Art Madrid'25 – Exhibition Pixar in Caixaforum Madrid

If anytime you have had curiosity of knowing which is the creation process hidden behind an animation product, this is you opportunity of knowing if from the inside and let yourself get surprise. Do not get confused, this is not only an exhibition for kids.

 

 Mike y Sullivan en Monsters University

Mike y Sullivan en Monsters University

Many times we don't perceive the hours of work that are behind an animation product. To a certain point we reduce the effort saying: "alright, but this is made by computer", as if this wonderful machines, that have come to revolutionize work and production guidelines, didn't have behind the intellectual support and effort of man throughout the entire creation process. We think that they are not made films like "Fantasy" or "Snow White" of Disney, industriously hand painted. However, and even though the result can lead to error, the animation modern films are clearly debtors of those first ones, prepared almost in a handcrafted way with mime and care. Media have changed, technique has changed, but the work of conception, design and preparation are still loyal to their origins.

Ricky Nierva. Estudio de color para Mike. (Monstruos, S.A., 2001). Rotulador y lápiz sobre fotocopia

The exhibition "Pixar" that comes to CaixaForum Madrid, from the 21th March to the 22th June of 2014, allows us to know from the inside this unknown universe of which many times we only realize the visible result. Pixar has been a pioneer enterprise in digital animation sector, moving ahead in a premature way what seemed to be a transgressive future, first, revolutionary, after, and finally prosperous and promising, that is now recognised as a mark with its own personality and identity.


As a little window opened to the mysteries of digital animation world, the exhibition is a didactic tour about the process of a Pixar film's creation, from the characters's design, mockups's elaboration made of resin or the proofs of the storyboard to check the impact and reception of script. You will be surprised of seeing the quality and variety of previous artworks, made in different plastic techniques, much before that the first digital line has been sketched on a computer. In addition, the exhibition room hides two interesting dark rooms: a zooscope's mockup with Toy Story characters that without any doubt will make you think about the technical functioning of this optic effect, and a projection room of Pixar's first short films, all a delightful for sector lovers.

 
 Bob Pauley. Woody y Buzz (Toy Story, 1995). Reproducción a rotulador y lápiz.

This exhibition for all public does not have any waste, and once you were inside you will discover (as I did) that you have seen many more Pixar's films than you remembered... Do not miss complementary activities, there are interesting chats about cinematographic script or preparation and definition of characters in this kind of films.

 

More information:

Opened from Monday to Sunday: from 10 to 20 h.

http://www.agendacentrosobrasociallacaixa.es/es/caixaforum-madrid/exposiciones-temporales-caixaforum-madrid/pixar

 

 

 

 

 

At the most recent edition of Art Madrid, artist Luis Olaso (Bilbao, 1986), represented by Kur Art Gallery (San Sebastián), received the Residency Prize of the Art Madrid Patronage Program. This award, the result of a collaboration between Art Madrid, DOM Art Residence, and the Italian association ExtrArtis, enabled him to undertake an artistic residency in Sorrento (Italy) in August 2025.

Through initiatives like this, the fair reaffirms its support for contemporary creation—a commitment aimed at increasing artists’ visibility and strengthening art collecting through concrete actions such as acquisition prizes, recognition of emerging talents, and international residencies.


Artists in Residence. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


The DOM & ExtrArtis 2025 Residency Program took place in Sorrento from August 1 to 31, 2025. The artists lived together at Relais La Rupe, a 16th-century villa surrounded by cliffs and centuries-old gardens, which became an ideal setting for experimentation and exchange.

In this edition, residents worked around the theme “Reimagining Genius Loci”, an invitation to reflect on how the movement of people and traditions transforms the “spirit of place.” During the residency, DOM organized two public group exhibitions: the first to present the artists’ previous work, and the second to showcase the projects developed in Sorrento.


Work by Luis Olaso. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


Luis Olaso’s work moves between expressionist figuration and abstraction, always employing a pictorial language charged with strength and emotion. Initially self-taught, he later graduated in Fine Arts and has developed a solid international career, with exhibitions at venues including JD Malat (London) and Makasiini Contemporary (Turku, Finland), and participation in fairs such as Untitled Miami, Estampa, and Art Madrid itself.

His work is part of prestigious collections, including the Tokyo Contemporary Art Foundation, Fundación SIMCO, and the Provincial Council of Bizkaia, and has been recognized in competitions such as the Reina Sofía Prize for Painting and Sculpture and the Ibercaja Young Painting Prize.

In Sorrento, Olaso found a unique context to expand his pictorial research, engaging in dialogue with the Mediterranean landscape and the region’s historical heritage. The residency provided him with time, resources, and a framework for exchange with other international artists, fostering the production of new works that were later presented in the group exhibitions organized by DOM.


Luis Olaso working on his project. DOM & ExtrArtis. Image courtesy of DOM.

Luis Olaso’s experience at DOM Art Residence concluded with a public showcase of the works produced, reinforcing his presence on the international circuit and consolidating his position as one of the most prominent Basque artists on the contemporary scene.


Through initiatives such as this, Art Madrid demonstrates its active role as a platform for direct support of contemporary creation, creating opportunities for research, production, and intercultural dialogue that extend beyond the fair itself and accompany artists in their professional development.