Art Madrid'25 – Louise Bourgeois in Picasso\'s Malaga Museum

Louise Bourgeois (1911-2010) returned from hell like someone returning from a pleasure trip, full of ideas, motivated, rejuvenated ... "I've been to hell and I've come back... and let me tell you it was wonderful," is the title of a work by the artist dated in 1966, an embroidered handkerchief that talks about the balance and serves as a provocative title of the exhibition that has landed in the Picasso Museum in Malaga.

 
The exhibition, curated by Iris Müller-Westermann and organized by the Moderna Museet, covers seven decades of the career (and life) of the Franco-American artist through 101 works created between 1940 and 2009, one third of which have never been exposed before. The exhibition is arranged in thematic sections, following the symbolic and evocative Bourgeois's style with names like The Fugitive, Soledad, Trauma, Fragility, Relationships, Giving and receiving and Balance... Concepts that also highlight how deep and complicated their work was, always crossed by psychological states, emotions, sexuality, memory, human relations and identity. 
 
"Louise Bourgeois never differentiated between art and life," said at the press presentation Jerry Gorovoy, president of The Easton Foundation, an institution that manages the legacy of the artist ... For Bourgeois, art "was a healing art."
 
Louise Bourgeois was born into a wealthy and educated family  dedicated to the restoration of antique tapestries that moved to the US in the late 30s, where Louise developed her career as part of the American Abstract Artists Group.
 
Her work encompasses virtually all artistic disciplines, with sculpture as her favorite language: "The sculpture is the body, my body is sculpture," Bourgeois defended. In Malaga you can enjoy from her first wooden pieces from the 40s to her representations of the human body with fabric and metal. They are her big Spiders (... spider, mother, protective, weaver and patient ...) which will make it world famous. The critical acclaim and the market arrived late, she had already 71 years old, with the retrospective dedicated the MoMA in 1982, and Louise Bourgeois was recorded in the History of Art as the most important female artist of our time. It was the second woman who exhibited at MoMA, after Georgia O'Keeffe.
 

The Picasso Museum also shows the most intimate side of the artist, Louise Bourgeois: Photo Album, a room that traces the life of the artist in photographs and complete with the documentary `Louise Bourgeois: No Trespassing' of Nigel Finch for the BBC Channel.

 

From July 7 to 9, 2025, the Balsera Palace will host the First Course on Collecting and Contemporary Art, an intensive 15-hour program that will explore the complex and fundamental question of taste in contemporary art. Organized by the Nebrija Institute of Arts and Humanities at Nebrija University and the Avilés City Council, in collaboration with 9915 — Association of Private Collectors of Contemporary Art and the Institute of Contemporary Art, the course offers a unique opportunity for analysis and debate on the dynamics that shape aesthetic and symbolic value in today’s art scene.


First Course on Collecting and Contemporary Art. Avilés, Asturias


The notion of taste, intrinsically tied to aesthetic judgments and power relations, has played a decisive role in the historical prominence of artists and artworks. However, contemporary art—marked by its breaking of conventions, diversity of media and techniques, and critical stance toward traditional canons—raises fundamental questions about the continued relevance of this concept.

This course will explore how the decisions made by key players in the art system—institutions, private collections, galleries, curators, and artists—continually redefine a field of taste shaped by aesthetic, symbolic, cultural, social, and political logics.


"¿But does it exist, and what is the prevailing taste of our time—so seemingly confused, fragmented, indecipherable?" - Omar Calabrese, The Neo-Baroque Era.


The academic program, directed by José Luis Guijarro Alonso, Director of the Master’s in Art Market and Related Business Management at Nebrija University, and Pablo Álvarez de Toledo, Head of the Department of Arts at Nebrija University and the Nebrija Institute of Arts and Humanities, will bring together a distinguished group of national experts—including collectors, critics, curators, gallery owners, and artists—whose contributions will address key issues in shaping aesthetic, symbolic, and market value in today’s art world.


PROGRAM

MONDAY, JULY 7

9:30 AM Registration.

10:00 AM Course Opening Nebrija University Avilés City Council Presented by Rosario López Meras – President of the Association of Contemporary Art Collectors, 9915, and Adrián Piera – President of the ICA, Institute of Contemporary Art.

10:30 AM Course Presentation By José Luis Guijarro Alonso – Art Historian and Anthropologist, Researcher, and Director of the Master’s in Art Market and Related Business Management at Nebrija University.

11:00 AM Coffee Break.

11:30 AM Panel Discussion The Taste of Private Collecting as a Prelude to History. Speakers: Candela Álvarez Soldevilla – Entrepreneur and Collector; Javier Quilis – INELCOM Collection; José Miguel Vegas Valle – Collector. Moderator: Luis Feás – Critic and Curator.

1:00 PM Lunch Break.

3:30 PM Individual Lecture On Good Taste in Contemporary Art. Speaker: Marisol Salanova – Curator and Art Critic, Director of Arteinformado.

4:45 PM Panel Discussion The Influence of Galleries in Shaping Contemporary Taste. Speakers: Elba Benítez – Gallerist; Ricardo Pernas – Gallerist (Arniches 26); Aurora Vigil-Escalera – Gallerist. Moderator: Rafael Martín – Coleccion@casamer.

6:00 PM End of Day.

6:30 PM Activity and Cocktail Visit to the Exhibition Asturian Artists in the Pérez Simón Collection – Avilés.

TUESDAY, JULY 8

10:00 AM Individual Lecture Contemporary (Bad) Taste: Kitsch, Camp, and Tacky. Speaker: Julio Pérez Manzanares – Autonomous University of Madrid.

11:00 AM Coffee Break.

11:30 AM Panel Discussion Institutions and the Formation of Contemporary Taste. Speakers: Virginia López – Artist, Founder of PACA_Proyectos Artísticos Casa Antonino; Julieta de Haro – Artistic Director of CentroCentro; Carlos Urroz – Director of Institutional Relations, Museo Nacional Centro de Arte Reina Sofía. Moderator: Laura Gutiérrez – Director, School of Art of Oviedo.

1:00 PM Lunch Break.

3:30 PM Panel Discussion Beyond the Eye: The Taste for Ethical, Ecological, Social, or Political Concerns in Contemporary Art. Speakers: Semíramis González – Independent Curator; Eugenio Ampudia – Artist; Claudia Rodríguez-Ponga – Independent Curator. Moderator: Bárbara Mur Borrás – PhD in Fine Arts.

5:00 PM End of Day.

5:30 PM Activity Visit to the Studiolo Exhibition – Candela Álvarez Soldevilla Collection.

WEDNESDAY, JULY 9

9:30 AM Meeting with Asturian Artists Speakers: María Castellanos – Artist; Avelino Sala – Artist; Consuelo Vallina – Artist. Moderator: Pablo Álvarez de Toledo – Nebrija University.

11:00 AM Activity Visit to the Niemeyer Center – Avilés.

Course Closing Ceremony.





This course is designed for art professionals, collectors, researchers, and students seeking an in-depth analysis of the dynamics that shape taste and collecting practices in contemporary art. Adopting a critical and multidisciplinary perspective, it provides a unique opportunity to rigorously examine the aesthetic, symbolic, and structural factors that underpin the legitimization of contemporary art.