Art Madrid'25 – El Greco and the modern painting exhibition in El Prado Museum

La visión de san Juan, El Greco.

This year marks throughout Spain the fourth centenary of the death of the Greco, Cretan painter who came to Toledo in 1577 and settled there making the city the cradle in which he developed his most successful work and the time of maximum splendor. El Greco was a reference not only in his time but its influence persisted over time, as a mirror in which the main representatives avant garde of 20th century looked themselves. In the exhibition "El Greco and the Modern Painting" in the Prado Museum until 5 October, we can track the mark left by the painter in the work of Manet, Cezanne, Picasso, Delaunay, Modigliani and the Czech avant-garde.

Composición (La Oración en el huerto), Adriaan Korteweg. 

El Greco's work was rediscovered in the early twentieth century with the first exhibition in the Museo del Prado (1902) and the formation of new collections associated with his paintings of modern artists. In Central Europe, the Greco inspired the expressionism of  Beckmann, Kokoschka or Korteweg and the modern Parisians that played with surrealism.

Evocación. El entierro de Casagemas, Pablo Picasso. 

 

But if there is an outstanding painter clearly influenced by El Greco was Pablo Picasso, whose early drawings and paintings from 1898 show their penchant for the artist from Toledo. This became very intense in his blue period (1901-1904) in which he reelaborated the work Evocation in an original way.  

Mis amigos, Ignacio Zuloaga. 

The assessment of Greco in Spain was very noticeable from the 1890s and reached its peak in the figure of Ignacio Zuloaga who collected many of his works (The Vision of St. John, for example, present in the exhibition ) and then he painted Greco's details on his own pictures as a tribute.  

After II World War, painters turned to the expressive, emotional and gesture, and lyricism of the figures of the Greco inspired the painters of the time.

 
 
Vista emblemática de Toledo, André Masson. 

 

At the most recent edition of Art Madrid, artist Luis Olaso (Bilbao, 1986), represented by Kur Art Gallery (San Sebastián), received the Residency Prize of the Art Madrid Patronage Program. This award, the result of a collaboration between Art Madrid, DOM Art Residence, and the Italian association ExtrArtis, enabled him to undertake an artistic residency in Sorrento (Italy) in August 2025.

Through initiatives like this, the fair reaffirms its support for contemporary creation—a commitment aimed at increasing artists’ visibility and strengthening art collecting through concrete actions such as acquisition prizes, recognition of emerging talents, and international residencies.


Artists in Residence. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


The DOM & ExtrArtis 2025 Residency Program took place in Sorrento from August 1 to 31, 2025. The artists lived together at Relais La Rupe, a 16th-century villa surrounded by cliffs and centuries-old gardens, which became an ideal setting for experimentation and exchange.

In this edition, residents worked around the theme “Reimagining Genius Loci”, an invitation to reflect on how the movement of people and traditions transforms the “spirit of place.” During the residency, DOM organized two public group exhibitions: the first to present the artists’ previous work, and the second to showcase the projects developed in Sorrento.


Work by Luis Olaso. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


Luis Olaso’s work moves between expressionist figuration and abstraction, always employing a pictorial language charged with strength and emotion. Initially self-taught, he later graduated in Fine Arts and has developed a solid international career, with exhibitions at venues including JD Malat (London) and Makasiini Contemporary (Turku, Finland), and participation in fairs such as Untitled Miami, Estampa, and Art Madrid itself.

His work is part of prestigious collections, including the Tokyo Contemporary Art Foundation, Fundación SIMCO, and the Provincial Council of Bizkaia, and has been recognized in competitions such as the Reina Sofía Prize for Painting and Sculpture and the Ibercaja Young Painting Prize.

In Sorrento, Olaso found a unique context to expand his pictorial research, engaging in dialogue with the Mediterranean landscape and the region’s historical heritage. The residency provided him with time, resources, and a framework for exchange with other international artists, fostering the production of new works that were later presented in the group exhibitions organized by DOM.


Luis Olaso working on his project. DOM & ExtrArtis. Image courtesy of DOM.

Luis Olaso’s experience at DOM Art Residence concluded with a public showcase of the works produced, reinforcing his presence on the international circuit and consolidating his position as one of the most prominent Basque artists on the contemporary scene.


Through initiatives such as this, Art Madrid demonstrates its active role as a platform for direct support of contemporary creation, creating opportunities for research, production, and intercultural dialogue that extend beyond the fair itself and accompany artists in their professional development.