Art Madrid'26 – The illusion of far west in Thyssen Museum Madrid

 

 

 

Sitting Bull, Billy the Kid, dusty plains with herds of buffalo, wild horses scanning the horizon and the paradisiac waterfalls... The exhibition "Illusion of the Far West" is a myth and a romantic enthusiasm, and a topical and colonizing argument, too but it presses the appropriate key to leave us, once again, shocked because of its landscapes, the dignity of the wild Indians, their communion with the most exuberant nature, its connection with all powerful gods... and with how those all discoveries of the painters and artists of the nineteenth century ended up going through the filter of the market and cinema, transforming those "noble savages" into a parody of misery, in the story of a disappearance announced.

 

 

 

 

The exhibition, curated by the artist Miguel Angel Blanco, brings together more than 200 pieces including paintings, photographs, prints, books, comics, movie posters, ethnographic pieces ... and so resembles a curio cabinet that blends art pieces and objects, "treasures" of that nature (precious stones, weapons, fossils, turtle shells, ...). As Guillermo Solana, director of the museum, has explained "it is a time when museums are too predictable, we have wanted to go up to that time when there was no division between art and nature, and where fantasy and reality go hand by hand. A moment in which the Indian territory had already been occupied and most of its inhabitants exterminated with their cultural traditions ".

 

 

 

 

Early Spanish explorers during the sixteenth century, the first contact with native tribes, landscapes and photographs of artists of the nineteenth and Thomas Hill, Henry Lewis, Albert Bierstadt, Carleton E. Watkins, they marked an exciting episode in the history Art, being the eyes that saw the exoticism and grandeur of the new conquered lands and its inhabitants for the first time. Another part of the exhibition is dedicated to the Indian chiefs, with their headdresses, body-painting and their objects of power. For the first time in Spain we can see the famous portraits by George Catlin and Karl Bodmer, Sitting Bull, Geronimo and Joseph - they offered themselves to record their image and power. Edward S. Curtis was the author of the photographic series The American Indian, a controversial and valuable artistic and ethnographic legacy, today largely lost, from which they have been selected multiple images. Curtis portrayed Indian Chiefs when they went to the capital to try to keep the rights of their peoples.

 

 

 

 

 

 

Finally, the curator of the exhibition, has presented a set of book-boxes from his Forest Library made with materials from the territories of the American West. Until 7 February at the Thyssen Museum in Madrid we can stroll through the political, military and strategic US history, and take a tour of building his own legend as a nation. The rest of the world have drunkthis legend in cinemascope format and posters of Comanche, The Return of a Man Called Horse...

 

 

 

 

Among the parallel activities to the exhibition there is a visit called "Death had a price," this Saturday November 14 at the Meadow of Navalvillar de Colmenar Viejo, location of important westerns as "The Good, the Bad and bad "with Clint Eastwood," The last adventure of General Custer "with Robert Shaw," Three outlaws and a gunman "with Lee Marvin and" Django "with Franco Nero. This activity is aimed at students and graduates in Fine Arts, History Art, Museology, Philosophy, Communication Sciences, interdisciplinary practices and working artists.
 


ART MADRID CLOSES ITS 21ST EDITION AS A KEY EVENT OF MADRID ART WEEK


The Galería de Cristal of the Palacio de Cibeles hosted the 21st edition of Art Madrid from March 4 to 8, once again consolidating its role as one of the must-see events of Madrid Art Week. Over the course of five days, the fair brought together 35 national and international galleries and more than 200 artists, turning the venue into a meeting point for gallerists, collectors, professionals, and lovers of contemporary art.

Throughout its trajectory, Art Madrid has built a distinct identity, with a constant focus on giving visibility to both emerging and established galleries and on opening contemporary art to diverse audiences. Rather than being structured around a single curatorial line, the fair embraced a plural proposal, respecting the unique DNA of each exhibitor.



Art Madrid’26 presented a Gallery Program distinguished by the diversity of artistic proposals and languages, encouraging dialogue between different generations and contemporary practices. Painting, sculpture, photography, drawing, installation, and new hybrid forms coexisted in an edition that once again confirmed the dynamism of today’s art scene

During the days of the fair, nearly 20,000 visitors explored the booths of the participating galleries and enjoyed a parallel program that expanded the experience beyond the traditional exhibition format.


The Parallel Program: An Expanded Art Fair

The Parallel Program once again took center stage in the Art Madrid experience, activating the fair space through projects that explored new forms of interaction between artworks, artists, and the public.

Among the most notable initiatives was the performance series Open Infinite: What the Body Remembers, which presented a daily performative action at the fair featuring works by Colectivo La Burra Negra, Rocío Valdivieso, Amanda Gatti, and Jimena Tercero. The pieces incorporated the body as a critical device and a space of memory, reinforcing the presence of performance within Art Madrid’s programming.

The third edition of Open Booth presented Despiece. Protocolo de mutación, by Daniel Barrio, a site-specific project that transformed the booth into a landscape constructed from urban remnants and industrial materials. The installation invited visitors to physically engage with the work, creating an immersive experience within the exhibition space.

Meanwhile, Espacio Nebrija hosted the project Estancias transitorias (NotanIA SipedagogIE), a proposal by Nebrija University that reflected on Aesthetic Intelligence in the face of the growing dominance of algorithmic logic. The installation proposed a reclamation of gesture, materiality, and the time inherent to the creative process as dimensions that cannot be reduced to automation.

Lecturas. Curated Walkthroughs also returned, with itineraries designed by Zuriñe Lafón and Marisol Salanova that offered curatorial insights for exploring the fair from specific critical perspectives and expanding the visitor experience.



Patronage, Awards, and Acquisitions

Support for contemporary creation once again stood as one of the fair’s central pillars through the second edition of the Art Madrid Patronage Program, which recognizes the work of artists and strengthens the connections between galleries, collectors, and private entities.

On this occasion, the following awards were presented:

Cervezas Alhambra Emerging Artist Award Iyán Castaño, represented by Galería Arancha Osoro


One Shot Hotels Breakthrough Artist Award Joost Vandebrug, represented by KANT Gallery


In the Acquisition Awards category, several private collections incorporated works presented at the fair into their collections.


Studiolo Collection Roger Sanguino — DDR Art Gallery


Devesa Law Kim Han Ki — Banditrazos Gallery


E2IN2 Collection Albert Bonet — Inéditad Gallery


dn2 Collection Iván Baizán — Galería Arancha Osoro

These acquisitions reflect the private sector’s commitment to the development of contemporary art and contribute to advancing the professional trajectories of emerging and mid-career artists.



Collecting and Support for the Artistic Ecosystem

The promotion of collecting once again played a prominent role in this edition thanks to the One Shot Collectors program, which offered personalized advice to both new buyers and more experienced collectors, facilitating access to the contemporary art market and fostering direct relationships between artists, galleries, buyers, and collectors.


This program, together with the Patronage Program, continues to strengthen the professional ecosystem surrounding the fair and reinforce Art Madrid’s commitment to supporting contemporary creation.

Among the most notable sales were works by Antonio Ovejero, represented by CLC ARTE; Leticia Feduchi and Ángela Mena, represented by Galería Sigüenza; Idoia Cuesta and Iyán Castaño, represented by Galería Arancha Osoro; and Yasiel Elizagaray, represented by Nuno Sacramento Arte Contemporânea. Likewise, the proposals presented by Inéditad Gallery were very well received, with notable sales of works by artists Albert Bonet and Eduardo Urdiales, as well as Carmen Mansilla, who debuted at Art Madrid'26 and achieved a sold out.



The overall balance of the edition has been particularly positive, with sales reported by all 35 participating galleries, confirming the strong interest from collectors and the dynamism of the market throughout the fair. Among the galleries that recorded notable commercial activity are La Mercería (Valencia), LAVIO (Murcia–Shanghai), 3 Punts Galería (Barcelona), Galerie One (Paris), Shiras Galería (Valencia), Galería Rodrigo Juarranz (Aranda de Duero), Galería São Mamede (Lisbon), Yiri Arts (Taiwan), and Trema Arte Contemporânea (Lisbon), among others.


A Fair made possible thanks to Its network of Partners

The success of Art Madrid’26 has been made possible thanks to the support of its official sponsors: Cervezas Alhambra, One Shot Hotels, Liquitex, Universidad Nebrija, and Posca, as well as the trust of its collaborators: Asociación 9915, Colección Studiolo, E2IN2, Colección dn2, Devesa Law, Enviarte, Cova 13, and Vanille Bakery Lab & Café. The fair also benefits from the involvement of its media partners and the support of various cultural organizations, private collections, and institutions that contribute to strengthening the contemporary art ecosystem.



Art Madrid: A Future Full of Possibilities

After 21 years of history, Art Madrid continues to consolidate its position as a key event in the contemporary art calendar, both nationally and internationally. Its ability to bring together galleries, artists, collectors, and institutions reinforces its role as a space for encounter, exchange, and discovery. The fair maintains a steadily growing outlook, driven by a program that evolves each year and increasingly opens up to more innovative proposals.

Thank you for being part of the 21st edition of Art Madrid. Your support is essential for continuing to promote art and culture.


SEE YOU AT ART MADRID'27!