Art Madrid'25 – ABSTRACT EXPRESSIONISM ARRIVES IN BILBAO

Mural, 1943- Jackson Pollock

 

 

Abstract expressionism is considered the first American movement within abstract art. American critics soon caught the emergence of the new style. Robert Coates is credited with the invention of the term, however the artists of this movement rejected this idea implying that they had nothing to do with abstract painting or German expressionism.

 

 

PH-950, 1950- Clifford Still 

 

 

 

The representatives of this current belonged to different nationalities and social groups, therefore it was a heterogeneous feeling. What they did have in common was the experience of historical events of such magnitude as the Spanish Civil War, two World Wars, the Great Depression, the Cold War, among others. The scale of the US as a world power fueled the confidence to proclaim itself queen of the artistic panorama at world-wide level. What stands out to this movement is the capacity of expression that shows in its works.

 

 

Excavation, 1950- De Kooning

 

 

Divided into two easily recognizable currents, the "action painting" that stands out for its movement, was the seed that germinated the primacy of action before the work. The gesture of painting spontaneously proclaims itself as a kind of psychic and physical automatism of the artist.


The other side, the "color-field" or painting of fields of color is an antecedent of the minimal movement. It was presented as an alternative to "action painting", focused on the color and language that it transmits. One of the characteristics of this aspect is the intensity with which its representatives fix the color in the fabric, making a monochrome with hardly any presence, a light and calm movement that contrasts with the vibrant reaction of the action paintings.

 

Blue gray- Mark Rothko

 

 

 

This movement removes the traditional barriers between painting and painter making the action a work of art. For this reason, the Guggenheim Museum in Bilbao together with the Royal Academy of London have wanted to pay tribute to this style with an exhibition that will open on February 3 and will be in force until June 4. Curated by David Anfam, Edith Devaney and Lucía Agirre, it promises to be an unavoidable event for this season.

 

 

At the most recent edition of Art Madrid, artist Luis Olaso (Bilbao, 1986), represented by Kur Art Gallery (San Sebastián), received the Residency Prize of the Art Madrid Patronage Program. This award, the result of a collaboration between Art Madrid, DOM Art Residence, and the Italian association ExtrArtis, enabled him to undertake an artistic residency in Sorrento (Italy) in August 2025.

Through initiatives like this, the fair reaffirms its support for contemporary creation—a commitment aimed at increasing artists’ visibility and strengthening art collecting through concrete actions such as acquisition prizes, recognition of emerging talents, and international residencies.


Artists in Residence. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


The DOM & ExtrArtis 2025 Residency Program took place in Sorrento from August 1 to 31, 2025. The artists lived together at Relais La Rupe, a 16th-century villa surrounded by cliffs and centuries-old gardens, which became an ideal setting for experimentation and exchange.

In this edition, residents worked around the theme “Reimagining Genius Loci”, an invitation to reflect on how the movement of people and traditions transforms the “spirit of place.” During the residency, DOM organized two public group exhibitions: the first to present the artists’ previous work, and the second to showcase the projects developed in Sorrento.


Work by Luis Olaso. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


Luis Olaso’s work moves between expressionist figuration and abstraction, always employing a pictorial language charged with strength and emotion. Initially self-taught, he later graduated in Fine Arts and has developed a solid international career, with exhibitions at venues including JD Malat (London) and Makasiini Contemporary (Turku, Finland), and participation in fairs such as Untitled Miami, Estampa, and Art Madrid itself.

His work is part of prestigious collections, including the Tokyo Contemporary Art Foundation, Fundación SIMCO, and the Provincial Council of Bizkaia, and has been recognized in competitions such as the Reina Sofía Prize for Painting and Sculpture and the Ibercaja Young Painting Prize.

In Sorrento, Olaso found a unique context to expand his pictorial research, engaging in dialogue with the Mediterranean landscape and the region’s historical heritage. The residency provided him with time, resources, and a framework for exchange with other international artists, fostering the production of new works that were later presented in the group exhibitions organized by DOM.


Luis Olaso working on his project. DOM & ExtrArtis. Image courtesy of DOM.

Luis Olaso’s experience at DOM Art Residence concluded with a public showcase of the works produced, reinforcing his presence on the international circuit and consolidating his position as one of the most prominent Basque artists on the contemporary scene.


Through initiatives such as this, Art Madrid demonstrates its active role as a platform for direct support of contemporary creation, creating opportunities for research, production, and intercultural dialogue that extend beyond the fair itself and accompany artists in their professional development.