Art Madrid'25 – Kerry James Marshall exhibition in Reina Sofía Museum and Tàpies Foundation.

What defines a race? What defines black race? What themes shapes African American culture? The exhibition "Kerry James: painting and other things" addresses these issues through art and from a variety of perspectives that focus on socio-political, anthropological and cultural issues related to black identity, the blackness.
Kerry James Marshall (Birmingham, Alabama, 1955) portrays the African American culture and also forces us to review Western aesthetics through painting, photography, video and installation in the first solo retrospective in Europe. It comes to Spain thanks to the Antoni Tàpies Foundation in Barcelona and Reina Sofia Museum in Madrid. 
 
The artist, with his art works, remarks "the absence of the black subject in the Western iconographic canon, and reflects on the invisibility of marginalized groups in artistic representations".
 
And to fill this gap in the collective imagination, Kerry James Marshall uses painting as a reflection to reinforce an idea: "One can not be born in Birmingham, Alabama, in 1955 and raised in South Los Angeles, near the headquarters of the Black Panthers Party, and not assume some kind of social responsibility".
 
Because the artist lived firsthand - participant spectator - social and civil unrest of the turbulent 60's and 70's of the last century, black identity is the spine of his work, such as gender, such as race and as citizen. Marshall himself explained to the Reina Sofia Museum that "The world I see is filtered through a lens of black culture".
 
The presence-absence of black culture in society is reflected in his black silhouettes on dark background, very characteristics of his works, and in contrast to the naive and colorful explosion of his large-scale works with fabrics and prints of African tradition and pop scenes with a fully folk narrative.
 
The exhibition co-organized by the Reina Sofía Museum (Madrid) and Antoni Tàpies Foundation (Barcelona), also has two different lines, while in Barcelona we find the latest works of the creator either paintings or photography, video and installation; in Madrid it is the bulk of his earlier pictorial production before the year 2000. 
 
Kerry James Marshall constructs the black identity, the blackness, across the mirror of the dominant reality and he ask us which side we found ourselves. 
 
"Kerry James Marshall. Painting and other things". From June 11 to October 26, 2014. Fundació Antoni Tàpies, Barcelona and Centro de Arte Reina Sofia National Museum, Madrid.
 

 

At the most recent edition of Art Madrid, artist Luis Olaso (Bilbao, 1986), represented by Kur Art Gallery (San Sebastián), received the Residency Prize of the Art Madrid Patronage Program. This award, the result of a collaboration between Art Madrid, DOM Art Residence, and the Italian association ExtrArtis, enabled him to undertake an artistic residency in Sorrento (Italy) in August 2025.

Through initiatives like this, the fair reaffirms its support for contemporary creation—a commitment aimed at increasing artists’ visibility and strengthening art collecting through concrete actions such as acquisition prizes, recognition of emerging talents, and international residencies.


Artists in Residence. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


The DOM & ExtrArtis 2025 Residency Program took place in Sorrento from August 1 to 31, 2025. The artists lived together at Relais La Rupe, a 16th-century villa surrounded by cliffs and centuries-old gardens, which became an ideal setting for experimentation and exchange.

In this edition, residents worked around the theme “Reimagining Genius Loci”, an invitation to reflect on how the movement of people and traditions transforms the “spirit of place.” During the residency, DOM organized two public group exhibitions: the first to present the artists’ previous work, and the second to showcase the projects developed in Sorrento.


Work by Luis Olaso. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


Luis Olaso’s work moves between expressionist figuration and abstraction, always employing a pictorial language charged with strength and emotion. Initially self-taught, he later graduated in Fine Arts and has developed a solid international career, with exhibitions at venues including JD Malat (London) and Makasiini Contemporary (Turku, Finland), and participation in fairs such as Untitled Miami, Estampa, and Art Madrid itself.

His work is part of prestigious collections, including the Tokyo Contemporary Art Foundation, Fundación SIMCO, and the Provincial Council of Bizkaia, and has been recognized in competitions such as the Reina Sofía Prize for Painting and Sculpture and the Ibercaja Young Painting Prize.

In Sorrento, Olaso found a unique context to expand his pictorial research, engaging in dialogue with the Mediterranean landscape and the region’s historical heritage. The residency provided him with time, resources, and a framework for exchange with other international artists, fostering the production of new works that were later presented in the group exhibitions organized by DOM.


Luis Olaso working on his project. DOM & ExtrArtis. Image courtesy of DOM.

Luis Olaso’s experience at DOM Art Residence concluded with a public showcase of the works produced, reinforcing his presence on the international circuit and consolidating his position as one of the most prominent Basque artists on the contemporary scene.


Through initiatives such as this, Art Madrid demonstrates its active role as a platform for direct support of contemporary creation, creating opportunities for research, production, and intercultural dialogue that extend beyond the fair itself and accompany artists in their professional development.