Art Madrid'23 – Making Africa a continent of contemporary design at Guggeheim Bilbao

 

 

 

The Africa of wars, drought and famine is both a spot of reflection and creativity in the service of social, political and technological change, thanks to a new generation of artists, architects and designers, fully connected to the Internet and new technologies that make their country a melting-pot of reciprocal international influences.

 

 

 

 


This is what reflects the ambitious exhibition Making Africa-a continent of contemporary design, that occupies 22 rooms of the Guggenheim Museum Bilbao with the work of 120 artists, creators and designers of Kenya, South Africa, Zimbabwe, Nigeria, Angola, Senegal, Mozambique, Ghana , Benin and Congo and others born or based in Europe.

 

 

 

 


The exhibition, organized jointly with the Vitra Desing Museum, Basel (Switzerland), passed first by the Swiss museum and, for this occasion, it has been expanded with 13 new spaces for its large size art works that could not hang in Basel.

 

 

 

 

 

Objects, fashion, architecture, design objects, graphic arts, painting or urbanism, and also film series, workshops and panel discussions, the exhibition "makes an overview of the highlights of contemporary African creation and how this is a guide and feeds the political, economic and social change on the continent, transcending colonial readings and territorial domination ", as explained the curator, Amelie Klein, also curator of the Vitra Museum.

 

 

 

 

 

The exhibition begins in the Museum atrium, where Amadou Lamine Ndom, urban artist, has made a 12-meter graffiti depicting the old and the new Africa, a large ceremonial mask integrated in a colorful and modern architecture and images of latest information technologies. In addition, also at the beginning, visitors enter a room with 22 video interviews with main characters of this African creative explosion.

 

 

 

 

 

Making Africa-a continent of contemporary design is divided into four sections:

Prologue, it shows different prejudices created in the West on Africa to try to banish stereotypes and cliches.

I and We, design of objects shown as a tool for the expression of life experiences.

Space and Object, speaks of urbanism as a creative discipline and the relationship between individuals and the cities they inhabit.

Origin and Future, fashion, furniture and photographs the aesthetic tastes of contemporary Africans seeking its roots in response to the prevailing globalization.

 

 

In the year 2020 in the heart of Barcelona a wandering gallery was born, the same one that in February 2021 would debut at Art Madrid with an exhibition proposal focused on contemporary portraits; with this subject matter it would manage to create a powerful dialogue between artwork and audience and make the seal Inéditad remain in the history of the event that contained it.

Jean Carlos Puerto. Protección. Oil and copper leaf on wood. 60 x 48. 2021. Image courtesy of the gallery.

Since that first time and until today, the wandering gallery has managed to build projects on otherness, has repositioned in the spotlight the discourses on the LGTBIQ+ collective, has consolidated a group of artists who share its principles of resilience and empathy and the best thing is that it continues to bet from the professionalism and commitment to give voice to the difference.

Claudio Petit-Laurent.. El Joven de la Perla. Oil on wood. 30 x 30 cm. 2023. Image courtesy of the gallery.

Inéditad Gallery, thanks to its founder Luis López, its collaborators and the infinite possibilities manifested in the works of the artists it represents, is a gallery that has demonstrated its capacity and courage to stimulate the sensibility of the public through art and seduce a generation that moves between the glass window and the analogical story. Inéditad is a nomadic gallery that has gathered around it a community of artists and has moved the context with exhibition projects that think about LGTBIQ+ art without prejudices.

Pepa Salas Vilar. Las marcas del arcoiris. Oil on canvas. 40 x 50 cm. 2022. Image courtesy of the gallery.

Pride and Prejudice was inaugurated. An exhibition that brings together the works of sixteen artists: Abel Carrillo, Alex Domènech, Carlos Enfedaque, Silvia Flechoso, Jamalajama, Daniel Jaén, Claudio Petit-Laurent, Jean Carlos Puerto, Fernando Romero, Pablo Rodríguez, Pepa Salas Vilar, Jack Smith, Pablo Sola, Bran Sólo, Elia Tomás and Utürüo. Painting, illustration, photography and digital art are the manifestations that bring into dialogue around fifty neatly threaded pieces, in a discursive line that discusses such a latent phenomenon as discrimination. To achieve this, the artists invited to the exhibition question themselves whether: Does discrimination exist within the LGTBIQ+ collective?

Pride and Prejudice Official Poster. Image courtesy of the gallery.

With approaches on and from the body, the proposal invites to celebrate diversity, proposes to question and self-question the prejudices and attitudes of society against the collective. Pride and Prejudice is a space for dialogue about the constructs imposed on us by society. It is also an oasis in which to deconstruct with tolerance and respect the subjectivities that sometimes prevent us from approaching the production of the participating artists, simply because "the beautiful" does not fit in an androgynous body. The subjugation of stereotypes are pressed with determination to find the beauty of diversity in other palpable facets of reality.

Pablo Sola. All men are dogs. Photography. 2014. Image courtesy of the gallery.

Throughout these three years Inéditad has stimulated the vindictive projection towards bad practices, has questioned estates around the LGTBIQ+ body and the most admirable thing, is that these capacities have resurfaced around the dialogue and the visual narrative of the stories that are told from the visual: Artworks that are people, art that is, per se, humanity. Overcome impositions and accept what is different in order to continue fighting against homophobia, biphobia, lesbophobia or transphobia and defend the equal rights that all the acronyms of the collective deserve in our community.

That's Pride and Prejudice: One creature, the happiest in the world. And maybe other projects and other people have said it - or felt it - before, but none so fairly.

Silvia Flechoso. Hola, soy maricón. Oil on canvas. 73 x 54 cm. 2023. Image courtesy of the gallery.

From June 8th until June 22nd you can visit Pride and Prejudice. Carrer de Palau núm. 4. Canal Gallery space. Barcelona.