Art Madrid'25 – ALBERT OEHLEN ON THE DEATH OF PAINTING

Untitled, 1994. Silkscreen and acrylic on canvas. Albert Oehlen

 

Albert Oehlen, Rhineland 1954. He began his training at the Fine Arts High School of Hamburg, later received knowledge on advertising and this boosted his artistic career. He began in the 80's in a generation of artists as well known as Martin Kippenberger or Werner Büttner. This group of nonconformists did not conceal their disagreement with the dominant ideology of their time. As for his work, it is necessary to emphasize his beginnings within the abstract expressionism in the "Neue Wilde", works of great size with a marked tone of social criticism.

 

 

Untitled (Head of idiot) 1988. Oil on canvas. Albert Oehlen

 

 

The main theme of the artist is artistic freedom. This force is reflected in his work with the incorporation of new techniques that wink at the past and generate a new sensation, which articulates a discourse both different and familiar. With his work, Oehlen brings his little bit of sand to the debate that arose at the end of the 20th century on the death of painting. His response, continue to paint, is his means of expression and protest.

 

 

Untitled (Tree 1) 2013. Oil on Dibond. Albert Oehlen

 

 

The exhibition at the Guggenheim Museum in Bilbao, curated by Petra Joos, explores the extent to which we are able to see beyond the artist's work. One of the characteristics of this display is the diversity between the different stages of the exhibition, just as Oehlen's work is disparate and familiar in equal parts. The common nucleus unites them and complements them articulating an anthological discourse of the artist.

 

 

He making pottery, 2012. Oil on canvas. Albert Oehlen

 

 

The exhibition, "Albert Oehlen: Behind the Picture" shows the whole essence of this genius recognized by all as a celebrated postwar artist, exhibits its pictorial complexity. The exhibition does not pretend to be a retrospective but a declaration of intentions that you can enjoy until February 5, 2017. The parts, "Self-portraits", "Paintings by computer", "Abstract paintings" and "Trees" are completed with a series Of activities that reveal all the internal keys of the exhibition.

 

 

 

At the most recent edition of Art Madrid, artist Luis Olaso (Bilbao, 1986), represented by Kur Art Gallery (San Sebastián), received the Residency Prize of the Art Madrid Patronage Program. This award, the result of a collaboration between Art Madrid, DOM Art Residence, and the Italian association ExtrArtis, enabled him to undertake an artistic residency in Sorrento (Italy) in August 2025.

Through initiatives like this, the fair reaffirms its support for contemporary creation—a commitment aimed at increasing artists’ visibility and strengthening art collecting through concrete actions such as acquisition prizes, recognition of emerging talents, and international residencies.


Artists in Residence. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


The DOM & ExtrArtis 2025 Residency Program took place in Sorrento from August 1 to 31, 2025. The artists lived together at Relais La Rupe, a 16th-century villa surrounded by cliffs and centuries-old gardens, which became an ideal setting for experimentation and exchange.

In this edition, residents worked around the theme “Reimagining Genius Loci”, an invitation to reflect on how the movement of people and traditions transforms the “spirit of place.” During the residency, DOM organized two public group exhibitions: the first to present the artists’ previous work, and the second to showcase the projects developed in Sorrento.


Work by Luis Olaso. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


Luis Olaso’s work moves between expressionist figuration and abstraction, always employing a pictorial language charged with strength and emotion. Initially self-taught, he later graduated in Fine Arts and has developed a solid international career, with exhibitions at venues including JD Malat (London) and Makasiini Contemporary (Turku, Finland), and participation in fairs such as Untitled Miami, Estampa, and Art Madrid itself.

His work is part of prestigious collections, including the Tokyo Contemporary Art Foundation, Fundación SIMCO, and the Provincial Council of Bizkaia, and has been recognized in competitions such as the Reina Sofía Prize for Painting and Sculpture and the Ibercaja Young Painting Prize.

In Sorrento, Olaso found a unique context to expand his pictorial research, engaging in dialogue with the Mediterranean landscape and the region’s historical heritage. The residency provided him with time, resources, and a framework for exchange with other international artists, fostering the production of new works that were later presented in the group exhibitions organized by DOM.


Luis Olaso working on his project. DOM & ExtrArtis. Image courtesy of DOM.

Luis Olaso’s experience at DOM Art Residence concluded with a public showcase of the works produced, reinforcing his presence on the international circuit and consolidating his position as one of the most prominent Basque artists on the contemporary scene.


Through initiatives such as this, Art Madrid demonstrates its active role as a platform for direct support of contemporary creation, creating opportunities for research, production, and intercultural dialogue that extend beyond the fair itself and accompany artists in their professional development.