Art Madrid'25 – Louise Bourgeois in Picasso\'s Malaga Museum

Louise Bourgeois (1911-2010) returned from hell like someone returning from a pleasure trip, full of ideas, motivated, rejuvenated ... "I've been to hell and I've come back... and let me tell you it was wonderful," is the title of a work by the artist dated in 1966, an embroidered handkerchief that talks about the balance and serves as a provocative title of the exhibition that has landed in the Picasso Museum in Malaga.

 
The exhibition, curated by Iris Müller-Westermann and organized by the Moderna Museet, covers seven decades of the career (and life) of the Franco-American artist through 101 works created between 1940 and 2009, one third of which have never been exposed before. The exhibition is arranged in thematic sections, following the symbolic and evocative Bourgeois's style with names like The Fugitive, Soledad, Trauma, Fragility, Relationships, Giving and receiving and Balance... Concepts that also highlight how deep and complicated their work was, always crossed by psychological states, emotions, sexuality, memory, human relations and identity. 
 
"Louise Bourgeois never differentiated between art and life," said at the press presentation Jerry Gorovoy, president of The Easton Foundation, an institution that manages the legacy of the artist ... For Bourgeois, art "was a healing art."
 
Louise Bourgeois was born into a wealthy and educated family  dedicated to the restoration of antique tapestries that moved to the US in the late 30s, where Louise developed her career as part of the American Abstract Artists Group.
 
Her work encompasses virtually all artistic disciplines, with sculpture as her favorite language: "The sculpture is the body, my body is sculpture," Bourgeois defended. In Malaga you can enjoy from her first wooden pieces from the 40s to her representations of the human body with fabric and metal. They are her big Spiders (... spider, mother, protective, weaver and patient ...) which will make it world famous. The critical acclaim and the market arrived late, she had already 71 years old, with the retrospective dedicated the MoMA in 1982, and Louise Bourgeois was recorded in the History of Art as the most important female artist of our time. It was the second woman who exhibited at MoMA, after Georgia O'Keeffe.
 

The Picasso Museum also shows the most intimate side of the artist, Louise Bourgeois: Photo Album, a room that traces the life of the artist in photographs and complete with the documentary `Louise Bourgeois: No Trespassing' of Nigel Finch for the BBC Channel.

 

At the most recent edition of Art Madrid, artist Luis Olaso (Bilbao, 1986), represented by Kur Art Gallery (San Sebastián), received the Residency Prize of the Art Madrid Patronage Program. This award, the result of a collaboration between Art Madrid, DOM Art Residence, and the Italian association ExtrArtis, enabled him to undertake an artistic residency in Sorrento (Italy) in August 2025.

Through initiatives like this, the fair reaffirms its support for contemporary creation—a commitment aimed at increasing artists’ visibility and strengthening art collecting through concrete actions such as acquisition prizes, recognition of emerging talents, and international residencies.


Artists in Residence. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


The DOM & ExtrArtis 2025 Residency Program took place in Sorrento from August 1 to 31, 2025. The artists lived together at Relais La Rupe, a 16th-century villa surrounded by cliffs and centuries-old gardens, which became an ideal setting for experimentation and exchange.

In this edition, residents worked around the theme “Reimagining Genius Loci”, an invitation to reflect on how the movement of people and traditions transforms the “spirit of place.” During the residency, DOM organized two public group exhibitions: the first to present the artists’ previous work, and the second to showcase the projects developed in Sorrento.


Work by Luis Olaso. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


Luis Olaso’s work moves between expressionist figuration and abstraction, always employing a pictorial language charged with strength and emotion. Initially self-taught, he later graduated in Fine Arts and has developed a solid international career, with exhibitions at venues including JD Malat (London) and Makasiini Contemporary (Turku, Finland), and participation in fairs such as Untitled Miami, Estampa, and Art Madrid itself.

His work is part of prestigious collections, including the Tokyo Contemporary Art Foundation, Fundación SIMCO, and the Provincial Council of Bizkaia, and has been recognized in competitions such as the Reina Sofía Prize for Painting and Sculpture and the Ibercaja Young Painting Prize.

In Sorrento, Olaso found a unique context to expand his pictorial research, engaging in dialogue with the Mediterranean landscape and the region’s historical heritage. The residency provided him with time, resources, and a framework for exchange with other international artists, fostering the production of new works that were later presented in the group exhibitions organized by DOM.


Luis Olaso working on his project. DOM & ExtrArtis. Image courtesy of DOM.

Luis Olaso’s experience at DOM Art Residence concluded with a public showcase of the works produced, reinforcing his presence on the international circuit and consolidating his position as one of the most prominent Basque artists on the contemporary scene.


Through initiatives such as this, Art Madrid demonstrates its active role as a platform for direct support of contemporary creation, creating opportunities for research, production, and intercultural dialogue that extend beyond the fair itself and accompany artists in their professional development.