Art Madrid'26 – V Art Biennale of ONCE Foundation

The Biennale of ONCE Foundation was created in 2006 as response to the need of people with disabilities to access to the culture in a standardized way, to eliminate prejudices on artistic creation and to give effect to the professionalization of people with disabilities in the world of Art. In this sense, the Biennale pursues two major goals of ONCE Foundation: accessibility (accessible culture for all the people, working from different policy areas, universal accessibility...) and inclusion (access for disable artists to the circuit of the Art market, achieving social inclusion and employment). 
 
In 2014, the fifth edition of the Biennal, on view at Cibeles CentroCentro from May 21 to September 15, thematically revolves around human diversity and body "valuing difference as a quality of being and disability as a potential, including being one of the key objectives", according to the organization of ONCE Foundation.

According to the director of Universal Accessibility of ONCE Foundation, Jesús Hernández, "the Foundation seeks to convey the concerns of the institution through the Art Biennials. In this regard, in previous editions it has addressed the issue of language and landscape to discuss accessibility and, in the current issue, we talk about human diversity to claim that we are all different but all have the same rights. "

Serie HUMANAE, de Angélica Dass

The 5th Contemporary Art Biennal of ONCE Foundation presents, with a careful selection made by the curators Miguel Cereceda and Giulietta Speranza), the work of 39 artists, with and without disabilities, that show their interpretation of the world and their personal way to communicate.

De Natura Deorum, de Carlos Aires
The exhibition, included in Photoespaña 2014, includes works by José María Cano and his son Daniel Cano (who suffers from Asperger syndrome), Luis Perez-Minguez (prestigious photographer with physical disabilities and part of the 80´s madrilian "movida"), Cristina García Rodero (Spanish photographer first woman in the international photo agency Magnum), Victor Meliveo (photographer and video artist visually impaired) and other names as Angel Baltasar, Javier Campano, José Manuel Egea, Carlos Franco, Miriam Jiménez, Ramón Losa, Eduardo Matute (DUDU), Paloma Navares, Carme Ollé i Coderch, Ricardo Dew, Ricardo Rojas, Ángel Rojo, Rafael Sanz Lobato, Cuco Suarez, Vicens Talens, John Tower, Kurt Weston, Marina Abramovic, Carlos Aires Miquel Barcelo, Daniel Canogar, Pedro Castrortega Angelica Dass, Esther Ferrer, Daniel Firman, Jorge Fuembuena, Germán Gómez, Kaarina Kaikkonen, Leiro Francisco, Isabel Muñoz, Jaume Plensa, Bernardi Roig, Serrano and Marina Belen Vargas.
Equipo de MÁSCARAS, dentro del Ciclo de Cine de la V Bienal Fundación ONCE.
The Biennal proposes a diverse accesible program of activities, workshops, round tables, performing arts (dance, theater) and film series. This year also, the Biennal features works by artists like Jaume Plensa, provided by the MACBA (Museum of Contemporary Art of Barcelona); Marina Abramovic, provided by Telefónica Collection; Miquel Barceló or Juan Muñoz, from the Helga de Alvear Collection.

 


ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26


Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.


PERFORMANCE: OSCURECER UN PAPEL. BY ROCÍO VALDIVIESO

March 5 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.


Nocturnality. Installation. Rocío Valdivieso..


Oscurecer un papel forms part of a series of actions in which the artist engages in reading through repetition, memorization, and a measured degree of improvisation. Within this framework, a non-linear mode of reading emerges from a written text that is transformed when spoken aloud, assuming a different form in the act of articulation. The texts stem from an ongoing investigation into materiality, space, the relationships between body and matter, writing, the sculptural, and a sustained interest in the exploration of voice and orality.

The material from which Oscurecer un papel is constructed consists of a collection of purchase receipts the artist has been accumulating over time. The printed text they contain, together with the action of bringing them into proximity with a heat source—thereby activating the thermal paper on which they are produced—generates meanings that revolve around the notions of consumption and wear.


Rocío Valdivieso. Latent Aura. Performance documentation.


ABOUT ROCÍO VALDIVIESO

Rocío Valdivieso is an artist, researcher, and cultural manager. She is currently a PhD candidate in Fine Arts at the Complutense University of Madrid. She holds an MA in Research in Artistic Practices from the University of Castilla–La Mancha (UCLM) and a BA in Fine Arts from the National University of Tucumán, Argentina. She was a Fundación Carolina fellow from 2022 to 2023. She currently co-directs Errática. Laboratory of Processes and Critique in Madrid, alongside Romina Casile.

She was part of the PEEPA 2023 Program at the Centro de Residencias Artísticas, Matadero Madrid. She completed the 2021/22 Artists Program at Universidad Torcuato Di Tella, Buenos Aires, and in 2020 participated in the Intensive Curatorial Program of Proyecto PAC at Galería Gachi Prieto, Buenos Aires. She received the Visual Arts Promotion Award at the 4th Visual Arts Week of the Ente Cultural de Tucumán. She was awarded an AUGM scholarship for an exchange residency at UNESP, São Paulo, Brazil. She also participated in the International Residency Program La Ira de Dios and in the Acéfala Galería Residency for Argentine artists.