Art Madrid'25 – Kerry James Marshall exhibition in Reina Sofía Museum and Tàpies Foundation.

What defines a race? What defines black race? What themes shapes African American culture? The exhibition "Kerry James: painting and other things" addresses these issues through art and from a variety of perspectives that focus on socio-political, anthropological and cultural issues related to black identity, the blackness.
Kerry James Marshall (Birmingham, Alabama, 1955) portrays the African American culture and also forces us to review Western aesthetics through painting, photography, video and installation in the first solo retrospective in Europe. It comes to Spain thanks to the Antoni Tàpies Foundation in Barcelona and Reina Sofia Museum in Madrid. 
 
The artist, with his art works, remarks "the absence of the black subject in the Western iconographic canon, and reflects on the invisibility of marginalized groups in artistic representations".
 
And to fill this gap in the collective imagination, Kerry James Marshall uses painting as a reflection to reinforce an idea: "One can not be born in Birmingham, Alabama, in 1955 and raised in South Los Angeles, near the headquarters of the Black Panthers Party, and not assume some kind of social responsibility".
 
Because the artist lived firsthand - participant spectator - social and civil unrest of the turbulent 60's and 70's of the last century, black identity is the spine of his work, such as gender, such as race and as citizen. Marshall himself explained to the Reina Sofia Museum that "The world I see is filtered through a lens of black culture".
 
The presence-absence of black culture in society is reflected in his black silhouettes on dark background, very characteristics of his works, and in contrast to the naive and colorful explosion of his large-scale works with fabrics and prints of African tradition and pop scenes with a fully folk narrative.
 
The exhibition co-organized by the Reina Sofía Museum (Madrid) and Antoni Tàpies Foundation (Barcelona), also has two different lines, while in Barcelona we find the latest works of the creator either paintings or photography, video and installation; in Madrid it is the bulk of his earlier pictorial production before the year 2000. 
 
Kerry James Marshall constructs the black identity, the blackness, across the mirror of the dominant reality and he ask us which side we found ourselves. 
 
"Kerry James Marshall. Painting and other things". From June 11 to October 26, 2014. Fundació Antoni Tàpies, Barcelona and Centro de Arte Reina Sofia National Museum, Madrid.
 

 

From July 7 to 9, 2025, the Balsera Palace will host the First Course on Collecting and Contemporary Art, an intensive 15-hour program that will explore the complex and fundamental question of taste in contemporary art. Organized by the Nebrija Institute of Arts and Humanities at Nebrija University and the Avilés City Council, in collaboration with 9915 — Association of Private Collectors of Contemporary Art and the Institute of Contemporary Art, the course offers a unique opportunity for analysis and debate on the dynamics that shape aesthetic and symbolic value in today’s art scene.


First Course on Collecting and Contemporary Art. Avilés, Asturias


The notion of taste, intrinsically tied to aesthetic judgments and power relations, has played a decisive role in the historical prominence of artists and artworks. However, contemporary art—marked by its breaking of conventions, diversity of media and techniques, and critical stance toward traditional canons—raises fundamental questions about the continued relevance of this concept.

This course will explore how the decisions made by key players in the art system—institutions, private collections, galleries, curators, and artists—continually redefine a field of taste shaped by aesthetic, symbolic, cultural, social, and political logics.


"¿But does it exist, and what is the prevailing taste of our time—so seemingly confused, fragmented, indecipherable?" - Omar Calabrese, The Neo-Baroque Era.


The academic program, directed by José Luis Guijarro Alonso, Director of the Master’s in Art Market and Related Business Management at Nebrija University, and Pablo Álvarez de Toledo, Head of the Department of Arts at Nebrija University and the Nebrija Institute of Arts and Humanities, will bring together a distinguished group of national experts—including collectors, critics, curators, gallery owners, and artists—whose contributions will address key issues in shaping aesthetic, symbolic, and market value in today’s art world.


PROGRAM

MONDAY, JULY 7

9:30 AM Registration.

10:00 AM Course Opening Nebrija University Avilés City Council Presented by Rosario López Meras – President of the Association of Contemporary Art Collectors, 9915, and Adrián Piera – President of the ICA, Institute of Contemporary Art.

10:30 AM Course Presentation By José Luis Guijarro Alonso – Art Historian and Anthropologist, Researcher, and Director of the Master’s in Art Market and Related Business Management at Nebrija University.

11:00 AM Coffee Break.

11:30 AM Panel Discussion The Taste of Private Collecting as a Prelude to History. Speakers: Candela Álvarez Soldevilla – Entrepreneur and Collector; Javier Quilis – INELCOM Collection; José Miguel Vegas Valle – Collector. Moderator: Luis Feás – Critic and Curator.

1:00 PM Lunch Break.

3:30 PM Individual Lecture On Good Taste in Contemporary Art. Speaker: Marisol Salanova – Curator and Art Critic, Director of Arteinformado.

4:45 PM Panel Discussion The Influence of Galleries in Shaping Contemporary Taste. Speakers: Elba Benítez – Gallerist; Ricardo Pernas – Gallerist (Arniches 26); Aurora Vigil-Escalera – Gallerist. Moderator: Rafael Martín – Coleccion@casamer.

6:00 PM End of Day.

6:30 PM Activity and Cocktail Visit to the Exhibition Asturian Artists in the Pérez Simón Collection – Avilés.

TUESDAY, JULY 8

10:00 AM Individual Lecture Contemporary (Bad) Taste: Kitsch, Camp, and Tacky. Speaker: Julio Pérez Manzanares – Autonomous University of Madrid.

11:00 AM Coffee Break.

11:30 AM Panel Discussion Institutions and the Formation of Contemporary Taste. Speakers: Virginia López – Artist, Founder of PACA_Proyectos Artísticos Casa Antonino; Julieta de Haro – Artistic Director of CentroCentro; Carlos Urroz – Director of Institutional Relations, Museo Nacional Centro de Arte Reina Sofía. Moderator: Laura Gutiérrez – Director, School of Art of Oviedo.

1:00 PM Lunch Break.

3:30 PM Panel Discussion Beyond the Eye: The Taste for Ethical, Ecological, Social, or Political Concerns in Contemporary Art. Speakers: Semíramis González – Independent Curator; Eugenio Ampudia – Artist; Claudia Rodríguez-Ponga – Independent Curator. Moderator: Bárbara Mur Borrás – PhD in Fine Arts.

5:00 PM End of Day.

5:30 PM Activity Visit to the Studiolo Exhibition – Candela Álvarez Soldevilla Collection.

WEDNESDAY, JULY 9

9:30 AM Meeting with Asturian Artists Speakers: María Castellanos – Artist; Avelino Sala – Artist; Consuelo Vallina – Artist. Moderator: Pablo Álvarez de Toledo – Nebrija University.

11:00 AM Activity Visit to the Niemeyer Center – Avilés.

Course Closing Ceremony.





This course is designed for art professionals, collectors, researchers, and students seeking an in-depth analysis of the dynamics that shape taste and collecting practices in contemporary art. Adopting a critical and multidisciplinary perspective, it provides a unique opportunity to rigorously examine the aesthetic, symbolic, and structural factors that underpin the legitimization of contemporary art.