Art Madrid'26 – Mural by Jackson Pollock for the first time in Spain

 

It has nearly three meters high and six meters long, and it have the broken brushwork, the free stroke, dripping and the usual energy of the American painter. Mural was commissioned by the gallerist and collector Peggy Guggenheim who wanted in her living room a stunning piece to symbolize her support for the younger art. It was 1943 when Pollock gave her his finished work: "It's a stampede - said years later - Each animal in the American West, cows and horses and antelope and buffalo, all the load across the damn surface."

 

 

That energy contained between racks is the axis on which turns the exhibition "Mural. Jackson Pollock. The energy made visible ", curated by David Anfam, Senior Consulting Curator of Clyfford Still Museum in Denver (USA), and organized by the University of Iowa Museum of Art, a traveling exhibition will travel to Abstract Expressionism of the Royal Academy of Arts in London when leaving Malaga.

 

 

The exhibition brings together 41 works including a selection of paintings by Pollock and works of authors like Adolph Gottlieb, Roberto Matta, Robert Motherwell, David Smith, Charles Seliger, Andy Warhol, and the Spanish Antonio Saura and Juan Uslé. Among the works on display, also photography, with firms such as Herbert Matter and Barbara Morgan, that investigates the relationship between the work of Pollock and the so-called action photography.

 

 

With Mural, the Picasso Museum in Malaga works again on the effects of Picasso's work on later artists as they did with the work of Bill Viola (2010), Martin Kippenberger (2011), Richard Prince (2012) or Louise Bourgeois. Mural, as Pollock told many times, is the result of his admiration for the Mexican muralists and the enormous impression that the artist received the first time he saw Pablo Picasso's Guernica.

 


ART MADRID’ 26: 21 YEARS OF CONTEMPORARY ART


Discover all the information about the artists and galleries participating in the 21st edition of Art Madrid. The catalog features a curated selection of the works presented in this edition, along with the most relevant details of the event, making it an essential tool for engaging with the fair’s key figures and exploring the defining elements of today’s art scene.


In 2026, Art Madrid celebrates its 21st edition, further establishing itself as a leading event within Spain’s cultural sector. From March 4 to 8, the Galería de Cristal of the Palacio de Cibeles will once again become a meeting point for galleries, collectors, artists, and contemporary art enthusiasts.


Over the past twenty-one years, the fair has evolved into a dynamic and ever-expanding platform, fostering diversity in artistic languages, techniques, and discourses. In this edition, the Galleries Program brings together around 35 exhibitors from more than seven countries, offering a representative overview of the most recent developments in contemporary creation.


The Art Madrid ’26 catalog serves as a key publication for discovering the work of this edition’s galleries and artists —marked by experimentation and a plurality of perspectives— while also documenting the conceptual axes that shape the fair. As part of the Parallel Program, INHABITING THE EPHEMERAL: A Reflection on the “Species” of Spaces proposes a reflection on space, relationships, and shared experience, expanding the understanding of the fair beyond its commercial dimension and highlighting its cultural and experiential significance.


In addition, the catalog presents the initiatives that complete the program, such as the Open Booth dedicated to emerging creation, the Nebrija Space in collaboration with Nebrija University, the Performance Series “Open Infinite. What the Body Remembers,” the One Shot Collectors Program, and the Patronage Program, reaffirming the fair’s commitment to supporting, mediating, and accompanying contemporary art at every stage.

We invite you to discover more about Art Madrid ’26 through the catalog of its 21st edition — a publication that, beyond serving as documentary memory, becomes a cartography of the present artistic moment and an open door to new ways of inhabiting contemporary art.