Art Madrid'26 – Mural by Jackson Pollock for the first time in Spain

 

It has nearly three meters high and six meters long, and it have the broken brushwork, the free stroke, dripping and the usual energy of the American painter. Mural was commissioned by the gallerist and collector Peggy Guggenheim who wanted in her living room a stunning piece to symbolize her support for the younger art. It was 1943 when Pollock gave her his finished work: "It's a stampede - said years later - Each animal in the American West, cows and horses and antelope and buffalo, all the load across the damn surface."

 

 

That energy contained between racks is the axis on which turns the exhibition "Mural. Jackson Pollock. The energy made visible ", curated by David Anfam, Senior Consulting Curator of Clyfford Still Museum in Denver (USA), and organized by the University of Iowa Museum of Art, a traveling exhibition will travel to Abstract Expressionism of the Royal Academy of Arts in London when leaving Malaga.

 

 

The exhibition brings together 41 works including a selection of paintings by Pollock and works of authors like Adolph Gottlieb, Roberto Matta, Robert Motherwell, David Smith, Charles Seliger, Andy Warhol, and the Spanish Antonio Saura and Juan Uslé. Among the works on display, also photography, with firms such as Herbert Matter and Barbara Morgan, that investigates the relationship between the work of Pollock and the so-called action photography.

 

 

With Mural, the Picasso Museum in Malaga works again on the effects of Picasso's work on later artists as they did with the work of Bill Viola (2010), Martin Kippenberger (2011), Richard Prince (2012) or Louise Bourgeois. Mural, as Pollock told many times, is the result of his admiration for the Mexican muralists and the enormous impression that the artist received the first time he saw Pablo Picasso's Guernica.

 


ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26


Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.


PERFORMANCE: OSCURECER UN PAPEL. BY ROCÍO VALDIVIESO

March 5 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.


Nocturnality. Installation. Rocío Valdivieso..


Oscurecer un papel forms part of a series of actions in which the artist engages in reading through repetition, memorization, and a measured degree of improvisation. Within this framework, a non-linear mode of reading emerges from a written text that is transformed when spoken aloud, assuming a different form in the act of articulation. The texts stem from an ongoing investigation into materiality, space, the relationships between body and matter, writing, the sculptural, and a sustained interest in the exploration of voice and orality.

The material from which Oscurecer un papel is constructed consists of a collection of purchase receipts the artist has been accumulating over time. The printed text they contain, together with the action of bringing them into proximity with a heat source—thereby activating the thermal paper on which they are produced—generates meanings that revolve around the notions of consumption and wear.


Rocío Valdivieso. Latent Aura. Performance documentation.


ABOUT ROCÍO VALDIVIESO

Rocío Valdivieso is an artist, researcher, and cultural manager. She is currently a PhD candidate in Fine Arts at the Complutense University of Madrid. She holds an MA in Research in Artistic Practices from the University of Castilla–La Mancha (UCLM) and a BA in Fine Arts from the National University of Tucumán, Argentina. She was a Fundación Carolina fellow from 2022 to 2023. She currently co-directs Errática. Laboratory of Processes and Critique in Madrid, alongside Romina Casile.

She was part of the PEEPA 2023 Program at the Centro de Residencias Artísticas, Matadero Madrid. She completed the 2021/22 Artists Program at Universidad Torcuato Di Tella, Buenos Aires, and in 2020 participated in the Intensive Curatorial Program of Proyecto PAC at Galería Gachi Prieto, Buenos Aires. She received the Visual Arts Promotion Award at the 4th Visual Arts Week of the Ente Cultural de Tucumán. She was awarded an AUGM scholarship for an exchange residency at UNESP, São Paulo, Brazil. She also participated in the International Residency Program La Ira de Dios and in the Acéfala Galería Residency for Argentine artists.