Art Madrid'26 – First retrospective of Carl André in Madrid

The words of the curator of "Carl Andre: Sculpture in town, 1958-2010", Yasmil Raymond, are a good way to approach the world of this artist and poet born in Massachusetts in 1935 and named representative of Minimal Art, also linked with Land Art and Conceptual Art. "The big question for Andre is man's relationship with space and materials out of the earth, looking for the definition of a place in the cosmos," Raymond said. "The materials and their use also involve a relationship with the economy and political because the places are not only geographical or geometrical condition. It also imports the link with memory, and emotions of existence, ", she added.
Carl André redefined the parameters of sculpture and subjected it to a process that includes the "Sculpture as form, as structure and as place". To do this, André altered the concept of composition, the usual materials, opened the "site-specific" way, seeking the essence of the object, looking to get the maximum expression with minimum resources, coming to stop using the material to sculpting with the space itself, creating places in the viewer's mind to put you in touch with the materials and their disposal.
 
Industrial materials such as concrete, cement, bricks, steel, raw wood, aluminum and graphite are covered with André, of noble air and convey emotions and moods. The sculptor even dispenses with pedestals and placed the sculptures on the ground, , closer to the earth ... as a  more human version until them seem barricades, walls, megalithic monuments, tombs...
The exhibition traces 50 years of the work of Carl Andre and has about 400 pieces, including sculptures, objects, visual poems and works on paper in which emphasizes his obsession with language - only during the 60s of last century, André created over 1000 pages of poems, collages Support, etc ... -.
 
As has explained the curator Yasmil Raymond, the artist always involve the public in its work: "Carl Andre uses the visitor experience as an element of the art work. The viewer must be brave to complete the organization of the work. The piece that it is in a store, does not exist ".
The exhibition in Madrid that will be since October 12 in two locations: the Sabatini Building of the Reina Sofia Museum until 28 September and Velázquez Palace in Retiro Park, is organized by the Dia Art Foundation New York in collaboration with the Reina Sofia Museum, and curated by Philippe Vergne and Yasmil Raymond with the participation of the artist. After Madrid, the exhibition will travel to the Hamburger Bahnhof Museum für Gegenwart, Berlin; Contemporary Musée d'Art de la Ville de Paris and the Museum of Contemporary Art in Los Angeles.

 


ART MADRID’ 26: 21 YEARS OF CONTEMPORARY ART


Discover all the information about the artists and galleries participating in the 21st edition of Art Madrid. The catalog features a curated selection of the works presented in this edition, along with the most relevant details of the event, making it an essential tool for engaging with the fair’s key figures and exploring the defining elements of today’s art scene.


In 2026, Art Madrid celebrates its 21st edition, further establishing itself as a leading event within Spain’s cultural sector. From March 4 to 8, the Galería de Cristal of the Palacio de Cibeles will once again become a meeting point for galleries, collectors, artists, and contemporary art enthusiasts.


Over the past twenty-one years, the fair has evolved into a dynamic and ever-expanding platform, fostering diversity in artistic languages, techniques, and discourses. In this edition, the Galleries Program brings together around 35 exhibitors from more than seven countries, offering a representative overview of the most recent developments in contemporary creation.


The Art Madrid ’26 catalog serves as a key publication for discovering the work of this edition’s galleries and artists —marked by experimentation and a plurality of perspectives— while also documenting the conceptual axes that shape the fair. As part of the Parallel Program, INHABITING THE EPHEMERAL: A Reflection on the “Species” of Spaces proposes a reflection on space, relationships, and shared experience, expanding the understanding of the fair beyond its commercial dimension and highlighting its cultural and experiential significance.


In addition, the catalog presents the initiatives that complete the program, such as the Open Booth dedicated to emerging creation, the Nebrija Space in collaboration with Nebrija University, the Performance Series “Open Infinite. What the Body Remembers,” the One Shot Collectors Program, and the Patronage Program, reaffirming the fair’s commitment to supporting, mediating, and accompanying contemporary art at every stage.

We invite you to discover more about Art Madrid ’26 through the catalog of its 21st edition — a publication that, beyond serving as documentary memory, becomes a cartography of the present artistic moment and an open door to new ways of inhabiting contemporary art.