Art Madrid'25 – Yoko Ono Half-a-Wind Show, retrospective in Guggenheim Museum (Bilbao)

The conceptual artist Yoko Ono celebrates its 80th anniversary with the major retrospective of his work so far. "Half-a-Wind Show" can be seen at the Guggenheim in Bilbao until 4 September.
"The blame for everything has Yoko Ono ..." the sarcastic refrain of a Spanish group is referred to the bad opinion that the people usually had about this independent artist who crossed in the life of Beatle John Lennon to give peace and love and, according to most critics, she stepped him away from the music, definitely separated him from his companions and definitely destroyed the band from Liverpool. 
 
Time, however, has given Yoko Ono (Tokyo, February 18, 1933) a truce and his work has outweighed the legend of "the Black Widow". The prove is the figure of about 320,000 people who have already gone through the Guggenheim Museum Bilbao to see the largest retrospective of the artist so far, "Half-A-Wind Show", an exhibition showing the history of this pioneer of the Conceptual Art with nearly 200 objects, films, documentation of performances, installations, drawings, photographs, fine text and audio to paint a complete portrait of Yoko Ono and with what she wants to celebrate his 80th birthday.
 

The starting point of this exhibition is the book A Book of Instructions and Drawings, published by the artist in 1970 and in which a number of recommendations and instructions are shelled for the public to better enjoy his work and that these guidelines "are indications that unfold a whole world of things, assign the public a more active role than usual in the art world, because without the real or mental participation of the viewer, most of the works are considered incomplete "as explains in the exhibition.

And the main component of his work are the ideas, not the materials or techniques, ideas that become in spaces, objects, actions, images, performances often with a message of social criticism but also with a great sense of humor and optimism. In fact, Lennon felt in love with her thanks to her installation "Ceiling Painting" (1966) that can be seen in Bilbao. In this installation, the viewer must climb a wooden staircase to get close to the ceiling where it hangs a magnifying glass with which can see a tiny (but inmense) post in the ceiling: "YES / SI". 
 
"Words are powerful and influence your mind," claimed the artist in the presentation of the Guggenheim retrospective, "I said YEAH in the 60's, what about it provocation? It was provocative art ".

The exhibition is divided into sections and begins with the most important works of 1960, the first actions and performances, works on paper, ready-mades and objects strongly influenced by the New York avant-garde of the era and artists like musician John Cage, George Maciunas, founder of the Fluxus movement, or the filmmaker Jonas Mekas.

The exhibition does not forget the musical and film side of Yoko Ono, with her works in collaboration with John Lennon and more recent work, as the album that recorded two years ago with the American Thurston Moore and Kim Gordon, or his bizarre version of the Katy Perry's song Fireworks, which Yoko performed at the MoMA in New York. The last section presents its latest facilities and participatory works, some of them designed especially for this retrospective. 
 
In case of doubt whether if it is worth or not going to see this exhibition, it is best to take the "Yoko option": YES, YES, always.

 

From July 7 to 9, 2025, the Balsera Palace will host the First Course on Collecting and Contemporary Art, an intensive 15-hour program that will explore the complex and fundamental question of taste in contemporary art. Organized by the Nebrija Institute of Arts and Humanities at Nebrija University and the Avilés City Council, in collaboration with 9915 — Association of Private Collectors of Contemporary Art and the Institute of Contemporary Art, the course offers a unique opportunity for analysis and debate on the dynamics that shape aesthetic and symbolic value in today’s art scene.


First Course on Collecting and Contemporary Art. Avilés, Asturias


The notion of taste, intrinsically tied to aesthetic judgments and power relations, has played a decisive role in the historical prominence of artists and artworks. However, contemporary art—marked by its breaking of conventions, diversity of media and techniques, and critical stance toward traditional canons—raises fundamental questions about the continued relevance of this concept.

This course will explore how the decisions made by key players in the art system—institutions, private collections, galleries, curators, and artists—continually redefine a field of taste shaped by aesthetic, symbolic, cultural, social, and political logics.


"¿But does it exist, and what is the prevailing taste of our time—so seemingly confused, fragmented, indecipherable?" - Omar Calabrese, The Neo-Baroque Era.


The academic program, directed by José Luis Guijarro Alonso, Director of the Master’s in Art Market and Related Business Management at Nebrija University, and Pablo Álvarez de Toledo, Head of the Department of Arts at Nebrija University and the Nebrija Institute of Arts and Humanities, will bring together a distinguished group of national experts—including collectors, critics, curators, gallery owners, and artists—whose contributions will address key issues in shaping aesthetic, symbolic, and market value in today’s art world.


PROGRAM

MONDAY, JULY 7

9:30 AM Registration.

10:00 AM Course Opening Nebrija University Avilés City Council Presented by Rosario López Meras – President of the Association of Contemporary Art Collectors, 9915, and Adrián Piera – President of the ICA, Institute of Contemporary Art.

10:30 AM Course Presentation By José Luis Guijarro Alonso – Art Historian and Anthropologist, Researcher, and Director of the Master’s in Art Market and Related Business Management at Nebrija University.

11:00 AM Coffee Break.

11:30 AM Panel Discussion The Taste of Private Collecting as a Prelude to History. Speakers: Candela Álvarez Soldevilla – Entrepreneur and Collector; Javier Quilis – INELCOM Collection; José Miguel Vegas Valle – Collector. Moderator: Luis Feás – Critic and Curator.

1:00 PM Lunch Break.

3:30 PM Individual Lecture On Good Taste in Contemporary Art. Speaker: Marisol Salanova – Curator and Art Critic, Director of Arteinformado.

4:45 PM Panel Discussion The Influence of Galleries in Shaping Contemporary Taste. Speakers: Elba Benítez – Gallerist; Ricardo Pernas – Gallerist (Arniches 26); Aurora Vigil-Escalera – Gallerist. Moderator: Rafael Martín – Coleccion@casamer.

6:00 PM End of Day.

6:30 PM Activity and Cocktail Visit to the Exhibition Asturian Artists in the Pérez Simón Collection – Avilés.

TUESDAY, JULY 8

10:00 AM Individual Lecture Contemporary (Bad) Taste: Kitsch, Camp, and Tacky. Speaker: Julio Pérez Manzanares – Autonomous University of Madrid.

11:00 AM Coffee Break.

11:30 AM Panel Discussion Institutions and the Formation of Contemporary Taste. Speakers: Virginia López – Artist, Founder of PACA_Proyectos Artísticos Casa Antonino; Julieta de Haro – Artistic Director of CentroCentro; Carlos Urroz – Director of Institutional Relations, Museo Nacional Centro de Arte Reina Sofía. Moderator: Laura Gutiérrez – Director, School of Art of Oviedo.

1:00 PM Lunch Break.

3:30 PM Panel Discussion Beyond the Eye: The Taste for Ethical, Ecological, Social, or Political Concerns in Contemporary Art. Speakers: Semíramis González – Independent Curator; Eugenio Ampudia – Artist; Claudia Rodríguez-Ponga – Independent Curator. Moderator: Bárbara Mur Borrás – PhD in Fine Arts.

5:00 PM End of Day.

5:30 PM Activity Visit to the Studiolo Exhibition – Candela Álvarez Soldevilla Collection.

WEDNESDAY, JULY 9

9:30 AM Meeting with Asturian Artists Speakers: María Castellanos – Artist; Avelino Sala – Artist; Consuelo Vallina – Artist. Moderator: Pablo Álvarez de Toledo – Nebrija University.

11:00 AM Activity Visit to the Niemeyer Center – Avilés.

Course Closing Ceremony.





This course is designed for art professionals, collectors, researchers, and students seeking an in-depth analysis of the dynamics that shape taste and collecting practices in contemporary art. Adopting a critical and multidisciplinary perspective, it provides a unique opportunity to rigorously examine the aesthetic, symbolic, and structural factors that underpin the legitimization of contemporary art.