Art Madrid'26 – Klimt/Schiele/Kokoschka and their women at the Belvedere Vienna

Mujer sentada con medias violeta, de Egon Schiele.

 

 

 

In the early years of the twentieth century, sexuality and their roles they changed forever. Equality between men and women, sexual openness, family relationships, reproductive issues... the moral imperatives of the nineteenth century entered were questioned, and new models transforming female identity were borned.

 

 

 

                

Desnudo, de Oscar Kokoschka y Eugenia (Mada) Primavesi, de Klimt.

 

 

At that time, in Vienna, the bourgeoisie opened to sexuality, they read Freud and Otto Weininger and discovered in art a channel for the representation of female sexuality. Now, the Belvedere Museum in Vienna looks back to that revolution through the eyes of three revolutionary artists: Gustav Klimt (1862-1918), Egon Schiele (1890-1918) and Oskar Kokoschka (1886-1980), three masters who contributed their fantasies and portraits to the consolidation and assumption of new female roles, ladies, villains, nymphs, sexual and sensual women, mothers, daughters, maids, libertines ...

 

 

 

El Abrazo (Pareja de enamorados II), de Egon Schiele.

 

"The imprint of Klimt as man and artist has its origin at this time," the curator and deputy director of the Viennese museum Alfred Weidinger  "Klimt moved between these areas and his art reacted to the discussion at that time about "the mystery of the woman. '" For the exhibition, which brings together more than 150 pieces (50 of each author coming from collections worldwide), the curator and New York gallerist Jane Kallir, has established four themes: the portrait, the couple (romantic), mother and the child, and the nude. The flashy, bright and golden Klimt portraits they contrast with the lonely expression, and the abandoned and silent faces and bodies from Kokoschka, but especially with the raw, naked skinny, women from Schiele, more provocative and exhibitionistic. But what also shines through this exhibition, it is the commonalities of the three, and the most obvious: the three believed in romantic love.

 

 

Retrato de Elisabeth Reitler, de Kokoschka.

 

 

Klimt/Schiele/Kokoschka y las mujeres.
Del 22/10/2015-28/02/2016
Belvedere Inferior, Orangerie (Belvedere - Unteres Belvedere & Orangerie)

 

 



Did you feel like seeing more? Or would you simply like to come back? The 360º Virtual Tour of Art Madrid’26 is now available, allowing you to explore the entire fair from anywhere, at any time.

Stroll through each stand, pause in front of the works that interest you most, and rediscover those spaces you can only truly appreciate when you have all the time in the world. No rush—just the same light and atmosphere that made this edition so special.

To bring this immersive experience to life, we once again collaborated with Coke Riera Studio and Panotour technology. The result: over 4,000 photographs captured at key points throughout the fair, transformed into a high-quality interactive experience where every detail of each artwork is within reach of your screen.


We’re delighted to continue bringing contemporary art closer to everyone in this way. Now it’s your turn: EXPLORE IT and SHARE IT with anyone you think will enjoy it as much as you do.

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