Art Madrid'26 – Estampa International Art Fair in Matadero Madrid

 

 

This edition of the fair is overturned in the reconstruction of Spanish art market and the promotion of private collectors with a commitment to art and creation through the acquisition work. This commitment is reflected, above all, in initiatives such as the Collect Forum, the program of guided tours Led by a collector (with the 9915 Association and the Banco Santander Foundation), the visit to the RAC Collection by Carlos Rosón, the Collection DKV in the ABC Museum, all activities that are part of the program for Collectors, one of the fair's cornerstones.

 

Fotografía de Irene Cruz. En Estampa con Galería BAT Alberto Cornejo.

 

For Estampa 2015, the advisor committee, formed largely by collectors, has selected a total of 70 exhibitors for the General Program:
 
Adora Calvo (Salamanca), Aina Novack / AAC (Madrid), AC Gallery Art & Science (Madrid), ATM Contemporary (Gijon), Alvaro Alcazar (Madrid), Guillermina Caicoya (Oviedo), ArtNueve (Murcia), Astarte (Madrid), Base 9 (Madrid), Bat (Madrid), Espacio Bernal (Madrid), Cave Canem (Sevilla), Canen (Castellón), Cayon (Madrid), Espacio Photo (Madrid), Fonseca Macedo (Azores Islands), Fucking Art (Madrid) Aurora Vigil - Escalera Art Gallery (Gijon), Galeria Alba Cabrera (Valencia), Gema Llamazares (Gijon), Graça Brandao (Lisbon), Invaliden 1 (Berlin), Jose de la Mano (Madrid), Juan Silió (Santander) Juana de Aizpuru (Madrid), Maior (Palma de Mallorca), Marita Segovia (Madrid), MDA (Helsingborg, Sweden), Moisés Pérez de Albéniz (Madrid), Miguel Marcos (Barcelona), Original Graphic (Madrid) Recent Work (Barcelona), Ogami Press (Madrid), Pelaires (Palma de Mallorca), Photosai Gallery (Madrid), Pilar Serra (Madrid), Rafael Hernando Perez (Madrid), Rodrigo Juarranz (Aranda de Duero), Set Espai d'art ( Valencia), Siboney (Santander), Sicart (Barcelona), Taller del Prado (Madrid), Tasneem Gallery (Barcelona), Twin Gallery (Madrid), Xavier Fiol (Palma de Mallorca) and Yusto / Giner (Marbella).

 

Obra de Elena Fernández Prada. En Estampa con La New Gallery.

 

MAPA program, curated by Guillermo Espinosa, is dedicated to new practices and ways of understanding painting by new generations of artists and it is composed by the galleries: Addaya Centre d'Art Contemporany (Palma de Mallorca), Galería Alegría (Madrid ), Ángeles Baños (Badajoz), Espacio Líquido (Gijon), Espacio Valverde (Madrid), Fran Reus (Palma de Mallorca), Jose de la Fuente (Santander), The Great (Valladolid), La New Gallery (Madrid), Louis 21 (Madrid / Palma de Mallorca) and The Goma (Madrid).

 

 

Juan Uslé.


Peru is the guest country this year, with a selection of Peruvian artists linked to the drawing and curated by Carlo Trivelli.  As guest artist, artist of renown who designs the image of the fair each year, Estampa has chosen Juan Uslé (Santander, 1954), National Arts Award, currently residing in New York and whose work has hanged of prestigious spaces such as the MACBA, the IVAM, the Saatchi Gallery, the Serralves Museum, the Documenta in Kassel, the Ludwig Museum in Vienna, the New Museum of Contemporary Art in New York, the Museum Morsbroich Leverkusen or Es Baluard of Palma de Mallorca.

 

Obra de Juan Uslé.

 


ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26


Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.


PERFORMANCE: OSCURECER UN PAPEL. BY ROCÍO VALDIVIESO

March 5 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.


Nocturnality. Installation. Rocío Valdivieso..


Oscurecer un papel forms part of a series of actions in which the artist engages in reading through repetition, memorization, and a measured degree of improvisation. Within this framework, a non-linear mode of reading emerges from a written text that is transformed when spoken aloud, assuming a different form in the act of articulation. The texts stem from an ongoing investigation into materiality, space, the relationships between body and matter, writing, the sculptural, and a sustained interest in the exploration of voice and orality.

The material from which Oscurecer un papel is constructed consists of a collection of purchase receipts the artist has been accumulating over time. The printed text they contain, together with the action of bringing them into proximity with a heat source—thereby activating the thermal paper on which they are produced—generates meanings that revolve around the notions of consumption and wear.


Rocío Valdivieso. Latent Aura. Performance documentation.


ABOUT ROCÍO VALDIVIESO

Rocío Valdivieso is an artist, researcher, and cultural manager. She is currently a PhD candidate in Fine Arts at the Complutense University of Madrid. She holds an MA in Research in Artistic Practices from the University of Castilla–La Mancha (UCLM) and a BA in Fine Arts from the National University of Tucumán, Argentina. She was a Fundación Carolina fellow from 2022 to 2023. She currently co-directs Errática. Laboratory of Processes and Critique in Madrid, alongside Romina Casile.

She was part of the PEEPA 2023 Program at the Centro de Residencias Artísticas, Matadero Madrid. She completed the 2021/22 Artists Program at Universidad Torcuato Di Tella, Buenos Aires, and in 2020 participated in the Intensive Curatorial Program of Proyecto PAC at Galería Gachi Prieto, Buenos Aires. She received the Visual Arts Promotion Award at the 4th Visual Arts Week of the Ente Cultural de Tucumán. She was awarded an AUGM scholarship for an exchange residency at UNESP, São Paulo, Brazil. She also participated in the International Residency Program La Ira de Dios and in the Acéfala Galería Residency for Argentine artists.