Art Madrid'26 – Art Marbella first edition in the very summer

Art Marbella listed as "the first major art fair in the Mediterranean" and will involve 50 leading international galleries in addition to the sections dedicated to specific projects by guest artists, a VIP program for collectors and a space for research and education run by international curators.
Marbella, this summer, is a "hot spot" for art lovers, "one of the most important cities in the European summer and attracts many visitors with high purchasing power in Europe as well as Russia and the Middle East," explains his promoter Alejandro Zaia. "It's a great opportunity to establish an international fair of the highest level of quality aimed at this audience. We can help expand the frontiers of collectors, introducing new players and creating an environment in which artists, curators, gallery owners and collectors can communicate and share information on the latest trends in art, and with the work of the best artists exposed, "adds .
 
Zaia was co-founder of the fairs Pinta New York (2007) and Pinta London (2010), director of Mundus Novus collection dedicated to contemporary Latin American art, and member of the committee of international consultants Museum of Latin American Art of Los Angeles ( MOLAA) and the Art Museum for Private Collectors. Zaia is a recognized expert in communication and marketing. His idea is to "give the public a selection of art of exceptional quality, where the most innovative proposals coexist with great works of historical vanguards of the twentieth century."
Beside him, a committee of curators with big names in contemporary art as Omar Lopez-Chahoud, director of the Miami fair UNTITLED; Neri Torcello, in charge of the Masters section; and Maria Chiara Valacchi, director of Spazio Cabinet Foundation in Milan, in charge of special projects and Bruno Leitão, in charge of curating the Finistrella section. Its aim is to develop a contemporary art fair with some references to more established artists, giving meaning and context to young artists.
 
The fair is held at the Palace of Fairs, Exhibitions and Congresses of Marbella and it has a special guest: the actor and artista Jordi Molla.
 
 
List of participants:
 
Adhoc - Vigo, Spain
Alarcon Criado - Sevilla, Spain
Alimentacion 30 + Lounge - Madrid, Spain
APGallery - Madrid, Spain
Area 72 / Point - Valencia, Spain
Art Nine - Murcia, Spain
Bacelos - Vigo, Spain
Baro Gallery - Sao Paulo, Brazil
Carlos Carvalho - Lisbon, Portugal
Carreras Mugica - Bilbao, Spain
Daniel Cardani - Madrid, Spain
Elephant Kunsthall - Lillehammer, Norway
Minimum space - Madrid, Spain
F2 Gallery - Madrid, Spain
Fernando Pradilla - Madrid, Spain
Filomena Soares - Lisbon, Portugal
FL Gallery - Milan, Italy
Galeria de las Misiones - Montevideo, Uruguay
Galeria El Museo - Bogota, Colombia
Gallery Pelaires - Palma de Mallorca, Spain
Gema Llamazares - Gijon, Spain
L21 Gallery - Palma de Mallorca, Spain
Mark Hachem - Paris, France
Max Estrella - Madrid, Spain
Michel Mejuto - Bilbao, Spain
Narrative Projects - London, United Kingdom
Odalys Madrid - Spain Caracas, Venezuela
Operate Scelte - Turin, Italy
Red Penguin - San Pedro de Alcantara, Spain
Rodrigo Juarranz - Aranda de Duero, Spain
Rosa Santos - Valencia, Spain
Saro León - Las Palmas de Gran Canaria, Spain
September Espai D'Art - Valencia, Spain
STOA Gallery - Estepona, Spain
Twin Gallery - Madrid, Spain
Yusto / Giner - Marbella, Spain

 


ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26


Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.


PERFORMANCE: OSCURECER UN PAPEL. BY ROCÍO VALDIVIESO

March 5 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.


Nocturnality. Installation. Rocío Valdivieso..


Oscurecer un papel forms part of a series of actions in which the artist engages in reading through repetition, memorization, and a measured degree of improvisation. Within this framework, a non-linear mode of reading emerges from a written text that is transformed when spoken aloud, assuming a different form in the act of articulation. The texts stem from an ongoing investigation into materiality, space, the relationships between body and matter, writing, the sculptural, and a sustained interest in the exploration of voice and orality.

The material from which Oscurecer un papel is constructed consists of a collection of purchase receipts the artist has been accumulating over time. The printed text they contain, together with the action of bringing them into proximity with a heat source—thereby activating the thermal paper on which they are produced—generates meanings that revolve around the notions of consumption and wear.


Rocío Valdivieso. Latent Aura. Performance documentation.


ABOUT ROCÍO VALDIVIESO

Rocío Valdivieso is an artist, researcher, and cultural manager. She is currently a PhD candidate in Fine Arts at the Complutense University of Madrid. She holds an MA in Research in Artistic Practices from the University of Castilla–La Mancha (UCLM) and a BA in Fine Arts from the National University of Tucumán, Argentina. She was a Fundación Carolina fellow from 2022 to 2023. She currently co-directs Errática. Laboratory of Processes and Critique in Madrid, alongside Romina Casile.

She was part of the PEEPA 2023 Program at the Centro de Residencias Artísticas, Matadero Madrid. She completed the 2021/22 Artists Program at Universidad Torcuato Di Tella, Buenos Aires, and in 2020 participated in the Intensive Curatorial Program of Proyecto PAC at Galería Gachi Prieto, Buenos Aires. She received the Visual Arts Promotion Award at the 4th Visual Arts Week of the Ente Cultural de Tucumán. She was awarded an AUGM scholarship for an exchange residency at UNESP, São Paulo, Brazil. She also participated in the International Residency Program La Ira de Dios and in the Acéfala Galería Residency for Argentine artists.