ART AND FRESH AIR FROM LEVANTE TO ART MADRID\'17

Calo Carratalá. Jungle Study 1. Pencil composed on paper. 122 x 181 cm. 2016

 

 

The Alba Cabrera gallery began its activity in 1987, and since then has been holding temporary exhibitions and participating in national and international fairs, with the clear objective of promoting and publicizing the work of its artists. In recent years it has focused mainly on the diffusion and promotion of young values, without neglecting the exhibition of its most consecrated artists. Victoria Santesmases, José Juan Gimeno, Cristina Alabau and Calo Carratalá.

 

Among the artists that will be exhibiting at the Alba Cabrera gallery stand, the novelty of Art Madrid Cristina Alabau and Calo Carratalá stands out as the first interlacing of the natural and abstract, Mediterranean light takes on the most prominence. While, Carratalá bets on more suffering and neutral works. Two very new bets in this edition.

 

 

Juan Uslé. Submerged Word. Vinyl, dispersion and pigments on canvas. 198 x 112 cm. 1993

 

 

The Benlliure Gallery was founded in 1984 and has been developing its activity towards a quality line in preference to consolidated values, without leaving aside young artists living with the School of Paris, Grupo El Paso, historical avant-gardes, Spanish landscaping Of the 20th century and modern and contemporary artists. They participate in our fair with works by Fernando Zóbel, Rafael Canogar, Esteban Vicente, Juan Uslé and Carmen Calvo.

 

Carmen calvo, an experienced artist in the field of contemporary conceptualization of the fragment and Juan Uslé who bets on a practically abstract painting with figurative resonances that starts from a specific motive: the maritime and romantic landscape of shipwrecks or mythical voyages. They are two of the strongest proposals of this gallery.

 

 

Angel Mateo Charris. The question. Oil on canvas. 75 x 150 cm. 2013

 

 

The La Aurora Gallery, in Murcia, opened its doors in 1994 and works with over 350 artists, making a total of 7,000 works of art, eminently original graphic work of some of the great names of art such as Picasso, Dalí, In Art Madrid 17 we can enjoy a proposal made up of the artists Ángel Haro, Ángel Mateo Charris, Gonzalo Sicre, and Marcos Salvador Romera.

 

Gonzalo Sicre, in particular is one of the most interesting figurative artists in Spain. Together with Ángel Mateo Charris, previously mentioned, Joel Mestre and Dis Berlin, formed the collective The Dock of Levante in the early 90's.

 

 

Andrés Ferre. Gynaika II-020. Photography, technique of the artist. 131 x 98.26 cm. 2013

 

 

Galería Leúcade, founded in 2013 has wanted to innovate the art world in Murcia and offers diverse styles within contemporary art, cultural activities and workshops with new artists, helping them to make their way in the artistic world. It is a living space in which you can enjoy the art every week in a different way than usual and there are those who have compared it with The Factory, since it is a meeting place for many artists of all disciplines, in addition Of being used as space of creation for some of them. Lucas Brox, Andrés Ferre, Óscar FERRENAVARRO, Celia Reche and Jean Carlos Puerto are the artists with whom they participate in our fair.

 

One of the main characteristics of the Leúcade gallery is its commitment to local art, since all its artists are from Murcia. Although there is no direct thread between them, eclecticism and variety are strong.

 

 

 

Buying the first work of art always instils respect. A difficult feeling to define that mixes vertigo with adrenaline. But over uncertainty and caution, a pleasurable sense of connection, understanding, and desire prevails. That work that, once seen, stays in the mind, reappears in the memory several times a day and seems to tell you that it is willing to be part of your home, is the perfect candidate to make the decision.

In the first steps, many collectors do point out that one does not start from an established plan, but rather that one acquires pieces based on taste and the connection one feels with them until, after time, they realise that the volume of works that accumulates can be labelled as a "collection". For example, this is how Alicia Aza explains it:

“I was not aware that I was collecting until many years later when a third party named me as a collector and talked about my collection. In 2005, I became aware of what collecting means and decided to articulate a collection with an identity of criteria and formats”.

Marcos Martín Blanco, co-founder, with his wife Elena Rueda, of the MER Collection, shares this same opinion:

“Collecting has been a passion, driven by a visceral state that encourages you to do so. The collection, in terms of acquisitions, has not been particularly complicated because, let's face it: it is easy to buy because they are all beautiful things and you have some clear idea of where you want to go, but at first those preferences were not so clear. It is with the time that a criterion is being formed”.

It is not always this way, of course, but for the buyer who starts out on this path, the personal connection that entails the first piece is essential. There it is the germ of a lasting relationship that is not limited to a simple aesthetic question but is an open window to knowledge, to exploration, to a world that is often unknown to us and awakens our fascination. The seed of that connection is purely sentimental, and it is precisely this impulse that determines the first acquisitions. The first piece is never forgotten.

Art Madrid'20, photo by Ana Maqueda

Exceeding the usual recommendations made by advisers and agents, rare is the occasion when the art lover decides to buy by pure investment. These paths usually open later, when the volume of pieces is large enough. In addition, there are those who are a bit against this classic concept of the traditional collector, approached from an eccentric, elitist and little accessible vision. On the contrary, art buyers are, above all, art lovers, sentient beings and permeable to creative stimulus who, at a given moment, decide to deepen the relationship they already have with art to take a piece home.

It is not that hard to overcome that small psychological barrier that turns the visitor into a buyer if one approaches the matter from a more personal and intimate perspective than from social consideration. Small-format works, graphic work or serial photography are of great help for this, whose price range, generally more affordable, allows a closer comparison to the daily basis expenses. In this way, the purchase of art falls within the range of feasible activities and becomes something close and possible.

Art Madrid'20, photo by Marc Cisneros

At that moment, a different relationship with art begins, based on pure experience and coexistence with the acquired piece. Perhaps it can be seen as an act of daring, but on many occasions, it is more a matter of necessity and transformation. Collectors also agree that the acquisition of an artwork is an exercise on personal analysis and opening up to a new field of knowledge that was previously alien to us. Alicia Aza explains that the reason she acquired her first piece of video art, by Sergio Prego, is because she did not understand it and because she saw it as a challenge and an opportunity to self-improve. This open window to knowledge creates new connections and bonds with creators, as one of the most fascinating parts of the process. Candela Álvarez Soldevilla explains that

"I think the most interesting thing in the art world is talking to artists. They are people with a special sensitivity to listen and understand.”

And Alicia Aza also says:

"I can share the satisfaction of being able to count on many artists in my circle of close friends today, and that is a long way to go."

Thus, with works that seem acceptable within the horizon of expenses that each one considers affordable, it is easy to find a piece that catches us. Since then, our home also evolves into a space in which art has a permanent place and presence, and there is no doubt that this transforms us inside.

Art Madrid'20, photo by Henar Herguera

Jaime Sordo, owner of Los Bragales collection and founder of the 9915 Contemporary Art Collectors Association, has always defined his relationship with art as a true passion and a vital necessity. For buyers who start on this path, he has the following recommendation:

“It is an essential condition that they feel the need to live with their passion to enjoy the works. Another very important aspect is that before making decisions for purchases, they are informed, so it is necessary to read specialised newspapers and books, visit exhibitions and museums and a lot of contact with galleries, which is an important and very specific source of information of the artists they represent. Finally, the presence in national and international art fairs. All this generates information and training.”

Indeed, fairs have become a good place for discovery because they condense a wide offer and allow diverse and global contact in a concentrated way. For this reason, many new generation buyers start in the context of an event such as Art Madrid, whose closeness and quality constitute a unique opportunity to meet, soak up and feed the passion for art.

(*) quotes taken from various interviews published in public media between 2013 and 2019.