Art Madrid'26 – La New Fair launches it\'s second edition for emerging artists

La New Gallery, Madrid gallery, hand in hand with the curator and blogger Semiramis Gonzalez has announced the second edition of La New Fair, an event to publicize and promote the work of younger artists, many of them recent graduates and have not yet entered the commercial circuit and are not represented by any gallery. Fresh Alternatives to the coolest art.
Taking advantage of the pull for the general public and collectors that represents the Madrid Art Week, with all the art galleries showing their best ideas and a trail of curious art aficionados and touring the various districts and various art fairs in the capital (Arch, Art Madrid, Justman,...) born - a year ago- La New Fair, a proposal which, according to the words of his coordinator and curator Semiramis González, "follows the line of Only opening. Noticias, eventos y amigos, a project curated by Tania Pardo and Guillermo Espinosa in La New Gallery, where for a few hours paid tribute to Walter Hopps through an exhibition open to those who wanted to participate. "In the end, it was an exhibition, but also a party and lA New Fair reflects this spirit to promote the talent of emerging artists who have not yet joined the gallery circuit, trade shows, market ...
The first call was a success, with over 300 applications or Spanish artists living in Spain, as individuals or as groups, with photography, mixed media, site-specifics, ... and so repeated the call for the second edition to be held during 19 and 20 February 2015. La New Fair provides an opportunity for artists to present their proposals in a professional environment, so they can contact the main cultural actors, audiences, critics, curators, press, collectors, galleries, museums, art centers,...
 
As explained on its website, the program is aimed at artists who are not in the commercial circuit's galleries and have no representation but yet have high-quality projects that deserve to be exposed, giving the opportunity to experience participation in this particular contemporary art fair. To Semiramis, "is a young generation but is leaving the skin in a very interesting and profound projects. They deserve our respect and desire to learn more. "
Basic information about the current call:
 
- It is essential that the artist is not represented by any gallery.
- All media and artistic disciplines are allowed provided that they can adapt to the gallery space.
- The prices of the works shall be solely determined by the artist.
- The project will be received until the day January 16, 2015.
 
The full announcement can be downloaded at the following link:
http://meetinarts.com/call/13858
 
Adriana M. Berges, Alberto Marcos Barbados, David Gonzalez-Carpio, David Ortega, Edurne Herran, Felix Coll, Joo Eun Bae: Among the 300 dossiers received in the last edition, 25, 25 artists who continue to take their first big break was selected Jorge Flores, Jorge Manes, José Carlos Naranjo Coto Kela, Martín Blázquez, Miren Pastor, Nauzet Mayor, Baena Nuria Oliver Behmann, Plastic Guajiras, Pol parrhesia Rigoberto Camacho, Rocio Guerrero, Santi Xander, Santiago Gómez Racing, Sebas Cabero Simon Arrebola and Xavi Garcia.

 


ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26


Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.


PERFORMANCE: OSCURECER UN PAPEL. BY ROCÍO VALDIVIESO

March 5 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.


Nocturnality. Installation. Rocío Valdivieso..


Oscurecer un papel forms part of a series of actions in which the artist engages in reading through repetition, memorization, and a measured degree of improvisation. Within this framework, a non-linear mode of reading emerges from a written text that is transformed when spoken aloud, assuming a different form in the act of articulation. The texts stem from an ongoing investigation into materiality, space, the relationships between body and matter, writing, the sculptural, and a sustained interest in the exploration of voice and orality.

The material from which Oscurecer un papel is constructed consists of a collection of purchase receipts the artist has been accumulating over time. The printed text they contain, together with the action of bringing them into proximity with a heat source—thereby activating the thermal paper on which they are produced—generates meanings that revolve around the notions of consumption and wear.


Rocío Valdivieso. Latent Aura. Performance documentation.


ABOUT ROCÍO VALDIVIESO

Rocío Valdivieso is an artist, researcher, and cultural manager. She is currently a PhD candidate in Fine Arts at the Complutense University of Madrid. She holds an MA in Research in Artistic Practices from the University of Castilla–La Mancha (UCLM) and a BA in Fine Arts from the National University of Tucumán, Argentina. She was a Fundación Carolina fellow from 2022 to 2023. She currently co-directs Errática. Laboratory of Processes and Critique in Madrid, alongside Romina Casile.

She was part of the PEEPA 2023 Program at the Centro de Residencias Artísticas, Matadero Madrid. She completed the 2021/22 Artists Program at Universidad Torcuato Di Tella, Buenos Aires, and in 2020 participated in the Intensive Curatorial Program of Proyecto PAC at Galería Gachi Prieto, Buenos Aires. She received the Visual Arts Promotion Award at the 4th Visual Arts Week of the Ente Cultural de Tucumán. She was awarded an AUGM scholarship for an exchange residency at UNESP, São Paulo, Brazil. She also participated in the International Residency Program La Ira de Dios and in the Acéfala Galería Residency for Argentine artists.