Art Madrid'25 – Igansi Aballi, retrospective in Reina Sofía Museum

 

 

On October 28 opens, in the museum Reina Sofia, Sin principio / sin fin (Without beginning / without end), a route through the artistic work of Ignasi Aballí (Barcelona, 1958), one of the greatest exponents of conceptual art in our country, with several works never seen before and specially designed for the museum spaces.

 

 

 

Since his early years, Aballí creates to challenge the viewer's attention and tests the power and influence of images using texts, files and documents as tools and as excuses to blow up the meanings, conventions and prejudices. Thus, the invention and reorganization of texts (as the Dada), the appreciation of the materials and processes of creation, the presence and absence, the appropriation and contextualization of images are constant in his work, a job eminently critical with the society in which it develops and which he himself has said it is saturated with images and devoid of meaning.

 

 

Lo oculto, la desaparición... en Biblioteca, de Ignasi Aballí en museo Reina Sofía.

 

 

The exhibition (Without beginning / without end), directs our thoughts to the alleged uselessness of art, and offers a journey through the aesthetic ideas of the artist who questions the very representation of the artwork and asks himself - using paint, sculpture, collage, photography, video, and unorthodox materials (dust, rust, cuts ...) - about the system of conventions on the representation of the work of art, life and art in the contemporary world.

 

 

Repeticiones, listados, catalogación de palabras... en Mapamundi, de Ignasi Aballí en Museo Reina Sofía.

 

 

Within the his "work objects", Aballí includes the analysis of language and, in particular, the relationship between text and image, and the dichotomy between presence and absence (which works with concepts like disappearance, transparency, invisibility and illegibility) . And we must emphasize its desire cataloger and collector, inventories, tireless repetition and inventories - Basic Terminologies color series, Listings, Mapamundi - all made between 1998 and 2015, that have no other purpose than make us see, paradoxically, the difference between things.

 

 

At the most recent edition of Art Madrid, artist Luis Olaso (Bilbao, 1986), represented by Kur Art Gallery (San Sebastián), received the Residency Prize of the Art Madrid Patronage Program. This award, the result of a collaboration between Art Madrid, DOM Art Residence, and the Italian association ExtrArtis, enabled him to undertake an artistic residency in Sorrento (Italy) in August 2025.

Through initiatives like this, the fair reaffirms its support for contemporary creation—a commitment aimed at increasing artists’ visibility and strengthening art collecting through concrete actions such as acquisition prizes, recognition of emerging talents, and international residencies.


Artists in Residence. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


The DOM & ExtrArtis 2025 Residency Program took place in Sorrento from August 1 to 31, 2025. The artists lived together at Relais La Rupe, a 16th-century villa surrounded by cliffs and centuries-old gardens, which became an ideal setting for experimentation and exchange.

In this edition, residents worked around the theme “Reimagining Genius Loci”, an invitation to reflect on how the movement of people and traditions transforms the “spirit of place.” During the residency, DOM organized two public group exhibitions: the first to present the artists’ previous work, and the second to showcase the projects developed in Sorrento.


Work by Luis Olaso. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


Luis Olaso’s work moves between expressionist figuration and abstraction, always employing a pictorial language charged with strength and emotion. Initially self-taught, he later graduated in Fine Arts and has developed a solid international career, with exhibitions at venues including JD Malat (London) and Makasiini Contemporary (Turku, Finland), and participation in fairs such as Untitled Miami, Estampa, and Art Madrid itself.

His work is part of prestigious collections, including the Tokyo Contemporary Art Foundation, Fundación SIMCO, and the Provincial Council of Bizkaia, and has been recognized in competitions such as the Reina Sofía Prize for Painting and Sculpture and the Ibercaja Young Painting Prize.

In Sorrento, Olaso found a unique context to expand his pictorial research, engaging in dialogue with the Mediterranean landscape and the region’s historical heritage. The residency provided him with time, resources, and a framework for exchange with other international artists, fostering the production of new works that were later presented in the group exhibitions organized by DOM.


Luis Olaso working on his project. DOM & ExtrArtis. Image courtesy of DOM.

Luis Olaso’s experience at DOM Art Residence concluded with a public showcase of the works produced, reinforcing his presence on the international circuit and consolidating his position as one of the most prominent Basque artists on the contemporary scene.


Through initiatives such as this, Art Madrid demonstrates its active role as a platform for direct support of contemporary creation, creating opportunities for research, production, and intercultural dialogue that extend beyond the fair itself and accompany artists in their professional development.