Art Madrid'23 – “El Guernica”. Picasso 80 years after the horror

 

 

“El Guernica”, Pablo Picasso, 1937. “Piedad y terror en Picasso. El camino al Guernica”. Exposición en el Museo Reina Sofía

 

The exhibition, which can be seen until September 4, presents a tour of works by the artist from Málaga after 1925, in which scenes of outrageous actions can be seen, where violence and horror are very present. This is intended to reflect on how previous artistic research could have had a significant influence on the creation of Guernica.

 

 

Pablo Picasso. Woman Dressing Her Hair, Royan, 1940. Óleo sobre lienzo. New York, Museum of Modern Art (MoMA). Louis Reinhardt Smith Bequest, 1995. © 2017. Digital image, The Museum of Modern Art, New York/ Scala Florence. © Sucessión Pablo Picasso, VEGAP, Madrid, 2017

 

 

"Piedad y terror en Picasso. El camino al Guernica”, curated by Timothy J. Clark and Anne M. Wagner, collect more than 180 of the artist's greatest works, from the Reina Sofía Museum collection and over 30 Institutions around the world such as the Musée Picasso and the Center Georges Pompidou in Paris, the Tate Modern in London, the MOMA and the Metropolitan Museum in New York, or the Beyeler Foundation (Basel), and some private collections such as Claude Ruiz-Picasso, Nahmad or Menil.

 

 

Vistas de sala. Piedad y terror en Picasso. El camino a Guernica, 2017

 

 

The tour of the exhibition begins and ends in a room with documentation and references about the viewer to the fatality of the Civil War. Several spaces are dedicated to preparatory sketches and notes, some of them very violent load, like “La muerte de Marat” and “Retrato de la marquesa de culo cristiano echándole un duro a los soldados moros defensores de la virgen” (1937). As a centerpiece of the exhibition is majestic and solemn, which can be considered one of the most celebrated works of art of the twentieth century and probably "the work of the twentieth century that has generated more interpretations," remarks Manuel Borja-Villel, Director Of the Reina Sofía Museum: "El Guernica".

 

 

“Piedad y terror en Picasso. El camino al Guernica”, vista de la exposición. 

 

 

The Reina Sofia Museum has created the Guernica Documentary Fund, an archive curated by Rosario Peiró and Rocío Robles Tardío which compiles historical documentation on the work. The exhibition can be seen until September 4 in the Sabatini Building and there is a conference program entitled “Devenir Guernica. Lecturas sobre guerra, exilio e iconoclastia”, to reflect about the art work.

 

 

 

 

In the year 2020 in the heart of Barcelona a wandering gallery was born, the same one that in February 2021 would debut at Art Madrid with an exhibition proposal focused on contemporary portraits; with this subject matter it would manage to create a powerful dialogue between artwork and audience and make the seal Inéditad remain in the history of the event that contained it.

Jean Carlos Puerto. Protección. Oil and copper leaf on wood. 60 x 48. 2021. Image courtesy of the gallery.

Since that first time and until today, the wandering gallery has managed to build projects on otherness, has repositioned in the spotlight the discourses on the LGTBIQ+ collective, has consolidated a group of artists who share its principles of resilience and empathy and the best thing is that it continues to bet from the professionalism and commitment to give voice to the difference.

Claudio Petit-Laurent.. El Joven de la Perla. Oil on wood. 30 x 30 cm. 2023. Image courtesy of the gallery.

Inéditad Gallery, thanks to its founder Luis López, its collaborators and the infinite possibilities manifested in the works of the artists it represents, is a gallery that has demonstrated its capacity and courage to stimulate the sensibility of the public through art and seduce a generation that moves between the glass window and the analogical story. Inéditad is a nomadic gallery that has gathered around it a community of artists and has moved the context with exhibition projects that think about LGTBIQ+ art without prejudices.

Pepa Salas Vilar. Las marcas del arcoiris. Oil on canvas. 40 x 50 cm. 2022. Image courtesy of the gallery.

Pride and Prejudice was inaugurated. An exhibition that brings together the works of sixteen artists: Abel Carrillo, Alex Domènech, Carlos Enfedaque, Silvia Flechoso, Jamalajama, Daniel Jaén, Claudio Petit-Laurent, Jean Carlos Puerto, Fernando Romero, Pablo Rodríguez, Pepa Salas Vilar, Jack Smith, Pablo Sola, Bran Sólo, Elia Tomás and Utürüo. Painting, illustration, photography and digital art are the manifestations that bring into dialogue around fifty neatly threaded pieces, in a discursive line that discusses such a latent phenomenon as discrimination. To achieve this, the artists invited to the exhibition question themselves whether: Does discrimination exist within the LGTBIQ+ collective?

Pride and Prejudice Official Poster. Image courtesy of the gallery.

With approaches on and from the body, the proposal invites to celebrate diversity, proposes to question and self-question the prejudices and attitudes of society against the collective. Pride and Prejudice is a space for dialogue about the constructs imposed on us by society. It is also an oasis in which to deconstruct with tolerance and respect the subjectivities that sometimes prevent us from approaching the production of the participating artists, simply because "the beautiful" does not fit in an androgynous body. The subjugation of stereotypes are pressed with determination to find the beauty of diversity in other palpable facets of reality.

Pablo Sola. All men are dogs. Photography. 2014. Image courtesy of the gallery.

Throughout these three years Inéditad has stimulated the vindictive projection towards bad practices, has questioned estates around the LGTBIQ+ body and the most admirable thing, is that these capacities have resurfaced around the dialogue and the visual narrative of the stories that are told from the visual: Artworks that are people, art that is, per se, humanity. Overcome impositions and accept what is different in order to continue fighting against homophobia, biphobia, lesbophobia or transphobia and defend the equal rights that all the acronyms of the collective deserve in our community.

That's Pride and Prejudice: One creature, the happiest in the world. And maybe other projects and other people have said it - or felt it - before, but none so fairly.

Silvia Flechoso. Hola, soy maricón. Oil on canvas. 73 x 54 cm. 2023. Image courtesy of the gallery.

From June 8th until June 22nd you can visit Pride and Prejudice. Carrer de Palau núm. 4. Canal Gallery space. Barcelona.