery (Copenhagen, Denmark | Palma de Mallorca). These additions reinforce Art Madrid's commitment to continuous renewal and openness to spaces that are exploring new approaches to contemporary art.


Art Madrid '25. Photo by Lucas Amillano


PARALLEL PROGRAM: A REFLECTION ON THE ‘SPECIES’ OF SPACES


One of the great attractions of Art Madrid is its Parallel Program, which this time delves into the notions of: ‘Fragments, relationships, and imaginary distances.’ This approach turns the fair into an expanded space, where art, audience, architecture, and memory converge. Thus, the Parallel Program proposes a critical approach to the container of the event itself. Taking as a reference the reading of Species of Spaces by Georges Perec (Perec, Georges. Species of Spaces. Montesinos, 2004), it adopts a marked interest in the everyday, that which usually goes unnoticed, the infra-ordinary, giving each corner of the venue its own narrative value.

Another of the conceptual references of this edition is based on an analysis of Édouard Glissant's Poetics of Relation (Glissant, Édouard. Poetics of Relation; Prologue by Manuel Rebón. - 1st ed. - Bernal: Universidad Nacional de Quilmes, 2017.), which advocates the coexistence of differences and the importance of non-totalizing links, which are extrapolated to the art system, proposing an understanding of it as a network of exchanges and connections that respect the uniqueness of each cultural practice and actor.

‘Imaginary distances,’ understood as subjective journeys and affective cartographies traced by visitors, thus become the conceptual axis that articulates this program. This perspective transforms the Fair into an experience that goes beyond visual contemplation, turning it into a territory that can be collectively reconstructed, without losing sight of the paths travelled by the individuality of each voice.

In this edition, the Parallel Program encourages visitors to engage with the space and its projects, turning contemplation into an opportunity to question and interact with things that might otherwise go unnoticed in everyday life.


Art Madrid '25. Photo by Lucas Amillano


In the preview and during Art Week, Art Madrid'26 offers a range of experiences that allow the public to get closer to the creative process and practices of the participating artists. Among the returning initiatives are the Interview Program, Curated Walkthroughs, the third edition of Open Booth, dedicated to emerging creation, the presentation of Espacio Nebrija, a university project in collaboration with Nebrija University, alongside the fair’s established Performance Cycle.

In addition, the One Shot Collectors Program and the second edition of the Patronage Program are back. These initiatives seek to strengthen the bond between collectors, artists, and the public, promoting ethical, informed, and responsible practices in collecting and patronage.


Art Madrid '25. Photo by Lucas Amillano


Art Madrid'26 has established itself as a dynamic meeting place, where diverse experiences, discourses, and practices converge. Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity as a structuring principle, respecting the identity of each exhibitor and fostering a plural creative ecosystem. This plurality is not merely formal, but translates into a network of practices, languages, and perspectives that reflects the complexity, richness, and tensions of the contemporary art scene, consolidating the fair as a catalyst for cultural relations, an observatory of emerging trends, and an international reference point for the Spanish art scene.

WELCOME TO ART MADRID'26