Art Madrid'26 – Max Bill in the Abstract Art Museum of Cuenca

 

The Museum of Abstract Art of Cuenca hosts the exhibition "Max Bill: artworks multiplied as original (1938-1994)", a magnificent example to know the 'concrete art' of this Swiss artist.

From June 24 to September 18 the spacious rooms of the Museum of Abstract Art will serve to approach the vast universe of the versatile artist Max Bill (1908-1994) which also was a painter and graphic designer architect, sculptor, publicist and educator.

 
 

 
 

Trained at the Bauhaus with teachers such as Paul Klee, Wassily Kandinsky and Josef Albers, Max Bill stressed soon as a researcher with theories about what was 'concrete art' , as Theo Van Doesburg advanced years before. Concretism was based on the total liberation of Abstract forms with any association with reality because, for them, the lines and the colors are sufficiently interesting for themselves.

 
 

 

 

Shapes, color, spot color, multiplicity and essence, the exhibition developes, with the guidance of the artist's son Jakob Bill, one of the leading experts in the work of his father, this is one of the few exhibitions dedicated in Spain to his graphic, multiple, experimental and diverse work, that has been synthesized in the hanging houses of Cuenca.

 

 
 
 

The exhibition "Max Bill: artworks multiplied as original (1938-1994)" is based on a text by the author in which dissects the concept of "originality" in the age of mechanical reproduction, very in tune with Benjamin, and offers the opportunity to see more than a hundred graphic works (121) and paints (7) around the notion of "form"/"shape", pillar of the theoretical research of the artist and his engine as an artist, architect and designer.

 

 


ART MADRID’ 26: 21 YEARS OF CONTEMPORARY ART


Discover all the information about the artists and galleries participating in the 21st edition of Art Madrid. The catalog features a curated selection of the works presented in this edition, along with the most relevant details of the event, making it an essential tool for engaging with the fair’s key figures and exploring the defining elements of today’s art scene.


In 2026, Art Madrid celebrates its 21st edition, further establishing itself as a leading event within Spain’s cultural sector. From March 4 to 8, the Galería de Cristal of the Palacio de Cibeles will once again become a meeting point for galleries, collectors, artists, and contemporary art enthusiasts.


Over the past twenty-one years, the fair has evolved into a dynamic and ever-expanding platform, fostering diversity in artistic languages, techniques, and discourses. In this edition, the Galleries Program brings together around 35 exhibitors from more than seven countries, offering a representative overview of the most recent developments in contemporary creation.


The Art Madrid ’26 catalog serves as a key publication for discovering the work of this edition’s galleries and artists —marked by experimentation and a plurality of perspectives— while also documenting the conceptual axes that shape the fair. As part of the Parallel Program, INHABITING THE EPHEMERAL: A Reflection on the “Species” of Spaces proposes a reflection on space, relationships, and shared experience, expanding the understanding of the fair beyond its commercial dimension and highlighting its cultural and experiential significance.


In addition, the catalog presents the initiatives that complete the program, such as the Open Booth dedicated to emerging creation, the Nebrija Space in collaboration with Nebrija University, the Performance Series “Open Infinite. What the Body Remembers,” the One Shot Collectors Program, and the Patronage Program, reaffirming the fair’s commitment to supporting, mediating, and accompanying contemporary art at every stage.

We invite you to discover more about Art Madrid ’26 through the catalog of its 21st edition — a publication that, beyond serving as documentary memory, becomes a cartography of the present artistic moment and an open door to new ways of inhabiting contemporary art.