Art Madrid'25 – The illusion of far west in Thyssen Museum Madrid

 

 

 

Sitting Bull, Billy the Kid, dusty plains with herds of buffalo, wild horses scanning the horizon and the paradisiac waterfalls... The exhibition "Illusion of the Far West" is a myth and a romantic enthusiasm, and a topical and colonizing argument, too but it presses the appropriate key to leave us, once again, shocked because of its landscapes, the dignity of the wild Indians, their communion with the most exuberant nature, its connection with all powerful gods... and with how those all discoveries of the painters and artists of the nineteenth century ended up going through the filter of the market and cinema, transforming those "noble savages" into a parody of misery, in the story of a disappearance announced.

 

 

 

 

The exhibition, curated by the artist Miguel Angel Blanco, brings together more than 200 pieces including paintings, photographs, prints, books, comics, movie posters, ethnographic pieces ... and so resembles a curio cabinet that blends art pieces and objects, "treasures" of that nature (precious stones, weapons, fossils, turtle shells, ...). As Guillermo Solana, director of the museum, has explained "it is a time when museums are too predictable, we have wanted to go up to that time when there was no division between art and nature, and where fantasy and reality go hand by hand. A moment in which the Indian territory had already been occupied and most of its inhabitants exterminated with their cultural traditions ".

 

 

 

 

Early Spanish explorers during the sixteenth century, the first contact with native tribes, landscapes and photographs of artists of the nineteenth and Thomas Hill, Henry Lewis, Albert Bierstadt, Carleton E. Watkins, they marked an exciting episode in the history Art, being the eyes that saw the exoticism and grandeur of the new conquered lands and its inhabitants for the first time. Another part of the exhibition is dedicated to the Indian chiefs, with their headdresses, body-painting and their objects of power. For the first time in Spain we can see the famous portraits by George Catlin and Karl Bodmer, Sitting Bull, Geronimo and Joseph - they offered themselves to record their image and power. Edward S. Curtis was the author of the photographic series The American Indian, a controversial and valuable artistic and ethnographic legacy, today largely lost, from which they have been selected multiple images. Curtis portrayed Indian Chiefs when they went to the capital to try to keep the rights of their peoples.

 

 

 

 

 

 

Finally, the curator of the exhibition, has presented a set of book-boxes from his Forest Library made with materials from the territories of the American West. Until 7 February at the Thyssen Museum in Madrid we can stroll through the political, military and strategic US history, and take a tour of building his own legend as a nation. The rest of the world have drunkthis legend in cinemascope format and posters of Comanche, The Return of a Man Called Horse...

 

 

 

 

Among the parallel activities to the exhibition there is a visit called "Death had a price," this Saturday November 14 at the Meadow of Navalvillar de Colmenar Viejo, location of important westerns as "The Good, the Bad and bad "with Clint Eastwood," The last adventure of General Custer "with Robert Shaw," Three outlaws and a gunman "with Lee Marvin and" Django "with Franco Nero. This activity is aimed at students and graduates in Fine Arts, History Art, Museology, Philosophy, Communication Sciences, interdisciplinary practices and working artists.
 

From July 7 to 9, 2025, the Balsera Palace will host the First Course on Collecting and Contemporary Art, an intensive 15-hour program that will explore the complex and fundamental question of taste in contemporary art. Organized by the Nebrija Institute of Arts and Humanities at Nebrija University and the Avilés City Council, in collaboration with 9915 — Association of Private Collectors of Contemporary Art and the Institute of Contemporary Art, the course offers a unique opportunity for analysis and debate on the dynamics that shape aesthetic and symbolic value in today’s art scene.


First Course on Collecting and Contemporary Art. Avilés, Asturias


The notion of taste, intrinsically tied to aesthetic judgments and power relations, has played a decisive role in the historical prominence of artists and artworks. However, contemporary art—marked by its breaking of conventions, diversity of media and techniques, and critical stance toward traditional canons—raises fundamental questions about the continued relevance of this concept.

This course will explore how the decisions made by key players in the art system—institutions, private collections, galleries, curators, and artists—continually redefine a field of taste shaped by aesthetic, symbolic, cultural, social, and political logics.


"¿But does it exist, and what is the prevailing taste of our time—so seemingly confused, fragmented, indecipherable?" - Omar Calabrese, The Neo-Baroque Era.


The academic program, directed by José Luis Guijarro Alonso, Director of the Master’s in Art Market and Related Business Management at Nebrija University, and Pablo Álvarez de Toledo, Head of the Department of Arts at Nebrija University and the Nebrija Institute of Arts and Humanities, will bring together a distinguished group of national experts—including collectors, critics, curators, gallery owners, and artists—whose contributions will address key issues in shaping aesthetic, symbolic, and market value in today’s art world.


PROGRAM

MONDAY, JULY 7

9:30 AM Registration.

10:00 AM Course Opening Nebrija University Avilés City Council Presented by Rosario López Meras – President of the Association of Contemporary Art Collectors, 9915, and Adrián Piera – President of the ICA, Institute of Contemporary Art.

10:30 AM Course Presentation By José Luis Guijarro Alonso – Art Historian and Anthropologist, Researcher, and Director of the Master’s in Art Market and Related Business Management at Nebrija University.

11:00 AM Coffee Break.

11:30 AM Panel Discussion The Taste of Private Collecting as a Prelude to History. Speakers: Candela Álvarez Soldevilla – Entrepreneur and Collector; Javier Quilis – INELCOM Collection; José Miguel Vegas Valle – Collector. Moderator: Luis Feás – Critic and Curator.

1:00 PM Lunch Break.

3:30 PM Individual Lecture On Good Taste in Contemporary Art. Speaker: Marisol Salanova – Curator and Art Critic, Director of Arteinformado.

4:45 PM Panel Discussion The Influence of Galleries in Shaping Contemporary Taste. Speakers: Elba Benítez – Gallerist; Ricardo Pernas – Gallerist (Arniches 26); Aurora Vigil-Escalera – Gallerist. Moderator: Rafael Martín – Coleccion@casamer.

6:00 PM End of Day.

6:30 PM Activity and Cocktail Visit to the Exhibition Asturian Artists in the Pérez Simón Collection – Avilés.

TUESDAY, JULY 8

10:00 AM Individual Lecture Contemporary (Bad) Taste: Kitsch, Camp, and Tacky. Speaker: Julio Pérez Manzanares – Autonomous University of Madrid.

11:00 AM Coffee Break.

11:30 AM Panel Discussion Institutions and the Formation of Contemporary Taste. Speakers: Virginia López – Artist, Founder of PACA_Proyectos Artísticos Casa Antonino; Julieta de Haro – Artistic Director of CentroCentro; Carlos Urroz – Director of Institutional Relations, Museo Nacional Centro de Arte Reina Sofía. Moderator: Laura Gutiérrez – Director, School of Art of Oviedo.

1:00 PM Lunch Break.

3:30 PM Panel Discussion Beyond the Eye: The Taste for Ethical, Ecological, Social, or Political Concerns in Contemporary Art. Speakers: Semíramis González – Independent Curator; Eugenio Ampudia – Artist; Claudia Rodríguez-Ponga – Independent Curator. Moderator: Bárbara Mur Borrás – PhD in Fine Arts.

5:00 PM End of Day.

5:30 PM Activity Visit to the Studiolo Exhibition – Candela Álvarez Soldevilla Collection.

WEDNESDAY, JULY 9

9:30 AM Meeting with Asturian Artists Speakers: María Castellanos – Artist; Avelino Sala – Artist; Consuelo Vallina – Artist. Moderator: Pablo Álvarez de Toledo – Nebrija University.

11:00 AM Activity Visit to the Niemeyer Center – Avilés.

Course Closing Ceremony.





This course is designed for art professionals, collectors, researchers, and students seeking an in-depth analysis of the dynamics that shape taste and collecting practices in contemporary art. Adopting a critical and multidisciplinary perspective, it provides a unique opportunity to rigorously examine the aesthetic, symbolic, and structural factors that underpin the legitimization of contemporary art.