Art Madrid'25 – Carol Rama exhibition in Macba museum (Barcelona)

There are few things as rewarding for a museum as recover the work of a tangential art figure, veiled and forgotten by traditional historiography. It is the case of many women artists and the case of the Italian artist Carol Rama, essential B-Side of the XX century avant-garde, whose art can be enjoyed in the MACBA from 30 October until early 2015. 

Dorina, 1940.

 

With an absolutely unique language, influenced by art brut, the informality, les Fauves, feminism and organic abstraction, Carol Rama (Turin, 1918) tries to challenge (with a long career of more than 70 years on active ) the traditional art narrative and the gender discourse itself, with a violent, subversive, sensual and polymorphic vision of art practice and of his own body. MACBA Museum it is not just "giving visibility to the work of Carol Rama" but joining her questions and doubts about the hegemonic concept of art and about the sensuality, the femenine symbol and the abjection. 

Apassionata, 1940.

In the 30s, Rama experiments with watercolors, lubricious, colors and stains to fill hundreds of papers with mutant nudes, tongues, genitals, eyes... with a work between psychoanalysis and the study the unconscious. After a long period, objects began to curdle in her work, ready mades, recycling, organic pieces, tires, nails, syringes, Arte Povera make her work even more pregnante ... more pornographic.

La Macelleria, 1980.

 

In the nineties, Carol Rama returns to figuration without losing their initial anger because, as she herself has stated on numerous occasions: "paint makes me free from the anguish suffered by what was happening to my family, transforming anguish in transgression... I was out. Contrary. Never lining up"

Carol Rama y Andy Warhol. Fotografía de Dino Petrali, 1975.

Curated by Teresa Grandas and Beatriz Preciado - feminist philosopher, specializing in Queer Theory and Philosophy of gender - the exhibition is an alternative file with wich you can correctly understand the history of art of the twentieth century as it is "an artist imperative to understand the mutations of representation in the twentieth century and the later work of artists like Cindy Sherman, Kara Walker, Sue Williams, Kiki Smith and Elly Strik ". 

Carol Rama has participated for several years in the Venice Biennale (1948, 1950, 1956, 1993) and in 2003 received the Golden Lion.
 
 

 

At the most recent edition of Art Madrid, artist Luis Olaso (Bilbao, 1986), represented by Kur Art Gallery (San Sebastián), received the Residency Prize of the Art Madrid Patronage Program. This award, the result of a collaboration between Art Madrid, DOM Art Residence, and the Italian association ExtrArtis, enabled him to undertake an artistic residency in Sorrento (Italy) in August 2025.

Through initiatives like this, the fair reaffirms its support for contemporary creation—a commitment aimed at increasing artists’ visibility and strengthening art collecting through concrete actions such as acquisition prizes, recognition of emerging talents, and international residencies.


Artists in Residence. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


The DOM & ExtrArtis 2025 Residency Program took place in Sorrento from August 1 to 31, 2025. The artists lived together at Relais La Rupe, a 16th-century villa surrounded by cliffs and centuries-old gardens, which became an ideal setting for experimentation and exchange.

In this edition, residents worked around the theme “Reimagining Genius Loci”, an invitation to reflect on how the movement of people and traditions transforms the “spirit of place.” During the residency, DOM organized two public group exhibitions: the first to present the artists’ previous work, and the second to showcase the projects developed in Sorrento.


Work by Luis Olaso. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


Luis Olaso’s work moves between expressionist figuration and abstraction, always employing a pictorial language charged with strength and emotion. Initially self-taught, he later graduated in Fine Arts and has developed a solid international career, with exhibitions at venues including JD Malat (London) and Makasiini Contemporary (Turku, Finland), and participation in fairs such as Untitled Miami, Estampa, and Art Madrid itself.

His work is part of prestigious collections, including the Tokyo Contemporary Art Foundation, Fundación SIMCO, and the Provincial Council of Bizkaia, and has been recognized in competitions such as the Reina Sofía Prize for Painting and Sculpture and the Ibercaja Young Painting Prize.

In Sorrento, Olaso found a unique context to expand his pictorial research, engaging in dialogue with the Mediterranean landscape and the region’s historical heritage. The residency provided him with time, resources, and a framework for exchange with other international artists, fostering the production of new works that were later presented in the group exhibitions organized by DOM.


Luis Olaso working on his project. DOM & ExtrArtis. Image courtesy of DOM.

Luis Olaso’s experience at DOM Art Residence concluded with a public showcase of the works produced, reinforcing his presence on the international circuit and consolidating his position as one of the most prominent Basque artists on the contemporary scene.


Through initiatives such as this, Art Madrid demonstrates its active role as a platform for direct support of contemporary creation, creating opportunities for research, production, and intercultural dialogue that extend beyond the fair itself and accompany artists in their professional development.