Art Madrid'23 – Art and Science in Thyssen Museum Madrid

 

Ten selected pieces from the Thyssen´s collection that show how scientific advances have been in many cases the engine and influence for the arts since the late twentieth century. Humanism, industrialization, theories of color and light, the discovery of landscapes and species, botany, fauna, ... the search for answers and the questions to understand the world and how nature works is a feature shared between scientists and artists, and the exhibition portrays these connections.

The limits of the universe, the natural sciences, the wildlife, were the main focus of work of nineteenth century American artists, specialists in  landscapes as we can see in works such as Summer in the Catskills, by James McDougal Hart, in South American Landscape, by Frederic Edwin Church, or the  magnificent Orchid and Hummingbird, painted by Martin Johnson Heade.

 

 

 

After this first group of works, there is a serie devoted to the scientific theories of color and light, in which the French painters of the late nineteenth and early twentieth century were great specialists: Matisse, Seurat's followers as Signat, Fauvism, the futurist with Gino Severini and his paint Expansion of Light, centrifugal and centripetal, or the work of Sonia Delaunay Simultaneous Contrasts, are examples in the exhibition of these chromatic studies and treatises on optics.

 

 

 

In a third section appears three-dimensional concept, with whom the artists attempted to create new spatial dimensions in relation with the modern geometric theories chased by the avant-garde artists: the fourth dimension of the Cubists, the total representation searched by masters as Picasso, Max Weber - with Terminal Station or Grand Central-Kupka, with Location of mobile graphics.

 

 

 

Art and Science is located in the lookout balcony on the first floor of the Thyssen Museum until September 27, 2015.

In the year 2020 in the heart of Barcelona a wandering gallery was born, the same one that in February 2021 would debut at Art Madrid with an exhibition proposal focused on contemporary portraits; with this subject matter it would manage to create a powerful dialogue between artwork and audience and make the seal Inéditad remain in the history of the event that contained it.

Jean Carlos Puerto. Protección. Oil and copper leaf on wood. 60 x 48. 2021. Image courtesy of the gallery.

Since that first time and until today, the wandering gallery has managed to build projects on otherness, has repositioned in the spotlight the discourses on the LGTBIQ+ collective, has consolidated a group of artists who share its principles of resilience and empathy and the best thing is that it continues to bet from the professionalism and commitment to give voice to the difference.

Claudio Petit-Laurent.. El Joven de la Perla. Oil on wood. 30 x 30 cm. 2023. Image courtesy of the gallery.

Inéditad Gallery, thanks to its founder Luis López, its collaborators and the infinite possibilities manifested in the works of the artists it represents, is a gallery that has demonstrated its capacity and courage to stimulate the sensibility of the public through art and seduce a generation that moves between the glass window and the analogical story. Inéditad is a nomadic gallery that has gathered around it a community of artists and has moved the context with exhibition projects that think about LGTBIQ+ art without prejudices.

Pepa Salas Vilar. Las marcas del arcoiris. Oil on canvas. 40 x 50 cm. 2022. Image courtesy of the gallery.

Pride and Prejudice was inaugurated. An exhibition that brings together the works of sixteen artists: Abel Carrillo, Alex Domènech, Carlos Enfedaque, Silvia Flechoso, Jamalajama, Daniel Jaén, Claudio Petit-Laurent, Jean Carlos Puerto, Fernando Romero, Pablo Rodríguez, Pepa Salas Vilar, Jack Smith, Pablo Sola, Bran Sólo, Elia Tomás and Utürüo. Painting, illustration, photography and digital art are the manifestations that bring into dialogue around fifty neatly threaded pieces, in a discursive line that discusses such a latent phenomenon as discrimination. To achieve this, the artists invited to the exhibition question themselves whether: Does discrimination exist within the LGTBIQ+ collective?

Pride and Prejudice Official Poster. Image courtesy of the gallery.

With approaches on and from the body, the proposal invites to celebrate diversity, proposes to question and self-question the prejudices and attitudes of society against the collective. Pride and Prejudice is a space for dialogue about the constructs imposed on us by society. It is also an oasis in which to deconstruct with tolerance and respect the subjectivities that sometimes prevent us from approaching the production of the participating artists, simply because "the beautiful" does not fit in an androgynous body. The subjugation of stereotypes are pressed with determination to find the beauty of diversity in other palpable facets of reality.

Pablo Sola. All men are dogs. Photography. 2014. Image courtesy of the gallery.

Throughout these three years Inéditad has stimulated the vindictive projection towards bad practices, has questioned estates around the LGTBIQ+ body and the most admirable thing, is that these capacities have resurfaced around the dialogue and the visual narrative of the stories that are told from the visual: Artworks that are people, art that is, per se, humanity. Overcome impositions and accept what is different in order to continue fighting against homophobia, biphobia, lesbophobia or transphobia and defend the equal rights that all the acronyms of the collective deserve in our community.

That's Pride and Prejudice: One creature, the happiest in the world. And maybe other projects and other people have said it - or felt it - before, but none so fairly.

Silvia Flechoso. Hola, soy maricón. Oil on canvas. 73 x 54 cm. 2023. Image courtesy of the gallery.

From June 8th until June 22nd you can visit Pride and Prejudice. Carrer de Palau núm. 4. Canal Gallery space. Barcelona.