Art Madrid'26 – ART AND FRESH AIR FROM LEVANTE TO ART MADRID\'17

Calo Carratalá. Jungle Study 1. Pencil composed on paper. 122 x 181 cm. 2016

 

 

The Alba Cabrera gallery began its activity in 1987, and since then has been holding temporary exhibitions and participating in national and international fairs, with the clear objective of promoting and publicizing the work of its artists. In recent years it has focused mainly on the diffusion and promotion of young values, without neglecting the exhibition of its most consecrated artists. Victoria Santesmases, José Juan Gimeno, Cristina Alabau and Calo Carratalá.

 

Among the artists that will be exhibiting at the Alba Cabrera gallery stand, the novelty of Art Madrid Cristina Alabau and Calo Carratalá stands out as the first interlacing of the natural and abstract, Mediterranean light takes on the most prominence. While, Carratalá bets on more suffering and neutral works. Two very new bets in this edition.

 

 

Juan Uslé. Submerged Word. Vinyl, dispersion and pigments on canvas. 198 x 112 cm. 1993

 

 

The Benlliure Gallery was founded in 1984 and has been developing its activity towards a quality line in preference to consolidated values, without leaving aside young artists living with the School of Paris, Grupo El Paso, historical avant-gardes, Spanish landscaping Of the 20th century and modern and contemporary artists. They participate in our fair with works by Fernando Zóbel, Rafael Canogar, Esteban Vicente, Juan Uslé and Carmen Calvo.

 

Carmen calvo, an experienced artist in the field of contemporary conceptualization of the fragment and Juan Uslé who bets on a practically abstract painting with figurative resonances that starts from a specific motive: the maritime and romantic landscape of shipwrecks or mythical voyages. They are two of the strongest proposals of this gallery.

 

 

Angel Mateo Charris. The question. Oil on canvas. 75 x 150 cm. 2013

 

 

The La Aurora Gallery, in Murcia, opened its doors in 1994 and works with over 350 artists, making a total of 7,000 works of art, eminently original graphic work of some of the great names of art such as Picasso, Dalí, In Art Madrid 17 we can enjoy a proposal made up of the artists Ángel Haro, Ángel Mateo Charris, Gonzalo Sicre, and Marcos Salvador Romera.

 

Gonzalo Sicre, in particular is one of the most interesting figurative artists in Spain. Together with Ángel Mateo Charris, previously mentioned, Joel Mestre and Dis Berlin, formed the collective The Dock of Levante in the early 90's.

 

 

Andrés Ferre. Gynaika II-020. Photography, technique of the artist. 131 x 98.26 cm. 2013

 

 

Galería Leúcade, founded in 2013 has wanted to innovate the art world in Murcia and offers diverse styles within contemporary art, cultural activities and workshops with new artists, helping them to make their way in the artistic world. It is a living space in which you can enjoy the art every week in a different way than usual and there are those who have compared it with The Factory, since it is a meeting place for many artists of all disciplines, in addition Of being used as space of creation for some of them. Lucas Brox, Andrés Ferre, Óscar FERRENAVARRO, Celia Reche and Jean Carlos Puerto are the artists with whom they participate in our fair.

 

One of the main characteristics of the Leúcade gallery is its commitment to local art, since all its artists are from Murcia. Although there is no direct thread between them, eclecticism and variety are strong.

 

 

 


ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26


Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.


PERFORMANCE: OSCURECER UN PAPEL. BY ROCÍO VALDIVIESO

March 5 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.


Nocturnality. Installation. Rocío Valdivieso..


Oscurecer un papel forms part of a series of actions in which the artist engages in reading through repetition, memorization, and a measured degree of improvisation. Within this framework, a non-linear mode of reading emerges from a written text that is transformed when spoken aloud, assuming a different form in the act of articulation. The texts stem from an ongoing investigation into materiality, space, the relationships between body and matter, writing, the sculptural, and a sustained interest in the exploration of voice and orality.

The material from which Oscurecer un papel is constructed consists of a collection of purchase receipts the artist has been accumulating over time. The printed text they contain, together with the action of bringing them into proximity with a heat source—thereby activating the thermal paper on which they are produced—generates meanings that revolve around the notions of consumption and wear.


Rocío Valdivieso. Latent Aura. Performance documentation.


ABOUT ROCÍO VALDIVIESO

Rocío Valdivieso is an artist, researcher, and cultural manager. She is currently a PhD candidate in Fine Arts at the Complutense University of Madrid. She holds an MA in Research in Artistic Practices from the University of Castilla–La Mancha (UCLM) and a BA in Fine Arts from the National University of Tucumán, Argentina. She was a Fundación Carolina fellow from 2022 to 2023. She currently co-directs Errática. Laboratory of Processes and Critique in Madrid, alongside Romina Casile.

She was part of the PEEPA 2023 Program at the Centro de Residencias Artísticas, Matadero Madrid. She completed the 2021/22 Artists Program at Universidad Torcuato Di Tella, Buenos Aires, and in 2020 participated in the Intensive Curatorial Program of Proyecto PAC at Galería Gachi Prieto, Buenos Aires. She received the Visual Arts Promotion Award at the 4th Visual Arts Week of the Ente Cultural de Tucumán. She was awarded an AUGM scholarship for an exchange residency at UNESP, São Paulo, Brazil. She also participated in the International Residency Program La Ira de Dios and in the Acéfala Galería Residency for Argentine artists.