Art Madrid'26 – Great retrospective of Kandinsky in CentroCentro Cibeles

 

 

 

From October 20 to February 28 in CentroCentro Cibeles we can enjoy "Kandinsky. A Retrospective" a great exhibition dedicated to the Russian artist Vassily Kandinsky (1866-1944) that has been organized in collaboration with the Centre Pompidou in Paris and Arthemisia Group, organizer of roaming, and it is curated by Angela Lampe, Curator of Modern Art at the National Museum of Modern Art at the Pompidou Centre.

 

 

 

 

Organized into four major sections in chronological order: 1896-1914 Munich, Russia, from 1914 to 1921, Bauhaus, 1921-33 and Paris from 1933 to 1944, the exhibition covers the first figurations of the pioneer painter of abstract art and one of the most influential painters of all time, also their stays and experiences in Germany and Russia, his years at the Bauhaus, his research on line and color, abstraction and his last years in France.

 

 

 

 

The works belong to the personal collection of Vassily Kandinsky which was donated by his widow, Nina Kandinsky, to the Pompidou Center and is a live collection that continues to grow. In 1937 and 1939, the National Museum of Modern Art acquired two early works of the artist, still alive at that time. After an initial gift in 1966, the Centre Pompidou received in 1976 the donation of fifteen paintings and fifteen watercolors from painter's widow. Four years later, in 1980, the museum received all the paintings and the material that was in the painter's studio in Neuilly (drawings, watercolors, prints and files), forming the largest part of his legacy. Since 1988, the Kandinsky Society is in charge of enhancing and ensuring the integrity of the artist's work. The collection now has over 100 paintings, 900 drawings and nearly 500 etchings.

 

 

 

 

Among the 100 pieces on display in CentroCentro there are fundamental works as Alte Stadt II / Old Town, 1902; Lied / Song, 1906; Improvisation III (1909); Im Grau / En Grey (1919); Rot-Blau-Gelb / Yellow, Red and Blue (1925), and Bleu Ciel / Sky Blue (1940).

 

 

 

 

This traveling exhibition has passed through the Palazzo Reale in Milan, where more than 200,000 people visited it before traveling to Milwaukee and Nashville, United States.

 


During the exhibition, there will be free tours with groups of primary and secondary schools. Workshops will also be conducted. These guided tours, conducted by staff CentroCentro, are free, but it is necessary to purchase a ticket to enter the exhibition.
 

 

 


ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26


Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.


PERFORMANCE: OSCURECER UN PAPEL. BY ROCÍO VALDIVIESO

March 5 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.


Nocturnality. Installation. Rocío Valdivieso..


Oscurecer un papel forms part of a series of actions in which the artist engages in reading through repetition, memorization, and a measured degree of improvisation. Within this framework, a non-linear mode of reading emerges from a written text that is transformed when spoken aloud, assuming a different form in the act of articulation. The texts stem from an ongoing investigation into materiality, space, the relationships between body and matter, writing, the sculptural, and a sustained interest in the exploration of voice and orality.

The material from which Oscurecer un papel is constructed consists of a collection of purchase receipts the artist has been accumulating over time. The printed text they contain, together with the action of bringing them into proximity with a heat source—thereby activating the thermal paper on which they are produced—generates meanings that revolve around the notions of consumption and wear.


Rocío Valdivieso. Latent Aura. Performance documentation.


ABOUT ROCÍO VALDIVIESO

Rocío Valdivieso is an artist, researcher, and cultural manager. She is currently a PhD candidate in Fine Arts at the Complutense University of Madrid. She holds an MA in Research in Artistic Practices from the University of Castilla–La Mancha (UCLM) and a BA in Fine Arts from the National University of Tucumán, Argentina. She was a Fundación Carolina fellow from 2022 to 2023. She currently co-directs Errática. Laboratory of Processes and Critique in Madrid, alongside Romina Casile.

She was part of the PEEPA 2023 Program at the Centro de Residencias Artísticas, Matadero Madrid. She completed the 2021/22 Artists Program at Universidad Torcuato Di Tella, Buenos Aires, and in 2020 participated in the Intensive Curatorial Program of Proyecto PAC at Galería Gachi Prieto, Buenos Aires. She received the Visual Arts Promotion Award at the 4th Visual Arts Week of the Ente Cultural de Tucumán. She was awarded an AUGM scholarship for an exchange residency at UNESP, São Paulo, Brazil. She also participated in the International Residency Program La Ira de Dios and in the Acéfala Galería Residency for Argentine artists.