Arte Santander celebrates its 24th edition

 

 

It seems that the "solo project" format has curdled in the latest editions of ArteSantander and has managed to consolidate and differentiate a fair with great participation. ArteSantander turns 24 and demonstrates that, in a delicate situation, the involvement of the institutions is essential to perpetuate the projects.

 

 

 

In the edition of 2015, the selection committee made up of professionals like Alicia Ventura, Benjamin Weil, Moises Perez de Albeniz and Juan Gonzalez Riancho, have had to decide which of the 90 submitted projects are the best for the 42 stands of ArteSantander. Finally, 39 spanish galleries and 3 from Germany will display their proposals but have received proposals also from Portugal, France and Italy.

 

 

Along with veteran galleries in Santander as Canem, Angeles Baños, Blanca Soto and Rafael Ortiz, they land for the first time young as Galería Alegría, Espacio Valverde, Javier Lopez or La Gran, from Valladolid, and other, as The Twin Gallery, comes for second time. Six spaces are reserved for Cantabrian galleries.

 

 

 

 
 

ArteSantander runs parallel to the art collectors forum organized by the Menendez Pelayo University, Asoc. Of Collectors 9915 and IAC / Institute of Contemporary Art, with the help of the Banco Santander Foundation, which ensures that the visits be rich and specialized.

New this year, led by The Latamuda, is the program Curator's Talk!, a meeting and discussion event with curators about "different conceptions, models and strategies for the artistic practices" and that will serve as a platform of reflection and exchange between the guests and the audience. In an interview format, the participants are: Gema Llamazares with the project "necessary and possible" by the artist Irma Alvarez-Laviada, curated by Nicolas Combarro/ Guillermina Caicoya gallery with 'sun_moon: the logic of perception' of Nicholas Word, curated by Alfredo Aracil / L21 Gallery with 'Brikoexposición' Alvaro Gil, curated by Francesco Gisveri / and Jose de la Fuente with 'mortis causa' by Antonio Diaz Grande. We can listen to all of them on July 28 at 18 at the Palace of Exhibitions and Congresses of Santander where the fair takes place.

 

 

 

Galerías y proyectos ArteSantander 2015:


A del Arte (Zaragoza) Roberto Coromina “Tiza sobre pintura”
Adora Calvo (Salamanca) Fernando Renes
Alegría (Madrid) José Ramón Ais y Raúl Domínguez “Fuera de campo”
Ángeles Baños (Badajoz) Javier Arbizu
Artizar (Santa Cruz de Tenerife) Amparo Sard “Sombras”
Astarté (Madrid) Olalla Gómez “Por.venir”
ATM (Asturias) Kepa Garraza
Blanca Soto (Madrid) Ruth Quirce y Manuel Saro
Cànem (Castellón) Antonio Alcaraz “Espacios industriales. Carbó i acer poética d´una memoria”
Carolina Rojo (Zaragoza) Iñaki Bergera “Twentysix (Abandoned) Gasolined stations”
Cavecanem (Sevilla) Atin Aya “Memoria inmediata”
Collectiva (Alemania) Edith Kollath
Espacio Marzana (Vizcaya) Edu López, “Input”
Espacio Valverde (Madrid) Alfredo Rodríguez “Limbo”
Espai Tactel (Valencia) Ana Barriga y Javier Palacios “Visual storytelling”
Espai Visor (Valencia) Bleda y Rosa, “Campos de batalla. España”, “Campos de batalla. Europa” y “Origen”
Ethall. Dibujo Contemporáneo (Barcelona) Aleksandra Kopff vs Ignacio Sáez Palacios
Gema Llamazares (Asturias) Irma Álvarez-Laviada “Lo necesario y lo posible”
Greusslich Contemporary (Alemania) José Noguero + Vanesa Farfán
Guillermina Caicoya (Asturias) Nicholas Wood “Sun_Moon: la lógica de la percepción”. Comisario: Alfredo Aracil
Javier López (Madrid) Todd James
JM (Málaga) Carlos Miranda y Tete Álvarez
Kir Royal (Madrid) Keke Vilabelba, “Landshapes”
L21 Gallery (Madrid) Álvaro Gil “Brikoexplosión”
La Gran (Valladolid) Marina Nuñez
La New Gallery (Madrid) Simon Arrebola “Itinerancias espirituales”
Mäss (Alemania) Lucía Simón
Moisés Pérez de Albéniz (Madrid) Miren Doiz “See attached file”
My name’s Lolita Art (Madrid) Paco Pomet “Un entrenamiento para futuros cuadros”
Paz y Comedias (Valencia) Manuel Blázquez “Albarim”
Rafael Ortiz (Sevilla) Nico Munuera
Rafael Pérez Hernando (Madrid) Joan Hernández Pijuán
Set Espaid’art (Valencia) Juan Olivares “La sostenida fuga de Olivares hacia el espacio”
Sicart (Barcelona) Eulália Valldosera
Twin Gallery (Madrid) Marla Jacarilla, “Anotaciones para una eiségesis”
Yusto-Giner (Málaga) José Luis Puche “Presente de lo ausente”
Espacio Alexandra (Santander) Sonia Higuera
Espiral (Santander) Juan Carlos López Davis
Estela Docal (Santander) Juan Manuel Fernández-Pinedo
Josedelafuente (Santander) Antonio Díaz Grande
Juan Silió (Santander) Cristina del Campo
Siboney (Santander) Fernando Martín Godoy

One of the proposals included in the calendar of the “Art Madrid-Proyector'20” program was the organisation of several meetings with artists within the fair. This gave visitors the opportunity to get to know their work better and open a personal dialogue with them after the presentation of their last lines of work. From Wednesday 26th to Saturday 29th of February, we had the participation of Abelardo Gil-Fournier, Fernando Baena, Mario Santamaría and Maia Navas, a group of creators who work with the moving image, but also with the installation, technological art, performance and video art.

Abelardo Gil-Fournier's work revolves around the hybridization between the real and the sensible. This artist and researcher approaches this question in his works from a perspective in which perception, image and material production merge. Both his artistic and research practice deal with issues related to land use and plant growth without losing sight of these three points of interest. This results in works that incorporate the presence of nature from various perspectives, sometimes as a space of experimentation in which to reflect on the connection between art and politics, the relationship of the human being with the environment or the criteria for landscape intervention.

During his presentation on Wednesday 26th, Abelardo told us about some of his latest projects, in which the presence of technology is key to offering an artistic interpretation of the individual's impact into the territory. All this affects issues such as agricultural techniques, the progressive deforestation or the exploitation of land resources. The result is colour-coded pattern drawings that break down the analyzed landscape and offer a more visual and technology-based reinterpretation of these human behaviours. In addition, in this meeting, the artist explained his work “The Quivering of the Reed”, an installation that mixes video image, sound and material elements, and that plays the role of mixing the sensory with the real.

Abelardo Gil-Fournier

Fernando Baena shared a talk with us on the afternoon of Thursday 27th. This artist has focused a large part of his work on performance, happening and video pieces, many of them designed to capture the result of the action and give the work a second life in a new format. The main subjects that monopolize his work range from the treatment of sexuality and gender issues, to migratory movements and the drama of refugees, the exercise of political freedom and thought ... all of them are far-reaching issues that Fernando addresses from a familiar approach, with the use of common materials and recognizable environments. Another of the characteristics of his work is the presence of Marianela León in many of his pieces, a performer who has been collaborating with Fernando for many years until becoming almost an alter ego of himself and starring in most actions that take place in public spaces.

In this meeting, Fernando was able to explain part of his creative processes and to highlight a key aspect to the performance artist: to understand the reaction of the public. In this way, the impact of a work conceived from the theoretical plane is also analyzed, the meaning of which can completely change depending on the viewer's perception. As he himself explained in the talk regarding his piece "Balsa":

"What started out as a performance with an established script ended up being a happening in which the public participated with sometimes unusual reactions".

For his part, Mario Santamaría, who was with us on February 28th, shared with us a completely different work from Fernando's. This artist is focused on the analysis of the use of data, the feeling of manipulation and lack of control over our information that is produced in the digital medium and the desire to transform into something real some ideas as ethereal and commonplace today as the use of virtual storage clouds, the location of web pages or the data flow over the Internet. Much of his work, documented on video or transformed into technological facilities, is a form of research on the impact of the digital medium on our daily lives. His desire to bring these terms to the material plane, which we handle in our language today without really understanding their meaning, has led him to visit server bunkers, storage warehouses, in addition to tracking the exact location of the servers that host his own website to find isolated places far away from humanity.

Mario proposed a material trip to this reality to demonstrate that we are facing a very fragile system, whose durability is sensitive to natural phenomena, as evidenced by some of the documentation work carried out, where he rescued images of wild animals entering these data centres and endangering the livelihood of the digital world.

Mario Santamaría

Finally, Maia Navas, recently arrived from Argentina, shared with us the afternoon of Saturday 29th in a chat in which she told us about her creative work as well as her experience at the head of Play-Videoarte, a festival entirely dedicated to this discipline that she co-founded in 2012, and that in these six editions has combined an annual exhibition with a program of activities that take place in the City of Corrientes (Argentina), at the Cultural Centre of the University Extension that depends on the National University of the Northeast (UNNE).

Maia has a degree in psychology, as well as a degree in arts and technology, and combine her artistic career with teaching. The impact of psychology among her work topics is evident, and some of her video works try to delve into disturbing and perplexing aspects of human behaviour, such as the series "Procedures" that we could watch during the presentation. In it, the artist portrays the daily lives of people affected by OCD syndrome with an excellent visual narrative that puts the accent, almost with a cinematographic vision, on the personal experience of this phenomenon.

Maia Navas, foto de Marc Cisneros

From Art Madrid, we want to thank all these artists for sharing their creative experience with us and giving us the opportunity to dialogue with them about their present and future projects.