Art Madrid'26 – I segni nel tempo, spanish drawings from Uffizi Collection in Madrid

 

The Louvre Museum, the Hispanic Society of New York, the Met Museum NY, the British Museum in London, all them have the most important collections of Spanish drawing in the world... Now we discover these days in Madrid the collection belonging to the Gallery the Uffizi in Florence, a collection in which several researchers have deepened in recent years to discover many unknown authorship.

 

 

 

 

 

"I Segni nel tempo" is the exhibition organized by the Real Academia de Bellas Artes de San Fernando, the MAPFRE Foundation and Gabinetto Disegni e Stampe of the Galleries degli Uffizi, which includes more than 100 drawings of the Florentine collection, from the most representative Spanish artists of the sixteenth and eighteenth centuries and the most popular artists of the Spanish Golden Age: Alonso Berruguete, Gaspar Becerra, Luis de Vargas, José de Ribera, Alonso Cano, Francisco de Herrera the Younger, Antonio del Castillo, Vicente Carducho, Juan Carreño, Francisco Rizi, Claudio Coello and Miguel Jacinto Meléndez.

 

 

 

 

The appeal of this collection lies in the presence of unique examples to study the creative process of Spanish artists of the sixteenth and seventeenth centuries, designs for the study of major works of Spanish cultural heritage. It is an opportunity to meet many drawings completely unknown so far and others that have never been exhibited in Spain.

 


 

 

The origin of the collection dates back to 1745, the approximate date on which the Florentine merchant Giovanni Filippo Michelozzi was in Madrid. The Spanish drawing always was attractive to the taste of the Italian collectors and a first set of drawings was bought by the Royal Gallery of Florence in 1779 (thanks to the procurement policy sponsored by the Grand Duke of Tuscany Pietro Leopoldo of Habsburg Lorena and director the Royal Uffizi Gallery, Giuseppe Pelli Bencivenni). The rest was acquired later by sculptor Emilio Santarelli (1801-1886) and donated in 1866 to the Florentine institution with an extraordinary legacy of 12,704 designs.

 

 


 

 

 

An exhaustive research work, in which they have invested more than two years, has revealed more than seventy new authorships who were badly allocated between the bottom of Italian drawings, Flemish and German for what has revised more than 40,000 drawings and the entire photographic archive of the institution. The catalog that accompanies the exhibition, with a high scientific and graphic value, is a work of fundamental reference for the study of Spanish drawing in general and knowledge of the collection of Spanish drawings from the Uffizi in particular, a fundamental part of Spanish heritage beyond our borders.

ART MADRID '26: 21 YEARS OF CONTEMPORARY ART



In 2026, Art Madrid will celebrate its 21st edition, further consolidating its position as a leading contemporary art fair in Spain. From 4 to 8 March, the fair will bring together thirty-five national and international galleries at the Galería de Cristal of the Palacio de Cibeles. Returning to its date during Madrid Art Week, Art Madrid reaffirms its pioneering role by expanding the fair calendar and offering an open and enriching dialogue in which diverse artistic proposals coexist.


Throughout its history, Art Madrid has established itself as a leading presence in the contemporary art scene. It is renowned for its commitment to promoting both emerging and established galleries, and for its dedication to making contemporary art accessible to a diverse range of audiences.

Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity in its offering, respecting the identity of each exhibitor and promoting a plural creative ecosystem that reflects the richness and differences of the current art scene.


Art Madrid '25. Photo by Lucas Amillano


GALLERY PROGRAM: AN ACTIVE MAP OF CONTEMPORARY CREATION


The Gallery Program is at the heart of Art Madrid’26. For this edition, thirty-five national and international galleries will participate in a space that celebrates experimentation, hybrid languages, and the latest artistic production. The selection of proposals constitutes a representative mosaic of the aesthetics, discourses, and contemporary practices that are shaping the present of art in Europe.

The Galería de Cristal of the Palacio de Cibeles will once again be transformed into a dynamic space where the exhibitions interact with each other, inviting the public to explore visual narratives that show the evolution of contemporary languages. Works that experiment with new media, formal investigations that reformulate traditional techniques, pieces that reflect on the links between technology and humanity, and poetic approaches that explore territory, identity, or memory make up a plural, stimulating journey open to multiple interpretations.

Art Madrid also continues to strive to become a platform for discovery, allowing both professionals and visitors to identify new voices and consolidate relationships with artists who are already emerging as leaders within the contemporary cultural landscape.


Art Madrid '25. Photo by Lucas Amillano


NATIONAL AND INTERNATIONAL EXHIBITORS

Thirty-five galleries are participating in this edition, twenty-seven of which are returning after finding the fair to be a favourable environment in which to strengthen connections, increase visibility and promote their artists' work on an international scene.

Twenty-six of these are Spanish galleries from various regions of the country: 3 Punts Gallery (Barcelona), Alba Cabrera Gallery (Valencia), Aurora Vigil-Escalera (Gijón), CLC ARTE (Valencia), DDR Art Gallery (Madrid), Est_ArtSpace (Madrid), g • gallery (Barcelona), Galería Arancha Osoro (Oviedo), Galería BAT alberto cornejo (Madrid), Galería Beatriz Pereira (Plasencia), Galería Carmen Terreros (Zaragoza), Galería Espiral (Noja), Galería La Mercería (Valencia), Galería Luisa Pita (Santiago de Compostela), Galería María Aguilar (Cadiz), Metro Gallery (Santiago de Compostela), Rodrigo Juarranz Gallery (Aranda de Duero), Sigüenza Gallery (Sigüenza), Gerhardt Braun Gallery (Palma de Mallorca | Madrid), Inéditad Gallery (Barcelona), Kur Art Gallery (San Sebastián), LAVIO (Murcia | Shanghai), Moret Art (A Coruña), Pigment Gallery (Barcelona), Shiras Galería (Valencia) and Uxval Gochez Gallery (Barcelona). This selection of galleries highlights the importance of the Spanish scene and its contribution to the development of the contemporary cultural ecosystem.


Art Madrid '25. Photo by Lucas Amillano


The nine international galleries participating in this edition are: Banditrazos Gallery (Seoul, South Korea), Collage Habana (Havana, Cuba), Galeria São Mamede (Lisbon, Portugal), Galerie ONE (Paris, France), KANT Gallery (Copenhagen, Denmark | Palma de Mallorca, Spain), Loo & Lou Gallery (Paris, France), Nuno Sacramento Arte Contemporânea (Ílhavo, Portugal), Trema Arte Contemporânea (Lisbon, Portugal) and Yiri Arts (Taipei, Taiwan). Their participation broadens the fair's international reach, promoting creative and conceptual exchange between diverse artistic perspectives.

In addition, eight new galleries have been added to the list of exhibitors:

Banditrazos Gallery (Seoul, South Korea), Est_ArtSpace (Madrid, Spain), g • gallery (Barcelona, Spain), Galería Beatriz Pereira (Plasencia, Spain), Galerie ONE (Paris, France), Galería Sigüenza (Sigüenza, Spain), Gerhardt Braun Gallery (Palma de Mallorca | Madrid, Spain) and KANT Gallery (Copenhagen, Denmark | Palma de Mallorca). These additions reinforce Art Madrid's commitment to continuous renewal and openness to spaces that are exploring new approaches to contemporary art.


Art Madrid '25. Photo by Lucas Amillano


PARALLEL PROGRAM: A REFLECTION ON THE ‘SPECIES’ OF SPACES


One of the great attractions of Art Madrid is its Parallel Program, which this time delves into the notions of: ‘Fragments, relationships, and imaginary distances.’ This approach turns the fair into an expanded space, where art, audience, architecture, and memory converge. Thus, the Parallel Program proposes a critical approach to the container of the event itself. Taking as a reference the reading of Species of Spaces by Georges Perec (Perec, Georges. Species of Spaces. Montesinos, 2004), it adopts a marked interest in the everyday, that which usually goes unnoticed, the infra-ordinary, giving each corner of the venue its own narrative value.

Another of the conceptual references of this edition is based on an analysis of Édouard Glissant's Poetics of Relation (Glissant, Édouard. Poetics of Relation; Prologue by Manuel Rebón. - 1st ed. - Bernal: Universidad Nacional de Quilmes, 2017.), which advocates the coexistence of differences and the importance of non-totalizing links, which are extrapolated to the art system, proposing an understanding of it as a network of exchanges and connections that respect the uniqueness of each cultural practice and actor.

‘Imaginary distances,’ understood as subjective journeys and affective cartographies traced by visitors, thus become the conceptual axis that articulates this program. This perspective transforms the Fair into an experience that goes beyond visual contemplation, turning it into a territory that can be collectively reconstructed, without losing sight of the paths travelled by the individuality of each voice.

In this edition, the Parallel Program encourages visitors to engage with the space and its projects, turning contemplation into an opportunity to question and interact with things that might otherwise go unnoticed in everyday life.


Art Madrid '25. Photo by Lucas Amillano


In the preview and during Art Week, Art Madrid'26 offers a range of experiences that allow the public to get closer to the creative process and practices of the participating artists. Among the returning initiatives are the Interview Program, Curated Walkthroughs, the third edition of Open Booth, dedicated to emerging creation, the presentation of Espacio Nebrija, a university project in collaboration with Nebrija University, alongside the fair’s established Performance Cycle.

In addition, the One Shot Collectors Program and the second edition of the Patronage Program are back. These initiatives seek to strengthen the bond between collectors, artists, and the public, promoting ethical, informed, and responsible practices in collecting and patronage.


Art Madrid '25. Photo by Lucas Amillano


Art Madrid'26 has established itself as a dynamic meeting place, where diverse experiences, discourses, and practices converge. Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity as a structuring principle, respecting the identity of each exhibitor and fostering a plural creative ecosystem. This plurality is not merely formal, but translates into a network of practices, languages, and perspectives that reflects the complexity, richness, and tensions of the contemporary art scene, consolidating the fair as a catalyst for cultural relations, an observatory of emerging trends, and an international reference point for the Spanish art scene.

WELCOME TO ART MADRID'26