Art Madrid'26 – A PLACE FOR THE BODY

View of the installation

 

 

The world-renowned conceptual artist Franz Erhahd Walther (Fulda, Germany, 1939) is still active in exhibitions with his particular artistic vision. This is his first anthology in Spain and premiered in the Palace of Velázquez (El Retiro, Madrid) with a sample that includes sculpture, painting, drawing and graphic documentation that relate his two main themes, language and action. For him, art has an immaterial meaning therefore its nature is performative.

 

 

Plastische Rede, 1983. coton,wood, 365 x 470 x 40 cm, 6 pieces

 

 

The action is complemented by the materials used to give meaning to the object and thus reach the public through the body. Together with time and space, these elements are modeled and their discourse giving way to artistic practices such as sculpture and installation. Erharhd, begins its activity in the 50's and questions the condition of the artistic object before the history of art.

 

 

View of the installation

 

 

Organized by the Reina Sofía Art Center Museum, the famous Handlungsstücke (Works of Action) series is defined by the artist as his "demonstrations of work" and this will be complemented by activities carried out with subjects trained for it by the hand artist. Not only is the sample based on actions related to the parameters space and time, but also will be exhibited work on paper of its first stage under the name Wortbilder (pictures of words), photographs and videos will be an addition to this complete presentation From his job.

 

 

View of the installation

 

 

For the artist materials are a vital starting point for developing their actions and in this case the fabrics symbolize art and life. The textures, color and seams themselves make us as spectators immersed in a paradise full of possibilities given that they do not lead us to the idea of ??a finished object. The activities will run until 10 September in collaboration with the Goethe Institut.

 

 

 


ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26


Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.


PERFORMANCE: OSCURECER UN PAPEL. BY ROCÍO VALDIVIESO

March 5 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.


Nocturnality. Installation. Rocío Valdivieso..


Oscurecer un papel forms part of a series of actions in which the artist engages in reading through repetition, memorization, and a measured degree of improvisation. Within this framework, a non-linear mode of reading emerges from a written text that is transformed when spoken aloud, assuming a different form in the act of articulation. The texts stem from an ongoing investigation into materiality, space, the relationships between body and matter, writing, the sculptural, and a sustained interest in the exploration of voice and orality.

The material from which Oscurecer un papel is constructed consists of a collection of purchase receipts the artist has been accumulating over time. The printed text they contain, together with the action of bringing them into proximity with a heat source—thereby activating the thermal paper on which they are produced—generates meanings that revolve around the notions of consumption and wear.


Rocío Valdivieso. Latent Aura. Performance documentation.


ABOUT ROCÍO VALDIVIESO

Rocío Valdivieso is an artist, researcher, and cultural manager. She is currently a PhD candidate in Fine Arts at the Complutense University of Madrid. She holds an MA in Research in Artistic Practices from the University of Castilla–La Mancha (UCLM) and a BA in Fine Arts from the National University of Tucumán, Argentina. She was a Fundación Carolina fellow from 2022 to 2023. She currently co-directs Errática. Laboratory of Processes and Critique in Madrid, alongside Romina Casile.

She was part of the PEEPA 2023 Program at the Centro de Residencias Artísticas, Matadero Madrid. She completed the 2021/22 Artists Program at Universidad Torcuato Di Tella, Buenos Aires, and in 2020 participated in the Intensive Curatorial Program of Proyecto PAC at Galería Gachi Prieto, Buenos Aires. She received the Visual Arts Promotion Award at the 4th Visual Arts Week of the Ente Cultural de Tucumán. She was awarded an AUGM scholarship for an exchange residency at UNESP, São Paulo, Brazil. She also participated in the International Residency Program La Ira de Dios and in the Acéfala Galería Residency for Argentine artists.