Art Madrid'25 – 17 Sol LeWitt`s Wall Paintings in Botin Foundation Santander

 

It is the most ambitious exhibition in Spain dedicated to this unique artist, considered by many as the father of conceptual art: Sol LeWitt. Sol LeWitt. 17 Wall Drawings. 1970-2015 will be from July 18 to January 10, 2016 in the exhibition hall of the Foundation Botín in Santander.

 

There are 16 unpublished drawings in Spain and most have not been exhibited since its first execution for 20 years, the seventeenth already seen in Madrid for more than ten years ago and all of them together, we speak of the principle that became a pillar of Sol LeWitt's work: the idea and its supremacy within the creative process of a work. The LeWitt himself always claimed that "the idea is generating machine art".

 

 

Organized in collaboration with the Yale University Art Gallery and The Estate of Sol LeWitt, the exhibition offers visitors a unique perspective of formal and conceptual evolution of mural drawing in the artist's career, the variety and persity of his artistic practice, forms (geometric figures, simple shapes, connected shapes, lines, organic forms, ...)and techniques (colored pencil, graphite, chalk, acrylic, ink ...).

 

The sample includes Wall Drawing 821A (March 2007), Wall Drawing 7A (July 2015), Wall Drawing 118 (December 1971), Wall Drawing 413 (March 1984), Wall Drawing 237 (June 1974), Wall Drawing 614 (July 1989) , Wall Drawing 620E (October 1989), Wall Drawing 51 (June 1970), Wall Drawing 46 (May 1970), Wall Drawing 869C (1998), Wall Drawing 280 (January 1976), Wall Drawing 386 (January 1983), Wall Drawing 110 (September 1971), Wall Drawing 154 (April 1973); Wall Drawing 157 (April, 1973), Wall Drawing 208 (October-November 1973) and Wall Drawing 213 (September 1973). Moreover, Wall Drawing 7A will be held for the first time in the exhibition hall of the Botín Foundation.

 

Complementing the exhibit, the public can watch the Wall Drawing # 499 (Flat-topped pyramid with color ink washes superimposed truncated -Pyramid ink washes superimposed color, 1986), installed in the auditorium of the Botin Foundation in Santander since 1992 and will be reinstalled for the exhibition.

 

 

The murals have been recreated by selected artists by the Botín Foundation, 15 artists (twelve of them Cantabria) out of 459 applications have been lucky enough to follow the guidelines, annotations, notes and notes of the creative process that many consider parents of conceptual art. LeWitt gave great value and importance to the creative process that leads the artwork, so many of his works, still alive, were performed by others with their advice.

 

In 1967 LeWitt published "Paragraphs on Conceptual Art", a true manifesto of Conceptual Art in which he stated: "each and every one of the steps -garabatos, sketches, drawings, models of discarded work, studies, or conversations- reflections that occur during the execution of the work, are of interest. Sometimes, those that show the thought process of the artist, are even more interesting than the final product. " And with that guidance they have been made the wall paintings in Santander.

From July 7 to 9, 2025, the Balsera Palace will host the First Course on Collecting and Contemporary Art, an intensive 15-hour program that will explore the complex and fundamental question of taste in contemporary art. Organized by the Nebrija Institute of Arts and Humanities at Nebrija University and the Avilés City Council, in collaboration with 9915 — Association of Private Collectors of Contemporary Art and the Institute of Contemporary Art, the course offers a unique opportunity for analysis and debate on the dynamics that shape aesthetic and symbolic value in today’s art scene.


First Course on Collecting and Contemporary Art. Avilés, Asturias


The notion of taste, intrinsically tied to aesthetic judgments and power relations, has played a decisive role in the historical prominence of artists and artworks. However, contemporary art—marked by its breaking of conventions, diversity of media and techniques, and critical stance toward traditional canons—raises fundamental questions about the continued relevance of this concept.

This course will explore how the decisions made by key players in the art system—institutions, private collections, galleries, curators, and artists—continually redefine a field of taste shaped by aesthetic, symbolic, cultural, social, and political logics.


"¿But does it exist, and what is the prevailing taste of our time—so seemingly confused, fragmented, indecipherable?" - Omar Calabrese, The Neo-Baroque Era.


The academic program, directed by José Luis Guijarro Alonso, Director of the Master’s in Art Market and Related Business Management at Nebrija University, and Pablo Álvarez de Toledo, Head of the Department of Arts at Nebrija University and the Nebrija Institute of Arts and Humanities, will bring together a distinguished group of national experts—including collectors, critics, curators, gallery owners, and artists—whose contributions will address key issues in shaping aesthetic, symbolic, and market value in today’s art world.


PROGRAM

MONDAY, JULY 7

9:30 AM Registration.

10:00 AM Course Opening Nebrija University Avilés City Council Presented by Rosario López Meras – President of the Association of Contemporary Art Collectors, 9915, and Adrián Piera – President of the ICA, Institute of Contemporary Art.

10:30 AM Course Presentation By José Luis Guijarro Alonso – Art Historian and Anthropologist, Researcher, and Director of the Master’s in Art Market and Related Business Management at Nebrija University.

11:00 AM Coffee Break.

11:30 AM Panel Discussion The Taste of Private Collecting as a Prelude to History. Speakers: Candela Álvarez Soldevilla – Entrepreneur and Collector; Javier Quilis – INELCOM Collection; José Miguel Vegas Valle – Collector. Moderator: Luis Feás – Critic and Curator.

1:00 PM Lunch Break.

3:30 PM Individual Lecture On Good Taste in Contemporary Art. Speaker: Marisol Salanova – Curator and Art Critic, Director of Arteinformado.

4:45 PM Panel Discussion The Influence of Galleries in Shaping Contemporary Taste. Speakers: Elba Benítez – Gallerist; Ricardo Pernas – Gallerist (Arniches 26); Aurora Vigil-Escalera – Gallerist. Moderator: Rafael Martín – Coleccion@casamer.

6:00 PM End of Day.

6:30 PM Activity and Cocktail Visit to the Exhibition Asturian Artists in the Pérez Simón Collection – Avilés.

TUESDAY, JULY 8

10:00 AM Individual Lecture Contemporary (Bad) Taste: Kitsch, Camp, and Tacky. Speaker: Julio Pérez Manzanares – Autonomous University of Madrid.

11:00 AM Coffee Break.

11:30 AM Panel Discussion Institutions and the Formation of Contemporary Taste. Speakers: Virginia López – Artist, Founder of PACA_Proyectos Artísticos Casa Antonino; Julieta de Haro – Artistic Director of CentroCentro; Carlos Urroz – Director of Institutional Relations, Museo Nacional Centro de Arte Reina Sofía. Moderator: Laura Gutiérrez – Director, School of Art of Oviedo.

1:00 PM Lunch Break.

3:30 PM Panel Discussion Beyond the Eye: The Taste for Ethical, Ecological, Social, or Political Concerns in Contemporary Art. Speakers: Semíramis González – Independent Curator; Eugenio Ampudia – Artist; Claudia Rodríguez-Ponga – Independent Curator. Moderator: Bárbara Mur Borrás – PhD in Fine Arts.

5:00 PM End of Day.

5:30 PM Activity Visit to the Studiolo Exhibition – Candela Álvarez Soldevilla Collection.

WEDNESDAY, JULY 9

9:30 AM Meeting with Asturian Artists Speakers: María Castellanos – Artist; Avelino Sala – Artist; Consuelo Vallina – Artist. Moderator: Pablo Álvarez de Toledo – Nebrija University.

11:00 AM Activity Visit to the Niemeyer Center – Avilés.

Course Closing Ceremony.





This course is designed for art professionals, collectors, researchers, and students seeking an in-depth analysis of the dynamics that shape taste and collecting practices in contemporary art. Adopting a critical and multidisciplinary perspective, it provides a unique opportunity to rigorously examine the aesthetic, symbolic, and structural factors that underpin the legitimization of contemporary art.