Art Madrid'23 – Great retrospective of Kandinsky in CentroCentro Cibeles

 

 

 

From October 20 to February 28 in CentroCentro Cibeles we can enjoy "Kandinsky. A Retrospective" a great exhibition dedicated to the Russian artist Vassily Kandinsky (1866-1944) that has been organized in collaboration with the Centre Pompidou in Paris and Arthemisia Group, organizer of roaming, and it is curated by Angela Lampe, Curator of Modern Art at the National Museum of Modern Art at the Pompidou Centre.

 

 

 

 

Organized into four major sections in chronological order: 1896-1914 Munich, Russia, from 1914 to 1921, Bauhaus, 1921-33 and Paris from 1933 to 1944, the exhibition covers the first figurations of the pioneer painter of abstract art and one of the most influential painters of all time, also their stays and experiences in Germany and Russia, his years at the Bauhaus, his research on line and color, abstraction and his last years in France.

 

 

 

 

The works belong to the personal collection of Vassily Kandinsky which was donated by his widow, Nina Kandinsky, to the Pompidou Center and is a live collection that continues to grow. In 1937 and 1939, the National Museum of Modern Art acquired two early works of the artist, still alive at that time. After an initial gift in 1966, the Centre Pompidou received in 1976 the donation of fifteen paintings and fifteen watercolors from painter's widow. Four years later, in 1980, the museum received all the paintings and the material that was in the painter's studio in Neuilly (drawings, watercolors, prints and files), forming the largest part of his legacy. Since 1988, the Kandinsky Society is in charge of enhancing and ensuring the integrity of the artist's work. The collection now has over 100 paintings, 900 drawings and nearly 500 etchings.

 

 

 

 

Among the 100 pieces on display in CentroCentro there are fundamental works as Alte Stadt II / Old Town, 1902; Lied / Song, 1906; Improvisation III (1909); Im Grau / En Grey (1919); Rot-Blau-Gelb / Yellow, Red and Blue (1925), and Bleu Ciel / Sky Blue (1940).

 

 

 

 

This traveling exhibition has passed through the Palazzo Reale in Milan, where more than 200,000 people visited it before traveling to Milwaukee and Nashville, United States.

 


During the exhibition, there will be free tours with groups of primary and secondary schools. Workshops will also be conducted. These guided tours, conducted by staff CentroCentro, are free, but it is necessary to purchase a ticket to enter the exhibition.
 

 

 

In the year 2020 in the heart of Barcelona a wandering gallery was born, the same one that in February 2021 would debut at Art Madrid with an exhibition proposal focused on contemporary portraits; with this subject matter it would manage to create a powerful dialogue between artwork and audience and make the seal Inéditad remain in the history of the event that contained it.

Jean Carlos Puerto. Protección. Oil and copper leaf on wood. 60 x 48. 2021. Image courtesy of the gallery.

Since that first time and until today, the wandering gallery has managed to build projects on otherness, has repositioned in the spotlight the discourses on the LGTBIQ+ collective, has consolidated a group of artists who share its principles of resilience and empathy and the best thing is that it continues to bet from the professionalism and commitment to give voice to the difference.

Claudio Petit-Laurent.. El Joven de la Perla. Oil on wood. 30 x 30 cm. 2023. Image courtesy of the gallery.

Inéditad Gallery, thanks to its founder Luis López, its collaborators and the infinite possibilities manifested in the works of the artists it represents, is a gallery that has demonstrated its capacity and courage to stimulate the sensibility of the public through art and seduce a generation that moves between the glass window and the analogical story. Inéditad is a nomadic gallery that has gathered around it a community of artists and has moved the context with exhibition projects that think about LGTBIQ+ art without prejudices.

Pepa Salas Vilar. Las marcas del arcoiris. Oil on canvas. 40 x 50 cm. 2022. Image courtesy of the gallery.

Pride and Prejudice was inaugurated. An exhibition that brings together the works of sixteen artists: Abel Carrillo, Alex Domènech, Carlos Enfedaque, Silvia Flechoso, Jamalajama, Daniel Jaén, Claudio Petit-Laurent, Jean Carlos Puerto, Fernando Romero, Pablo Rodríguez, Pepa Salas Vilar, Jack Smith, Pablo Sola, Bran Sólo, Elia Tomás and Utürüo. Painting, illustration, photography and digital art are the manifestations that bring into dialogue around fifty neatly threaded pieces, in a discursive line that discusses such a latent phenomenon as discrimination. To achieve this, the artists invited to the exhibition question themselves whether: Does discrimination exist within the LGTBIQ+ collective?

Pride and Prejudice Official Poster. Image courtesy of the gallery.

With approaches on and from the body, the proposal invites to celebrate diversity, proposes to question and self-question the prejudices and attitudes of society against the collective. Pride and Prejudice is a space for dialogue about the constructs imposed on us by society. It is also an oasis in which to deconstruct with tolerance and respect the subjectivities that sometimes prevent us from approaching the production of the participating artists, simply because "the beautiful" does not fit in an androgynous body. The subjugation of stereotypes are pressed with determination to find the beauty of diversity in other palpable facets of reality.

Pablo Sola. All men are dogs. Photography. 2014. Image courtesy of the gallery.

Throughout these three years Inéditad has stimulated the vindictive projection towards bad practices, has questioned estates around the LGTBIQ+ body and the most admirable thing, is that these capacities have resurfaced around the dialogue and the visual narrative of the stories that are told from the visual: Artworks that are people, art that is, per se, humanity. Overcome impositions and accept what is different in order to continue fighting against homophobia, biphobia, lesbophobia or transphobia and defend the equal rights that all the acronyms of the collective deserve in our community.

That's Pride and Prejudice: One creature, the happiest in the world. And maybe other projects and other people have said it - or felt it - before, but none so fairly.

Silvia Flechoso. Hola, soy maricón. Oil on canvas. 73 x 54 cm. 2023. Image courtesy of the gallery.

From June 8th until June 22nd you can visit Pride and Prejudice. Carrer de Palau núm. 4. Canal Gallery space. Barcelona.