Art Madrid'25 – “El Guernica”. Picasso 80 years after the horror

 

 

“El Guernica”, Pablo Picasso, 1937. “Piedad y terror en Picasso. El camino al Guernica”. Exposición en el Museo Reina Sofía

 

The exhibition, which can be seen until September 4, presents a tour of works by the artist from Málaga after 1925, in which scenes of outrageous actions can be seen, where violence and horror are very present. This is intended to reflect on how previous artistic research could have had a significant influence on the creation of Guernica.

 

 

Pablo Picasso. Woman Dressing Her Hair, Royan, 1940. Óleo sobre lienzo. New York, Museum of Modern Art (MoMA). Louis Reinhardt Smith Bequest, 1995. © 2017. Digital image, The Museum of Modern Art, New York/ Scala Florence. © Sucessión Pablo Picasso, VEGAP, Madrid, 2017

 

 

"Piedad y terror en Picasso. El camino al Guernica”, curated by Timothy J. Clark and Anne M. Wagner, collect more than 180 of the artist's greatest works, from the Reina Sofía Museum collection and over 30 Institutions around the world such as the Musée Picasso and the Center Georges Pompidou in Paris, the Tate Modern in London, the MOMA and the Metropolitan Museum in New York, or the Beyeler Foundation (Basel), and some private collections such as Claude Ruiz-Picasso, Nahmad or Menil.

 

 

Vistas de sala. Piedad y terror en Picasso. El camino a Guernica, 2017

 

 

The tour of the exhibition begins and ends in a room with documentation and references about the viewer to the fatality of the Civil War. Several spaces are dedicated to preparatory sketches and notes, some of them very violent load, like “La muerte de Marat” and “Retrato de la marquesa de culo cristiano echándole un duro a los soldados moros defensores de la virgen” (1937). As a centerpiece of the exhibition is majestic and solemn, which can be considered one of the most celebrated works of art of the twentieth century and probably "the work of the twentieth century that has generated more interpretations," remarks Manuel Borja-Villel, Director Of the Reina Sofía Museum: "El Guernica".

 

 

“Piedad y terror en Picasso. El camino al Guernica”, vista de la exposición. 

 

 

The Reina Sofia Museum has created the Guernica Documentary Fund, an archive curated by Rosario Peiró and Rocío Robles Tardío which compiles historical documentation on the work. The exhibition can be seen until September 4 in the Sabatini Building and there is a conference program entitled “Devenir Guernica. Lecturas sobre guerra, exilio e iconoclastia”, to reflect about the art work.

 

 

 

 

At the most recent edition of Art Madrid, artist Luis Olaso (Bilbao, 1986), represented by Kur Art Gallery (San Sebastián), received the Residency Prize of the Art Madrid Patronage Program. This award, the result of a collaboration between Art Madrid, DOM Art Residence, and the Italian association ExtrArtis, enabled him to undertake an artistic residency in Sorrento (Italy) in August 2025.

Through initiatives like this, the fair reaffirms its support for contemporary creation—a commitment aimed at increasing artists’ visibility and strengthening art collecting through concrete actions such as acquisition prizes, recognition of emerging talents, and international residencies.


Artists in Residence. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


The DOM & ExtrArtis 2025 Residency Program took place in Sorrento from August 1 to 31, 2025. The artists lived together at Relais La Rupe, a 16th-century villa surrounded by cliffs and centuries-old gardens, which became an ideal setting for experimentation and exchange.

In this edition, residents worked around the theme “Reimagining Genius Loci”, an invitation to reflect on how the movement of people and traditions transforms the “spirit of place.” During the residency, DOM organized two public group exhibitions: the first to present the artists’ previous work, and the second to showcase the projects developed in Sorrento.


Work by Luis Olaso. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


Luis Olaso’s work moves between expressionist figuration and abstraction, always employing a pictorial language charged with strength and emotion. Initially self-taught, he later graduated in Fine Arts and has developed a solid international career, with exhibitions at venues including JD Malat (London) and Makasiini Contemporary (Turku, Finland), and participation in fairs such as Untitled Miami, Estampa, and Art Madrid itself.

His work is part of prestigious collections, including the Tokyo Contemporary Art Foundation, Fundación SIMCO, and the Provincial Council of Bizkaia, and has been recognized in competitions such as the Reina Sofía Prize for Painting and Sculpture and the Ibercaja Young Painting Prize.

In Sorrento, Olaso found a unique context to expand his pictorial research, engaging in dialogue with the Mediterranean landscape and the region’s historical heritage. The residency provided him with time, resources, and a framework for exchange with other international artists, fostering the production of new works that were later presented in the group exhibitions organized by DOM.


Luis Olaso working on his project. DOM & ExtrArtis. Image courtesy of DOM.

Luis Olaso’s experience at DOM Art Residence concluded with a public showcase of the works produced, reinforcing his presence on the international circuit and consolidating his position as one of the most prominent Basque artists on the contemporary scene.


Through initiatives such as this, Art Madrid demonstrates its active role as a platform for direct support of contemporary creation, creating opportunities for research, production, and intercultural dialogue that extend beyond the fair itself and accompany artists in their professional development.