Art Madrid'25 – First retrospective of Carl André in Madrid

The words of the curator of "Carl Andre: Sculpture in town, 1958-2010", Yasmil Raymond, are a good way to approach the world of this artist and poet born in Massachusetts in 1935 and named representative of Minimal Art, also linked with Land Art and Conceptual Art. "The big question for Andre is man's relationship with space and materials out of the earth, looking for the definition of a place in the cosmos," Raymond said. "The materials and their use also involve a relationship with the economy and political because the places are not only geographical or geometrical condition. It also imports the link with memory, and emotions of existence, ", she added.
Carl André redefined the parameters of sculpture and subjected it to a process that includes the "Sculpture as form, as structure and as place". To do this, André altered the concept of composition, the usual materials, opened the "site-specific" way, seeking the essence of the object, looking to get the maximum expression with minimum resources, coming to stop using the material to sculpting with the space itself, creating places in the viewer's mind to put you in touch with the materials and their disposal.
 
Industrial materials such as concrete, cement, bricks, steel, raw wood, aluminum and graphite are covered with André, of noble air and convey emotions and moods. The sculptor even dispenses with pedestals and placed the sculptures on the ground, , closer to the earth ... as a  more human version until them seem barricades, walls, megalithic monuments, tombs...
The exhibition traces 50 years of the work of Carl Andre and has about 400 pieces, including sculptures, objects, visual poems and works on paper in which emphasizes his obsession with language - only during the 60s of last century, André created over 1000 pages of poems, collages Support, etc ... -.
 
As has explained the curator Yasmil Raymond, the artist always involve the public in its work: "Carl Andre uses the visitor experience as an element of the art work. The viewer must be brave to complete the organization of the work. The piece that it is in a store, does not exist ".
The exhibition in Madrid that will be since October 12 in two locations: the Sabatini Building of the Reina Sofia Museum until 28 September and Velázquez Palace in Retiro Park, is organized by the Dia Art Foundation New York in collaboration with the Reina Sofia Museum, and curated by Philippe Vergne and Yasmil Raymond with the participation of the artist. After Madrid, the exhibition will travel to the Hamburger Bahnhof Museum für Gegenwart, Berlin; Contemporary Musée d'Art de la Ville de Paris and the Museum of Contemporary Art in Los Angeles.

 

From July 7 to 9, 2025, the Balsera Palace will host the First Course on Collecting and Contemporary Art, an intensive 15-hour program that will explore the complex and fundamental question of taste in contemporary art. Organized by the Nebrija Institute of Arts and Humanities at Nebrija University and the Avilés City Council, in collaboration with 9915 — Association of Private Collectors of Contemporary Art and the Institute of Contemporary Art, the course offers a unique opportunity for analysis and debate on the dynamics that shape aesthetic and symbolic value in today’s art scene.


First Course on Collecting and Contemporary Art. Avilés, Asturias


The notion of taste, intrinsically tied to aesthetic judgments and power relations, has played a decisive role in the historical prominence of artists and artworks. However, contemporary art—marked by its breaking of conventions, diversity of media and techniques, and critical stance toward traditional canons—raises fundamental questions about the continued relevance of this concept.

This course will explore how the decisions made by key players in the art system—institutions, private collections, galleries, curators, and artists—continually redefine a field of taste shaped by aesthetic, symbolic, cultural, social, and political logics.


"¿But does it exist, and what is the prevailing taste of our time—so seemingly confused, fragmented, indecipherable?" - Omar Calabrese, The Neo-Baroque Era.


The academic program, directed by José Luis Guijarro Alonso, Director of the Master’s in Art Market and Related Business Management at Nebrija University, and Pablo Álvarez de Toledo, Head of the Department of Arts at Nebrija University and the Nebrija Institute of Arts and Humanities, will bring together a distinguished group of national experts—including collectors, critics, curators, gallery owners, and artists—whose contributions will address key issues in shaping aesthetic, symbolic, and market value in today’s art world.


PROGRAM

MONDAY, JULY 7

9:30 AM Registration.

10:00 AM Course Opening Nebrija University Avilés City Council Presented by Rosario López Meras – President of the Association of Contemporary Art Collectors, 9915, and Adrián Piera – President of the ICA, Institute of Contemporary Art.

10:30 AM Course Presentation By José Luis Guijarro Alonso – Art Historian and Anthropologist, Researcher, and Director of the Master’s in Art Market and Related Business Management at Nebrija University.

11:00 AM Coffee Break.

11:30 AM Panel Discussion The Taste of Private Collecting as a Prelude to History. Speakers: Candela Álvarez Soldevilla – Entrepreneur and Collector; Javier Quilis – INELCOM Collection; José Miguel Vegas Valle – Collector. Moderator: Luis Feás – Critic and Curator.

1:00 PM Lunch Break.

3:30 PM Individual Lecture On Good Taste in Contemporary Art. Speaker: Marisol Salanova – Curator and Art Critic, Director of Arteinformado.

4:45 PM Panel Discussion The Influence of Galleries in Shaping Contemporary Taste. Speakers: Elba Benítez – Gallerist; Ricardo Pernas – Gallerist (Arniches 26); Aurora Vigil-Escalera – Gallerist. Moderator: Rafael Martín – Coleccion@casamer.

6:00 PM End of Day.

6:30 PM Activity and Cocktail Visit to the Exhibition Asturian Artists in the Pérez Simón Collection – Avilés.

TUESDAY, JULY 8

10:00 AM Individual Lecture Contemporary (Bad) Taste: Kitsch, Camp, and Tacky. Speaker: Julio Pérez Manzanares – Autonomous University of Madrid.

11:00 AM Coffee Break.

11:30 AM Panel Discussion Institutions and the Formation of Contemporary Taste. Speakers: Virginia López – Artist, Founder of PACA_Proyectos Artísticos Casa Antonino; Julieta de Haro – Artistic Director of CentroCentro; Carlos Urroz – Director of Institutional Relations, Museo Nacional Centro de Arte Reina Sofía. Moderator: Laura Gutiérrez – Director, School of Art of Oviedo.

1:00 PM Lunch Break.

3:30 PM Panel Discussion Beyond the Eye: The Taste for Ethical, Ecological, Social, or Political Concerns in Contemporary Art. Speakers: Semíramis González – Independent Curator; Eugenio Ampudia – Artist; Claudia Rodríguez-Ponga – Independent Curator. Moderator: Bárbara Mur Borrás – PhD in Fine Arts.

5:00 PM End of Day.

5:30 PM Activity Visit to the Studiolo Exhibition – Candela Álvarez Soldevilla Collection.

WEDNESDAY, JULY 9

9:30 AM Meeting with Asturian Artists Speakers: María Castellanos – Artist; Avelino Sala – Artist; Consuelo Vallina – Artist. Moderator: Pablo Álvarez de Toledo – Nebrija University.

11:00 AM Activity Visit to the Niemeyer Center – Avilés.

Course Closing Ceremony.





This course is designed for art professionals, collectors, researchers, and students seeking an in-depth analysis of the dynamics that shape taste and collecting practices in contemporary art. Adopting a critical and multidisciplinary perspective, it provides a unique opportunity to rigorously examine the aesthetic, symbolic, and structural factors that underpin the legitimization of contemporary art.