Art Madrid'25 – Making Africa a continent of contemporary design at Guggeheim Bilbao

 

 

 

The Africa of wars, drought and famine is both a spot of reflection and creativity in the service of social, political and technological change, thanks to a new generation of artists, architects and designers, fully connected to the Internet and new technologies that make their country a melting-pot of reciprocal international influences.

 

 

 

 


This is what reflects the ambitious exhibition Making Africa-a continent of contemporary design, that occupies 22 rooms of the Guggenheim Museum Bilbao with the work of 120 artists, creators and designers of Kenya, South Africa, Zimbabwe, Nigeria, Angola, Senegal, Mozambique, Ghana , Benin and Congo and others born or based in Europe.

 

 

 

 


The exhibition, organized jointly with the Vitra Desing Museum, Basel (Switzerland), passed first by the Swiss museum and, for this occasion, it has been expanded with 13 new spaces for its large size art works that could not hang in Basel.

 

 

 

 

 

Objects, fashion, architecture, design objects, graphic arts, painting or urbanism, and also film series, workshops and panel discussions, the exhibition "makes an overview of the highlights of contemporary African creation and how this is a guide and feeds the political, economic and social change on the continent, transcending colonial readings and territorial domination ", as explained the curator, Amelie Klein, also curator of the Vitra Museum.

 

 

 

 

 

The exhibition begins in the Museum atrium, where Amadou Lamine Ndom, urban artist, has made a 12-meter graffiti depicting the old and the new Africa, a large ceremonial mask integrated in a colorful and modern architecture and images of latest information technologies. In addition, also at the beginning, visitors enter a room with 22 video interviews with main characters of this African creative explosion.

 

 

 

 

 

Making Africa-a continent of contemporary design is divided into four sections:

Prologue, it shows different prejudices created in the West on Africa to try to banish stereotypes and cliches.

I and We, design of objects shown as a tool for the expression of life experiences.

Space and Object, speaks of urbanism as a creative discipline and the relationship between individuals and the cities they inhabit.

Origin and Future, fashion, furniture and photographs the aesthetic tastes of contemporary Africans seeking its roots in response to the prevailing globalization.

 

 

At the most recent edition of Art Madrid, artist Luis Olaso (Bilbao, 1986), represented by Kur Art Gallery (San Sebastián), received the Residency Prize of the Art Madrid Patronage Program. This award, the result of a collaboration between Art Madrid, DOM Art Residence, and the Italian association ExtrArtis, enabled him to undertake an artistic residency in Sorrento (Italy) in August 2025.

Through initiatives like this, the fair reaffirms its support for contemporary creation—a commitment aimed at increasing artists’ visibility and strengthening art collecting through concrete actions such as acquisition prizes, recognition of emerging talents, and international residencies.


Artists in Residence. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


The DOM & ExtrArtis 2025 Residency Program took place in Sorrento from August 1 to 31, 2025. The artists lived together at Relais La Rupe, a 16th-century villa surrounded by cliffs and centuries-old gardens, which became an ideal setting for experimentation and exchange.

In this edition, residents worked around the theme “Reimagining Genius Loci”, an invitation to reflect on how the movement of people and traditions transforms the “spirit of place.” During the residency, DOM organized two public group exhibitions: the first to present the artists’ previous work, and the second to showcase the projects developed in Sorrento.


Work by Luis Olaso. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


Luis Olaso’s work moves between expressionist figuration and abstraction, always employing a pictorial language charged with strength and emotion. Initially self-taught, he later graduated in Fine Arts and has developed a solid international career, with exhibitions at venues including JD Malat (London) and Makasiini Contemporary (Turku, Finland), and participation in fairs such as Untitled Miami, Estampa, and Art Madrid itself.

His work is part of prestigious collections, including the Tokyo Contemporary Art Foundation, Fundación SIMCO, and the Provincial Council of Bizkaia, and has been recognized in competitions such as the Reina Sofía Prize for Painting and Sculpture and the Ibercaja Young Painting Prize.

In Sorrento, Olaso found a unique context to expand his pictorial research, engaging in dialogue with the Mediterranean landscape and the region’s historical heritage. The residency provided him with time, resources, and a framework for exchange with other international artists, fostering the production of new works that were later presented in the group exhibitions organized by DOM.


Luis Olaso working on his project. DOM & ExtrArtis. Image courtesy of DOM.

Luis Olaso’s experience at DOM Art Residence concluded with a public showcase of the works produced, reinforcing his presence on the international circuit and consolidating his position as one of the most prominent Basque artists on the contemporary scene.


Through initiatives such as this, Art Madrid demonstrates its active role as a platform for direct support of contemporary creation, creating opportunities for research, production, and intercultural dialogue that extend beyond the fair itself and accompany artists in their professional development.