Art Madrid'23 – Vacaciones en el mar (Holiday at the sea), new project of Ruben Martin de Lucas

 

 

 

Martin de Lucas is an engineer who was immersed in the world of art and between  paint brush and spray with his crew collective Boa Mistura has built himself a more than promising career.

 

 

 

Last year, we met (in the contemporary art fair Art Madrid'15) his series "Floating Village", a colorful portrait of the fragility and resilience through a journey made by the artist to Southeast Asia. Just months ago Ruben Martin Lucas finished his project "Stupid Borders", a reflection on the physical and psychological limits (social barriers, territorial, religious, ideological ...) we "build" and that determine our relationship with the environment. Now presents "Holiday at sea", a pictorial analysis on migration flows that are repeated every summer to coastal areas of Spain.

 

 

 

 

 

 

 

Ruben photography urban exodus the cities suffer every year and the course of thousands individuals migrating for warmth, leisure and enjoyment as if they were a huge herd. A herd that is accounted and registered as is done with animals. Also registering their habitat, sun loungers, awnings ... and rituals, bathing, cane, it appears nap ...

 

 

 

 

 

 

"I'm interested in the phenomenon, demographic and sociological level, which arises as a result of the housing boom in the Mediterranean coast. It strikes me that a great mass population that lives all year in the city, move to spend your days relaxing and rest at another location also overcrowded. If one moves away and watches from a distance, the phenomenon is not unlike the migration of flamingos or sardines in which the individual seeks shelter group. With a kitsch touch. And I find fascinating this peculiar migration, both sociological or visually level, with a catalog of fun situations so amazing, "says the artist.

 

 

 

 

 

The photographic/pictorical series consists of 4 blocks: "Movements", "countings", "Masses" and "Situations" and the interest in studying the impact of man on the environment and the behavior of the individual himself turned into an indirect criticism of the reason for this phenomenon and its impact on the landscape and the generation of seasonal economies.

 

 

"Holiday at sea", from December 17 2015 to January 30, 2016 in BAT Alberto Cornejo Gallery.

In the year 2020 in the heart of Barcelona a wandering gallery was born, the same one that in February 2021 would debut at Art Madrid with an exhibition proposal focused on contemporary portraits; with this subject matter it would manage to create a powerful dialogue between artwork and audience and make the seal Inéditad remain in the history of the event that contained it.

Jean Carlos Puerto. Protección. Oil and copper leaf on wood. 60 x 48. 2021. Image courtesy of the gallery.

Since that first time and until today, the wandering gallery has managed to build projects on otherness, has repositioned in the spotlight the discourses on the LGTBIQ+ collective, has consolidated a group of artists who share its principles of resilience and empathy and the best thing is that it continues to bet from the professionalism and commitment to give voice to the difference.

Claudio Petit-Laurent.. El Joven de la Perla. Oil on wood. 30 x 30 cm. 2023. Image courtesy of the gallery.

Inéditad Gallery, thanks to its founder Luis López, its collaborators and the infinite possibilities manifested in the works of the artists it represents, is a gallery that has demonstrated its capacity and courage to stimulate the sensibility of the public through art and seduce a generation that moves between the glass window and the analogical story. Inéditad is a nomadic gallery that has gathered around it a community of artists and has moved the context with exhibition projects that think about LGTBIQ+ art without prejudices.

Pepa Salas Vilar. Las marcas del arcoiris. Oil on canvas. 40 x 50 cm. 2022. Image courtesy of the gallery.

Pride and Prejudice was inaugurated. An exhibition that brings together the works of sixteen artists: Abel Carrillo, Alex Domènech, Carlos Enfedaque, Silvia Flechoso, Jamalajama, Daniel Jaén, Claudio Petit-Laurent, Jean Carlos Puerto, Fernando Romero, Pablo Rodríguez, Pepa Salas Vilar, Jack Smith, Pablo Sola, Bran Sólo, Elia Tomás and Utürüo. Painting, illustration, photography and digital art are the manifestations that bring into dialogue around fifty neatly threaded pieces, in a discursive line that discusses such a latent phenomenon as discrimination. To achieve this, the artists invited to the exhibition question themselves whether: Does discrimination exist within the LGTBIQ+ collective?

Pride and Prejudice Official Poster. Image courtesy of the gallery.

With approaches on and from the body, the proposal invites to celebrate diversity, proposes to question and self-question the prejudices and attitudes of society against the collective. Pride and Prejudice is a space for dialogue about the constructs imposed on us by society. It is also an oasis in which to deconstruct with tolerance and respect the subjectivities that sometimes prevent us from approaching the production of the participating artists, simply because "the beautiful" does not fit in an androgynous body. The subjugation of stereotypes are pressed with determination to find the beauty of diversity in other palpable facets of reality.

Pablo Sola. All men are dogs. Photography. 2014. Image courtesy of the gallery.

Throughout these three years Inéditad has stimulated the vindictive projection towards bad practices, has questioned estates around the LGTBIQ+ body and the most admirable thing, is that these capacities have resurfaced around the dialogue and the visual narrative of the stories that are told from the visual: Artworks that are people, art that is, per se, humanity. Overcome impositions and accept what is different in order to continue fighting against homophobia, biphobia, lesbophobia or transphobia and defend the equal rights that all the acronyms of the collective deserve in our community.

That's Pride and Prejudice: One creature, the happiest in the world. And maybe other projects and other people have said it - or felt it - before, but none so fairly.

Silvia Flechoso. Hola, soy maricón. Oil on canvas. 73 x 54 cm. 2023. Image courtesy of the gallery.

From June 8th until June 22nd you can visit Pride and Prejudice. Carrer de Palau núm. 4. Canal Gallery space. Barcelona.