Art Madrid'26 – Los Sueños (The Dreams), Grete Stern in Círculo Bellas Artes of Madrid.

 

 

Outstanding student at the Bauhaus, where she developed a work related with post-expressionist artistic avant-garde, surrealism and Dadaism, the German artist Grete Stern, was formed in graphic arts, typography and photography and worked for several years in advertising design.

 

 

 

In 1935 she married the photographer and Argentine filmmaker Horacio Coppola (CBA also organized an exhibition about him in 2010) and the following year the couple finally moved to Buenos Aires where Stern lived until his death in 1999, and where she developed a long and interesting career as a photographer.

 

 

In full swing of his work, Grete Stern began working with the women's magazine Idilio, who commissioned her to illustrate the dreams of readers in the section "Psychoanalysis will help you", an opportunity with which the artist developed the photomontage, making of this technique one of its hallmarks and with which could represent themes such as nightmares, frustrations, unspeakable desires ... of a generation of women who do not yet recognize their place in society, and who were still far from feminist claims. 

 

 

 

 

The photographer published over 100 photomontages in the three years he worked for Idilio, from 1948 to 1951. She represented persecuted women, enclosed, restless, brave, dreamy, submissive women, always under a critical, resourceful and revolutionary way. Women who first faced the reality of an identity thanks to the psychoanalysis.

 

 

 

 

 

 

From this hundred works, Stern kept the original negatives of 46 pieces, now on display in the Círculo de Bellas Artes, in gelatin silver photographic prints which was made by her husband, Horacio Coppola. As they were designed for the publication, they are small works but with an intense creativity and an unequivocal message: freedom and autonomy for women.

 

 


ART MADRID’ 26: 21 YEARS OF CONTEMPORARY ART


Discover all the information about the artists and galleries participating in the 21st edition of Art Madrid. The catalog features a curated selection of the works presented in this edition, along with the most relevant details of the event, making it an essential tool for engaging with the fair’s key figures and exploring the defining elements of today’s art scene.


In 2026, Art Madrid celebrates its 21st edition, further establishing itself as a leading event within Spain’s cultural sector. From March 4 to 8, the Galería de Cristal of the Palacio de Cibeles will once again become a meeting point for galleries, collectors, artists, and contemporary art enthusiasts.


Over the past twenty-one years, the fair has evolved into a dynamic and ever-expanding platform, fostering diversity in artistic languages, techniques, and discourses. In this edition, the Galleries Program brings together around 35 exhibitors from more than seven countries, offering a representative overview of the most recent developments in contemporary creation.


The Art Madrid ’26 catalog serves as a key publication for discovering the work of this edition’s galleries and artists —marked by experimentation and a plurality of perspectives— while also documenting the conceptual axes that shape the fair. As part of the Parallel Program, INHABITING THE EPHEMERAL: A Reflection on the “Species” of Spaces proposes a reflection on space, relationships, and shared experience, expanding the understanding of the fair beyond its commercial dimension and highlighting its cultural and experiential significance.


In addition, the catalog presents the initiatives that complete the program, such as the Open Booth dedicated to emerging creation, the Nebrija Space in collaboration with Nebrija University, the Performance Series “Open Infinite. What the Body Remembers,” the One Shot Collectors Program, and the Patronage Program, reaffirming the fair’s commitment to supporting, mediating, and accompanying contemporary art at every stage.

We invite you to discover more about Art Madrid ’26 through the catalog of its 21st edition — a publication that, beyond serving as documentary memory, becomes a cartography of the present artistic moment and an open door to new ways of inhabiting contemporary art.